<h1 class="pgc-h-arrow-right" > inexplicable movie</h1>
Most movies, we can subjectively judge them as "good" or "not good".
But some movies can't be so arbitrary, at least it can bring a different viewing experience — even if this experience is difficult to express in words, and even a little absurd in a way.
Recently, I got such a movie: "The Great Nothingness".
A 2003 Hollywood movie, the main actors are also good mainstream filmmakers, but in a certain role is only 127 scores, just a few ratings are also polarized... Kind of interesting, right?
<h1 class="pgc-h-arrow-right" > cannot be classified</h1>
Although this film carries the label of "drama/suspense/sci-fi/comedy", it does not really belong to any of these genres, and strictly speaking, it should be regarded as a surreal movie.
The temperament is a bit like Buñuel's Phantom of Freedom.
In particular, the playful, absurd, vaguely pointed but paradoxical psychedelic shots make people feel something more interesting beyond the boundaries of literal expression.
It's not without plots, there are.
"The Great Nothingness" tells such a story: a middle-aged actor who wasted firewood and fell into the wood, in order to pay off the card debt, temporarily became a film company sender. But he suddenly received a commission to deliver a blue suitcase to a motel in the desert and give it to a guy known as a cowboy.
Along the way, he encounters all kinds of strange things and inexplicable weirdos.
By the time he saw the non-verbal cowboy, he had 15 more boxes on his bed. There was no way, in order to get a high amount of commission money, he could only stand up to the cowboy, in the middle of the desert, with a box to pose, as if round and not round, strange and inexplicable.
15 boxes for 15 people.
After three days of sleep, everyone was gone. feel...... The delivery talent is the real goods to be delivered, the box is actually the money given to him. Along the way, aliens, flying saucers, the FBI, big beauties, money, Hollywood, all kinds of weirdness, just no one can figure out what's going on.
Basically, after the film starts delivering goods from the protagonist and the psychedelic plot begins, the screenwriter seems to be sniffing a lot, and insists on pulling the audience together.
< h1 class="pgc-h-arrow-right" > why it is recommended</h1>
The protagonist, Jon Feiru, is a third-line actor, but you should have met him, and this is The Hapi in the Iron Man and Avengers series — not only is Iron Man dead, he is not dead, but you know, the first two episodes of Saving Marvel, "Iron Man", are directed by this guy who doesn't seem very smart.
In addition to him, there is Also Sean Bin, who has never received a good death on the screen. That's right, Daddy Wolf in Game of Thrones, Boromir in The Lord of the Rings. But in this film, uh, strictly speaking, it's not dead... Right?
Then there's the sweet-looking Rachel Ray Cook, who is in charge of beauty and eye-catching, and makes sure the audience has something to watch when the plot doesn't move forward.
Well, these are actually the masters who are particularly good at picking scripts, or they all like to habitually let go of themselves. But in the film "Great Nothingness", you can completely ignore these actors.
Because this movie gave me such a five-figure lover, a long-lost experience, that is, "Ha, the movie is still made like this" small surprise.
It's like aliens driving a spaceship to kidnap us for watching a movie. Strange, obscure, and ultimately seems to want to say, that is, everything is nothing, meaningless... But, don't you want to try it?