As an honor student in the animation industry, Pixar has already won an Oscar and has already received hand cramps.
Absent from oscars last year, this year's Pixar is clearly coming back. Not counting the Oscar for Best Animated Feature, Sanjay's Super Sentai, based on a true story, was also nominated for Best Animated Short.
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scene
The film has a unique style, exquisite picture, rich colors, vivid composition, and careful design...
Whale Dream Fungus wants to give the art of this animation an 8.
From the scene point of view, the window in the middle and the symmetrical composition of the left and right correspond from beginning to end, and the relationship between the characters and the atmosphere of the environment are set off at the beginning.
At the beginning of the story, the father and son sit with their backs to each other, and the curtains are also closed; at the end of the story, the father and son are in the same scene, but they are facing each other to watch Sanjay's paintings, and the curtains are also opened. The contrast between the beginning and the end is generated, and the theme of mutual understanding and tolerance between father and son is perfectly interpreted.
From the perspective of human design, Sanjay's setting is very Indian. Big eyes, awl face, wheat-colored skin, this is the rhythm of casually opening an ins account to become an Internet celebrity.
Looking at the setting of the demon, black and purple convey a mysterious and terrifying perspective experience, setting off the terrible image of the villain.
As a symbol of the darkening of the gods, its opposite is the three gods of traditional Indian culture. Demons can be understood both as an illusion created by Sanjay's inner fear after the candle is extinguished, or as an erosion of traditional culture by mainstream culture.
The fight between the three gods and demons is the highlight of this film, the bright and dazzling color scheme is bold and innovative, and the stream of consciousness scene and special effects are undoubtedly the best embodiment of the battle between gods and demons.
This advertising special effects level action scene is enough to see Pixar's technical excellence.
In the end, Sanjay drew the three gods in the fantasy in the form of a super team, echoing the title of the film, and a face of blood sprouted.
With artistic innovations and breakthroughs, Pixar won an Oscar nomination for this short film, which is also well deserved.
plot
As far as the plot is concerned, the intention of this film is ingenious, showing the big proposition of cultural reconciliation with the different positions of father and son on traditional culture, and seeing the big picture with the small.
The director once said in an interview that this short film has been done for three years, which shows Pixar's intentions in animation.
The last three-dimensional photo undoubtedly adds a lot to the film, and the animation based on real people is even more moving.
But it is also because it is adapted from a true story, the script itself is not new, every child has had a similar experience in childhood, fantasized about monsters and gods, and also had conflicts and mutual incomprehension with their parents. It's just that the author can sincerely express these feelings, so it resonates with everyone, Bo
People will just smile.
Although some people may think that the plot of this short film is relatively simple and does not reach the depth of the "Oscar level", the religious theme is always the wisdom of the benevolent, and only by truly understanding the background of Indian culture can we understand the connotation expressed behind the story.
There are stories, emotions, and fights, and this film does not lose the commercial film of the theater in terms of entertainment.
Different Hamlets, however, have different views. For audiences who only like "Minions", "Madagascar Penguins" and "Kung Fu Panda 3", which are based on selling cute treasures, Pixar's animation should be a hypnotic weapon.
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Short film | Sanjay's Super Squad
Directed | Sanjay Patel
Pull tablets | qiiip