The British BBC popular TV series "Mistress" will be remade as a Japanese drama Kyoko Hasegawa starring

▲

It is reported that the Japanese drama "The Secret of Mistresses Women" is remade from the popular TV series "The Mistresses", produced by the British BBC to the third season, starring actress Kyoko Hasegawa, and has been broadcasting on the NHK General Television drama series at 10 o'clock (broadcast every Friday at 10:00 every Friday) since April 19, with ten episodes. The United States, Russia, Slovakia, and South Korea have also remade the show. In the Japanese version, the four heroines are played by Hasegawa, Mizuno Mizuki, Genri, and Daisei.

In the play, a chance encounter makes the four women become girlfriends, and they frequently hold women's meetings, drink and chat, and vent their daily anger. But in fact, they all have secrets that cannot be mentioned with others.

The doctor Kaori (Hasegawa) has an improper relationship with Kido, and the suicide of her lover Kido becomes a mental burden on her, and Kido's son Takashi suspects that Kaori has something to do with his father's suicide, but gradually the two are attracted to each other. Tomomi's (Mizuno) husband, who has been unsolicited abroad, recently received compensation for his death. Later, Yumi met a new man and developed a long-lost feeling of rapid love.

The husband of the company employee Tsukiko (Genri) wants to have children, but is diagnosed with azoospermia, and the couple disagree about having a child, after which Tsukiko makes the mistake of a one-night stand. Rich Lady Shuri (Daisei) is in love and unrestrained, and after meeting a lesbian who is about to get married, she is strongly attracted to her and feels the feeling of pure love for the first time in her life.

Later, Kaori indulged in her love affair with Takashi on the one hand, and was on the other hand prosecuted for helping Kido commit suicide. Yumi is embroiled in a dispute over the insurance money left by her deceased husband. The son was forced to make a decision that was more important than divorce. Shuri became active because he fell in love with a woman for the first time in his life... Will the future of the four of them end in happy "love"?

The play describes "What is the meaning of survival" that arises involuntarily in the face of the "difficulty of survival" and "anxiety" felt by modern Japanese women. "What is the happiness of life?" A series of questions as the theme, while unfolding a thrilling mysterious and romantic story.

Hasegawa said with great enthusiasm: "When I was 20 and 30 years old, I worked hard for work and childcare. Although it is a private matter, I was 40 years old last year and have often thought so lately. While it's important to survive within a social framework, wouldn't it be nice to live out more honestly. This work is the story of four women. Maybe it looks willful, maybe it feels anxious. But if the audience is willing to support and substitute their feelings after seeing them trying to live... I'm very happy." (123/Translation)