March 8 Red Banner Bearer Ji Fengzhen's stage spring and autumn

March 8 Red Banner Bearer Ji Fengzhen's stage spring and autumn

Ji Fengzhen is an actor who is familiar and loved by fans of Jin opera in Zhangjiakou. Over the years, she has created a lifelike artistic image of the people on the theatrical stage. Now the vast number of audiences still remember her euphemistic and rounded singing voice and solemn and condensed work.

Ji Fengzhen is a native of Zhao County, Hebei Province, at the age of 13, she went to Yuci County, Shanxi Province, to join her aunt's family, she has been related to Jin opera since she was a child, and she learned drama from a theater fan in the same courtyard of her aunt's family, and her uncle also asked someone to teach her drama, and she has the basic qualities of being a drama actor. Later, she worshiped the famous character "Jade Dog Dan" as a teacher and formally learned drama. He also paid homage to Li Hongfa, the "New Year's Day" of "Root New Year's Day", who was extremely famous in the Shanxi Jin opera circles, and through the guidance of the famous actor Li Lanting, his art was greatly improved. Four years later, Ji Fengzhen began to enter the path of drama and life independently.

Ji Fengzhen took jinkui and Hao Zhenban of Jinzhong Wang, and after continuous tempering, her artistic style grew day by day, and gradually became recognized by the audience, and she provoked the girder in the drama class, and followed the class to beijing Dashilar "Guangdelou Theater", "Chang'an Grand Theater" and "Auspicious Theater" to perform.

Performances in Beijing made her famous. During her time in Beijing, she absorbed the rich nutrition of Peking Opera and opera performance artists and integrated them into her own performance style, making her performing arts mature. After returning to Zhang, she went to Zhangbei to enter Luo's class, and half a year later, she returned to the Taiyuan "Xinmin Theater" and received the guidance of Gao Wenhan, who was "storytelling red". Her singing incorporates her own unique singing style, low back and gentle, and the words are round. In terms of expression, she is sincere and sincere, and her actions are real, credible, solemn and generous. After that, she was invited to perform at the "Tonghe Theater" in Guisui (Hohhot), and returned to the "Xinmin Theater" in Taiyuan four months later. In Xinhua Tea Garden, he performed with Ding Guoxian in "Walking on the Snow Mountain" and "Shilang Visits His Mother".

In 1946, Ji Fengzhen performed in Zhangjiakou "New New Theater". At the end of 1948, Zhangjiakou was liberated, and she began to embark on the artistic path of serving the people.

After liberation, she responded to the party's call to study politics, culture, and art. Her political consciousness has been greatly enhanced, and in cooperation with various political activities, she has performed dramas such as "Production Degree Famine", "Little Erhei Marriage", "Jianghan Fishing Song" and "Tiger Head Card", which truly restored her artistic youth. In 1954, the first opera observation performance held in Hebei Province won the third prize of the actor's performance of "Wanfu Baoyi"; in 1956, she was rated as an advanced worker and attended the provincial advanced workers' representative meeting; in 1959, she was named the "March 8th Red Flag Bearer" of Zhangjiakou City, and in the same year she joined the Communist Party of China with honor; in 1959, she went to Beijing to report on the performance, "Holding the Pillar", "The Orphan of Zhao", "June Snow", "Chunxiang Biography" and other plays were very popular. Comrade Tian Han, chairman of the China Dramatists Association, personally visited the theater and gave high praise to their creations and performances.

Ji Fengzhen has good facial features, handsomeness, a slim figure, and is beautiful and beautiful in appearance, and is generously looked at. She has also visited famous teachers and been guided by many famous teachers, so she has deep skills, hard kung fu, and standardized acting skills. Ji Fengzhen pays great attention to makeup, and she uses the weight of the powder to indicate the age of the character and the background of the character. Her gestures are graceful, her eyes are full of god, and her body style, waist strength, leg style, and footwork are all cleverly coordinated. Her singing voice is beautiful and euphemistic, and although her voice is a little hoarse, her voice is sweet and pleasant, and her words are clear, and every word is clear.

The role played by Ji Fengzhen is very graphic. In "Three High-Fives", Ji Fengzhen plays Wang Baojun. The color ball hit Xue Pinggui, and Daddy wanted to repent, so she sat there steadily, convincing Daddy than the present. After arguing with her father, she would rather clap three times than regret the complicated mood of marriage, which is very moving; Wang Baojun in "Wujiapo" is a big girl, who fell into the cold kiln to dig wild vegetables to live and became a village woman; Wang Baojun in "Counting Grain" is joyful and swings to Xiangfu to count grain; In "Fenhe Bay", she plays Liu Yingchun, Xue Rengui Zhengdong returns to be happy to be reunited, Xue Rengui finds that there are men's shoes in the house, suspects that she is not chaste, and she cried at once, clapping her legs and shouting, "East Neighbor, West Aunt's House, Don't let us raise dolls", which made people laugh in the audience; Cao Yulian, played in "Walking the Snow Mountain", is a Miss Qianjin who has not been out of the house, and the situation of running on the snowy mountain is only wonderful; Qin Xianglian in "Qin Xianglian" is a typical example of not fearing power and daring to adhere to the truth; in "Erjin Palace", she plays Li Yanfei, who is trapped in the palace and looks forward to the hope of people who are worried and frowning; zhou Guiying in "Qingfeng Pavilion", encounters rain on the road, the road slips left and right and almost falls, and the umbrella in her hand is beautiful and beautiful.

In the past, there was no set on the stage, relying on virtuality to represent, she used the performance to virtualize a Qingfeng pavilion on the stage, raised her legs and bowed her head to indicate entering the pavilion, put the umbrella on the ground, shook the water sleeves and skirt to shake the rain on it, sat there, suddenly remembered the baby abandoned here thirteen years ago, and entered deep thinking. Zhang Yuanxiu chased after her son Zhang Jibao to this point, she thought of persuading to solve the matter, carefully looked at the old and the young, and then became suspicious and saw the flaw. She began to inquire about Zhang Yuanxiu, and learned that Zhang Jibao was her abandoned biological son, and she was overjoyed, and Zhang Yuanxiu competed for her son at all, and joyfully led the child away.

Ji Fengzhen and Wang Guilan, Liu Yuchan acted in "Butterfly Cup", she played Mrs. Tian in the play, in the second hall of the cup, stepping on the gong and drum, slowly walking on the field, turning around and sitting back after the front desk entrance, it gave the audience a good impression. Then the family member Tian Mingyu reported that "there was a woman outside the door, saying that the niece of the wife's mother's family wanted to see", and she said in passing, "The old Taiyuan people's clan, there are no nieces in the family, even if there are nieces who are far away from the mountain, they can't get here." Tian Ming said, "That woman said, if you want to meet again, please look at the butterfly cup", she turned her eyes and said in surprise, "What, what, butterfly cup?" Immediately feeling that there must be something hidden in it, he suggested that Tian Yunshan summon the women to the second hall for questioning. When Hu Fenglian cried out the injustice of killing her father, she sat there again, staring at Hu Fenglian with her eyes fixed on her, and slowly asked, "Where does this woman live, and who is her last name?" Don't be afraid, sit on my lord, what a grievance, who killed your father, forced your father to die, and said slowly." When Hu Fenglian told her about the injustice of killing her father, she stood up and looked at Hu Fenglian carefully, and threw the fan down, "There is an old body in the ertang to watch with her eyes, and the fisherwowo woman kneels in the second hall and does not dry up", expressing sympathy for Hu Fenglian's suffering. Hearing that it was her son who had saved her father, she raised an eyebrow, happy to have a clue from her son, and increased her confidence to continue to inquire. Hu Fenglian said that she had let Tian Gongzi go, and Ji Fengzhen suddenly smiled happily, "It turned out that the benefactor had arrived, please get up quickly, Tian Ming will watch the seat."

This drama Ji Fengzhen acted very wonderfully, from the beginning to the end of the face is a play, the eyes are a play, the mouth is a play, the hand is a play, the foot is a play, there is no place on the body that is not a play, and it is not tired of watching.

"Yangmen Female General" is Ji Fengzhen's masterpiece, in which she plays She Taijun. Yang Fu was congratulating Yang Zongbao on his fiftieth birthday when he heard the bad news that Yang Zongbao had died on the battlefield. She Taijun sat there motionless, her eyes filled with two teardrops that did not flow out. This is Ji Fengzhen's stunt, real kung fu, showing She Taijun's inner grief.

Ji Fengzhen has been in Zhangjiakou for many years, leaving a deep impression on the people of Zhangjiakou, making great contributions to the cause of Jin opera in Zhangjiakou, and is the favorite actor of Zhangjiakou audience. (All rights reserved)

◎ Wang Yongjiang