Everything is so sudden, a few days ago because of the lack of tickets to the North Film Festival and distress, the result of yesterday's resources out, or the Chinese version. Well, if you can see it in the theater, please wait a little longer and go to the theater.
However, for those of us who have no chance of getting into the theater, we can try it first.
Yes, the highly anticipated Japanese film "Fury" has it, and I want to see my own pig or B station.
Douban wants to see more than fifteen thousand people, as a new film of Japanese film, it is quite powerful to want to see such a high number.
As a new film will be expected by so many people, mainly the lineup itself, is too powerful. Director Lee Sang-il is also a very popular director in Japan after the new millennium, and there are not many works in Japanese and Korean directors, but there are many films that can be taken out to talk about.
When I first knew this director because of watching his "69" and "Paradise Disqualification", the original "69" was also endless sunshine and youthful beauty, as well as the incomparably beautiful Masanobu Ando and his wife Satoshi Mu
The film is based on the novel of Murakami Ryu, Miyato Kankuro as a screenwriter, wireless nostalgic youth, rock music and friendship blood, at that time the art and music of this film left a deep impression on me, but also a good nostalgia or youth film.
The subsequent "Paradise Disqualification" is also liked by many people, plus the lineup is also very good.
It is also a subject that young directors love to touch very much, very rock, very young, and a lot of dissatisfaction with society.
The subsequent "Fuso Flower Girl" won the first place in the top ten of Japan's Ten Newspapers, which also made him begin to enter the mainstream vision
After that, it was "The Wicked Man" that once again won the first place in the top ten of the ten newspapers
It also made more mainland movie fans familiar with him, and "Wicked Man" is also another cooperation between him and his wife, Satoshi Mu, as well as a collaboration between him and Shuichi Yoshida.
Shuichi Yoshida's novels have always been very popular, and they have often been adapted into movies, including my favorite "Cohabitation Life", the above-mentioned "Wicked Man", as well as "Hard Labor Train", "Goodbye Valley", etc., of course, the popular "Yokomichi Seinosuke", also from Yoshida Shuichi's works.
"Fury" is also a novel by Shuichi Yoshida and is also a highly discussed one. This novel is similar in style to "Wicked Man", both are wrapped in crime stories, and the whole plot will be more depressing and cold. Perhaps, this is also the reason why this film will find Lee Sang-il to direct, after all, he is still very successful in the "Wicked Man" period.
The "Wicked" duo is back, bringing a new adaptation of the popular novel. The cast is also further upgraded.
Because this is a three-line story, three groups of characters, three clues, it means that there must be at least six or more main actors, and it is rare to achieve an all-star configuration.
You've seen it in terms of lineup, it's very powerful, it's all familiar faces.
Therefore, with such a lineup configuration, it is difficult not to be noticed.
Of course, the story itself is also very attractive, and Shuichi Yoshida's novel still maintains the standard, because it is a crime background, so it has a strong suspense support from beginning to end, and you will constantly guess who is the real culprit. At the same time, each story line has a very delicate emotional description, and the individual stories also have their own charms. At the end, there is sadness and anger, and back to the theme, trust, doubt, anger...
The film is led by a murder case, a murder in the Hachioji area of Tokyo, the husband and wife were both killed at home, the murderer escaped, and only a word "anger" written in blood was found at the scene
The prisoners have disappeared, the police have no way to issue a national wanted notice through the media, and there is basically no news, like finding a needle in a haystack
The photo of the real murderer Yamajinichi is very interesting, and you can talk about it later.
In short, this person was not caught, and it was suspected that he had fled through plastic surgery. That's the background.
Against this backdrop, the story unfolds, with mysterious people of unknown origin appearing in Tokyo, Chiba, and Okinawa, each breaking into a peaceful family and leading to a series of stories. Among them, who is the real culprit and who is just a misunderstanding, we do not know.
However, the background of this crime has had a great impact on the three people. The three people are Kenichi Matsuyama
Tsuyoshi Ayano
And Moriyama Future
I really haven't connected these three people before, but I don't want to say that they are a bit alike, and they are a bit similar after watching for a long time. Or rather, they each have the characteristics of a suspect.
Including this photo of the suspect, I always suspect that it is in the image of three people P together, although, it looks more like Yutsumoto
Of course, it doesn't really matter how much the three people look like the suspects. Like the theme of the film, it's not about whether they're suspects or not, it's about whether you believe they're suspects or not.
Trust and doubt are what the film really wants to say.
The three stories take place in three places, and the three groups of characters have no other intersection with each other except that they may be real murderers, and they are in tokyo, Chiba and Okinawa, three different places. Three completely separate stories, but with similar themes. Interlacing and intertextuality has also become the beauty of the film.
The story of Chiba, the protagonists are Aoi Miyazaki and Kenichi Matsuyama, as well as Ken Watanabe
This part takes place in Chiba, and the background of the Watanabe family in the original book should be fishery, which is also the relationship between the two generations in the three groups is relatively deep, so the overall image style will be quieter and warmer. Moreover, the story itself has some healing flavor.
In the original novel, this story seems to be the first story, starting from the father-daughter relationship between Ken Watanabe and Aoi Miyazaki. In the original book, Aoi Miyazaki's character seems to be a slightly fat girl, and it is actually quite unexpected for her to play this role. In terms of image, the biggest change is the eyebrows, which are very light.
Aoi Miyazaki's character is a loser, and there are some problems, so he will lose the Wind Moon Field. Her father didn't know how to help or save her, and he felt cautious.
The appearance of Kenichi Matsuyama is actually more like the life-saving straw of the role of Xiao Aoi, so that her life has regained its glory. Kenichi Matsuyama's identity is that of a migrant worker from out of town who helps Ken Watanabe, and is also a mysterious person with unknown background.
So this part will also be warmer
The second story is Tokyo, and the protagonists are Satoshi Mu and Tsuyoshi Ayano
This is also the most discussed set of stories before, after all, the two actors are very popular, and the two challenge is a same-sex partner. The plot of the two of them is that their husband, Satoshi Mu, accidentally meets the homeless Ayano Tsuyoshi in search of a partner, and then takes him back to his home.
What's more, the two also have a particularly passionate bed scene. In the impression, the bed scene focused on the whole film is mainly focused on these two people, which is very hot and can make your impression of two people greatly change.
Very carnal
At that time, I saw the introduction, saying that my wife, Satoshi Mu and Tsuyoshi Ayano, had lived together for a while in order to cultivate their feelings, and they were very responsible actors, and the two really seemed to be friends.
You see Xiao Qi's eyes are full of shyness and femininity
Tokyo is partly a same-sex couple, the occasions for entering and leaving are also more lively, and the visuals are more fancy, and the feeling of drunkenness and gold is full of desire.
The passion play between the two is also very eye-catching, and you will know it when you look back and see it yourself.
In addition to his wife, Satoshi Mu, Ayano Tsuyoshi is also very worth mentioning, and the appearance is very good.
Because the last time I saw him was "The Worst Guys in Japan"
Inside is a jianghu retro cop, especially rough guy especially straight male setting.
As a result, turning back in "Anger" became full of miserable little suffering, very powerful
Because of the homosexual identity of the two, this section also discusses many topics that same-sex audiences will pay attention to, such as facing their families and old classmates, who will still plague their same-sex identity.
Unstable emotional relationships, etc., it is estimated that some people will have more empathy.
The third story takes place in Okinawa and is characterized by Hirose Mitsuru, Mirai Moriyama, and a newcomer named Saku Honho
The story takes place in Okinawa, and the hot weather and ocean become the visual features of this part.
The mysterious person in this part is Moriyama Mirai, a traveler from an unknown source who encounters Hirose and Sakumoto.
Another point in this story is that it is set in Okinawa and explores the US military base there. Among them, SakuMoto's father is a person who has been working hard at home and goes out to protest every day.
And what happened to Hirose after that is also related to this setting.
It is probably these three people who break into the lives of the three families, bring them changes, and gradually become familiar with them, but they also break the calm because of the murder case at the beginning of the film.
Because they are all mysterious strangers, who is it, can you trust him, is he really a cruel murderer?
Skepticism begins to change the story.
The problem is that there is only one real culprit, but there are three suspects, and at the very least, two of them will be innocent. So, can the emotions and trust you built with him make you trust him?
The ensuing anger was also elicited. Anger brought about by distrust and contempt, anger brought about by remorse because of wrongly blamed a loved one, and so on.
In addition to suspense, there is also a very delicate emotional relationship. Many of the actors in it performed very well.
Aoi Miyazaki, Satoshi Maki, and Hirose all cry bitterly at the end, but I won't spoil why everyone is crying.
Among them, two people cried bitterly to impress me.
It's such a movie, although it is three stories, but it is completely edited and mixed together. Set against the backdrop of a terrible crime, it is never the case that is explored, but a story that elicits from that case. They are parallel to each other, seemingly unrelated to each other, and there are inextricable links behind them.
And from this, to look at the life or psychological conditions of contemporary Japanese people.
After reading it, will you understand the meaning of this "anger"?