Willow dark flowers bright
2020 is truly the first year of magic. The world is not quiet and not peaceful, the charm is fierce, the plague god works together, you sing me on the stage.
Disasters are like a series of blockbusters, followed by the Spanish flu in 1918, the Great Depression in 1929, the great racial riots in the United States in 1968, the Great Flood in China in 1998, the financial crisis in 2008, etc. Natural and man-made disasters in more than a hundred years seem to be repeated in this Gengzi year. alack! Long breath to cover up the sniffles, mourning the many hardships of the people's lives...
There are really no blessings that cannot be enjoyed, and there are no sins that cannot be suffered. However, there is no doubt that the rapid development and continuous progress of human civilization as a whole will not stop there. Therefore, even if so many disasters hit at the same time, they will not crush the heroic peoples of the world. We can still be convinced that tomorrow is still tomorrow!
At present, the land of Shenzhou is also rising again and again, and the Yangtze River Basin has been raining continuously and flooding is raging, which is worrying. However, considering the national emergency response capability that is not what it used to be, it should be possible to have no danger, or to come to The Pole. A few days ago, the Shanghai and Shenzhen stock markets, which had been depressed for many years, suddenly made a force, and the index was like "the upper of the shoe changed the brim", and it actually rose all the way. However, people just began to rejoice and celebrate, and this unaffordable "Ah Dou" began to play roller coaster games again!
It is still necessary to remind you in good faith that the stock market is a barometer of the real economy, and everyone has a number in mind about how the economic environment is today. The bitter lessons of the past, as well as the recent rumors of cash-outs and departures, do not seem to be empty. In short, the stock market is risky, leeks need to be cautious!
The miscellaneous words stopped here, and then, the channel switched to the right topic.
In the summer, the second outbreak of the epidemic in Beijing has brought people's normal work and life into an impasse, and the offline auctions that were originally called for by the various families have been suspended again due to prevention and control restrictions. When to be normal, far away.
Under such circumstances, the big banks can only sit on heavy troops at the same time, each dispatched a light cavalry brigade, the auction from the planned offline to the changing online, although it can only be regarded as a small test, but according to the combination of online lots that have been repeatedly exposed, it is still a strong general and a sharp soldier, and the horse is fast.
Today's protagonist is the veteran powerhouse Zhongmao Shengjia, who has been rooted in Miao Hong and has been in the army for 25 years, which can be regarded as a model among them.
The eighteenth online auction of Zhongmao Shengjia will be launched from the 21st to the 23rd of this month, and the wonderful content can also be called the flowers and flowers, which involve contemporary calligraphy and painting, modern calligraphy and painting, ancient calligraphy and painting, European painting and international celebrity handwriting, images, temporary Louzang porcelain, modern literati porcelain, jade, Ming and Qing copper miscellaneous bronze mirrors, Western silverware, miscellaneous items, private copper tire enamel, selection of fine wines, etc., a total of 15 special sessions, nearly 800 lots, which can be called a comprehensive and essential version of the online art strategy.
If you don't leave home, you can feel the atmosphere of the big shot, do your homework, lightly touch your fingers, make a price, and you can get your wish if you can't keep it, isn't it beautiful?
Due to the flexibility and flexibility of the online auction and many factors, the contents listed in this time are randomly provided by the publicity department of China Trade Shengjia Enterprise, and you need to select and carefully consider your homework!
In addition, due to space limitations, the following can only be briefly one or two, you want to know the wonderful content of all the special sessions, please pay attention to the Two-dimensional Code of China Trade Shengjia to enter the relevant auction information.
China Trade Shengjia No. 18 Online Auction
Referral notes
Due to the super flexible timeliness of the online auction and the rapid renovation of the lots, the content uploaded by this introduction is randomly selected and provided by Zhongmao Shengjia. At present, Fenghua Zhenchuan has not yet adapted to the rhythm of online recommendation, and it is impossible to capture the works to look forward to and hear, and carry out differential "diagnosis", only the list is for reference only. Therefore, you should do your own homework according to your personal preferences and carefully consider them to find good works from them!
Modern and contemporary painting and calligraphy session
《Modern and Contemporary Painting and Calligraphy Session』
This special auction is 38 lots
(Preview time: July 21 - July 22)
(Shooting starts at 10:00 on July 23)
(Auction time: 21:00 on July 24)
The following special copywriting overview and uploaded lot content are provided by the publicity department of China Trade Shengjia Enterprise, you need to do your own homework and discretion!
The 18th online auction of China Trade Shengjia "Modern Calligraphy and Painting" will bring together a total of 38 lots, of which Wu Changshuo and Chen Banding teachers and students each have works of "Qiju Yannian" and "Dalitu"; Zhang Daqian's "Huashan Cactus Peak", his confidant Xie Zhiliu's sketch "Jade Hairpin Grasshopper" (included in the book "Xie Zhiliu" published by Shanghai People's Publishing House); Pu Ru's silk book "Quzhu Langfu" and the landscape calligraphy cooperated with Pan Linggao will be presented one by one.
There are also two works of similar size and shape on the right, one is the cursive poem "Nanshan" and the other is the cursive Wang Wei's "Zhongnan Beiye". Lin Fengmian and Lu Yushao both served as painters at the Shanghai Chinese Academy of Painting after liberation, but the difference is that Lin Fengmian belongs to the "Returnee School", Lu Fengmian is deeply rooted in tradition, and the two works of "Li Chen Makeup" and "Guan Waterfall Map" are clearly recognizable. In addition, there is a figure painting of Lu Shen and Zhou Sicong, of which Zhou Sicong's "Picking Map" is directly derived from the above person.
Please look at it horizontally on your phone
101 Jin Qinbo's "Chunjiang Visiting Friends" hand-scrolled colored paper
Size: 33×132cm
Inscription: 己卯 (1939) On the ninth day of the first month of May, the nephew opened a painting.
Seal: Opening (White), Jingdong (Zhu), Wuxing (Zhu)
102 Jincheng "Banana Forest Bookstore" vertical axis colored paper
Size: 69.5 ×33.5cm
Title: Banana Forest Bookstore. On August 16, 1925, Mr. Tangmei Daya Masayuki. Wuxing Jincheng.
Seals: Seal of the Golden City (White), Lotus (White)
104 Yan Bolong's "Bamboo Forest Flock" vertical axis coloring paper
Size: 104×34cm
Inscription: In the past, the Song Painting Academy wrote the meaning of the bamboo forest flock of birds in the double hook method, and now it is proposed in the Tsubaki Hall, and the long white cloth is yan Bolong.
Seal: Bo Long Calligraphy and Painting (White), Tsubaki Hall Master (Zhu)
105 Chen Banding's "Great Profit Chart" vertical axis coloring paper
Size: 93×29.5cm
Inscription: Chen Banding Dali. Gu Yue Xuanzang.
Seal: Ancient Yue Xuanzang
Inscription: The twilight rain in front of Wushi Mountain is cool, and several winds scatter the afterscent. In the cave june red female brocade, not only peach blossom mistakenly Nguyen Lang. Peng Zi (1948) Spring and February, Half Ding Old Man.
Seal: Half Ding Old Man (Zhu), Aged Longevity (White), One Knowledge and Half Understanding (White)
107 Pu Ru "Quzhu Langfu" Mirror Heart Colored Silk Book
Size: 48×26cm
Title: Quzhu doubts the end of the river, and the flat sand is like a wave. Heartburn.
Seal: Old Wang Sun (Zhu), Seal of Pu Ru (White)
Publication: The Works of Wang Sun Yiyun Pu Xinxuan, p. 88, Rong Baozhai, 2018.
108 Zhang Daqian, Jin Yong, and Zha Liangzhao, "Album Three Openings"
Mirror heart Ink on paper
Size: Varies in size
Title: 1, the eyebrows and thick teeth lack of fluffy hair, the Tao is the originator of the West. A flower and five leaves spread to the world, pointing directly to the human heart in the mirror. A thousand laymen.
2, all the worlds are brothers. Zhang Daqian. Zhang Wenbo. CharLie-chiu.
109 Zhang Daqian's "Huashan Cactus Peak" mirror heart coloring paper
Size: 100×39.5cm
Inscription: If the mountain spirit is intentional, the cactus is dangerous. If you want to make Huang Ronglu, suspect the crown of the bullet. Yun lai phi jade, nippon gold pills. Fingers and fax tips, but also when looking carefully. Mount Hua cactus peak is also the East Peak. A thousand laymen and a record.
Seals: Zhang Ye (Zhu), Da Qian Dali (Zhu), Shu Ke (Zhu), Da Feng Tang (Zhu)
110 Yan Jiyuan's "Four Screens of the Eight Greats, Shi Tao, Wang Duo, and Jin Nong"
Size: 29×9cm×4
1. Inscription: Yixin Hall imitates the penmanship of bada shan people, and is a native of Neijiangji in the early spring of Nongwu (2002).
2. Knowledge: Mr. Jin Nong's book Wang Biao's well endowment. Noon February Jiyuan.
3. Title: Shi Tao Shangren Fa Ben. Jiwon Fagu Noon.
4. Money: Jiyuan.
111 Xie Zhiliu's "Jade Hairpin Grasshopper" vertical axis coloring paper
Size: 30.5×40cm
Inscription: 1, xin ugly early summer, childish willow.
2. Zhe is a comrade genus, January 1962, Xie Zhiliu.
Seals: Du Zhai (White), Xie Zhiyin (White), Zhi Liu (Zhu)
Publication: Xie Zhiliu, p. 104, Shanghai People's Publishing House, February 2002.
113 Wu Changshuo's "Qiju Yannian" vertical axis coloring paper
Size: 84×33cm
Inscription: Wu Changshuo Juju Diagram.
Seal: Hui Chan (Zhu)
Title: Qi ju yan nian. Bo Nian Ren Brother Genus, written in the Old Man of Wu Junqing in the Fetish Hall.
Seal: Wu Changshi (Zhu), Gu Taozhou (Zhu)
Collection Seal: Guoliang Collection (Zhu)
Description: 1. The person in the above paragraph, "BoPing", is Yan Boping, the son of the Yan family of the late Qing Dynasty.
2. Shi Guoliang's old collection and inscription.
118 Lin Fengmian "Li Chen Makeup"
Size: 34×30cm
Title: Lin Fengmian
Seal: Wind (Zhu)
119 Pu Ru and Pan Linggao's "Landscape Calligraphy" was written on fan color paper
Size: 19.5 ×52cm
Painting inscription: Changsong Shakes the Sun Shadow Pavilion, Infinite Riverhead Leaning Staff Love. The wild geese want to come to the sky to shoot the water, and the white clouds have collected the twilight mountains. The reeds are far away, and the wind and rain are dark and the mountains and streams are dark. Returning to zhuangzhou to berth people's homes, the barren bamboo partridge cried alone. Heart painting and title.
Book Knowledge: Gengchen (1940) Changxia, Pan Linggao.
Explanation: The mountain color is green and green, and the berry moss is entered along the edge of the path. Ridgeside wind leaf Tibetan monk temple, tree flying spring sprinkler cup. A pine nut fell, and the white clouds came to Taihu Lake. The three highs are sad and old, and the sunset mountain is singing back. Shao Changyu's poem "Climbing the West Peak of Taihu Lake", the witty words are fascinating, the unruly words are not rhymed, and the previous repetition should be from the back.
Seal: Seal of the Old King Sun (Zhu) Pu Ru (White) Under Hengmen (Zhu) Xishan Zhenyi (Zhu) Linggao (White) Xijiu (Zhu)
Description: Ziquan carved fan bone.
Publication: The Works of Wang Sun Yiyun Pu Xinqi, p. 45, Rong Baozhai, 2018.
122 Yu Ren Cursive "Nanshan" poem Mirror Heart Ink on paper
Size: 66×33cm
Knowledge: Mr. Jing Yi and Shi Fang Ren Zhongli Zheng. Yu Ren wrote the old work.
Seal: Right Ren (Zhu)
Interpretation: The clouds of the South Mountains are connected to the clouds of the North Mountains, and the changes have been unprovoked from the past to the present. In anticipation of the rain, I want to find poetry to meditate. A hundred years of shame to look at the sword, a generation of wind and thunder this heart. Mo threw away the color in the air, flying flowers and tears filled the placket.
123 Yu Right Ren "Cursive Wang Weishi" Mirror Heart Ink on Paper
Size: 69×35cm
Knowledge: Qi Yao in-law. Wang Wei's poem "The End of the South Farewell". Yu Right Ren.
127 Li Qilong Painting Liu Chenggan, Ye Gongqi, Ma Jian and other inscriptions gave Wang Zhaoyong's "Rain house deep lamp picture scroll" hand scroll ink silk
Size: Introduction: 30.5×125 Inscription: 30.5×295 This frame: 30.5×71.5
Inscription: Stirrup diagram of the rain house. Leave an end to the confessional question.
Seal: Bo Xu Xin Reward (Zhu)
Inscription: Rain House Stirrup Filler Picture. Quan Tang JinDeShu.
Seal: Moon (Zhu), Body (Zhu), Driving Mountains and Seas (White)
1. The old wood fights the evil wind at night, and the chaotic spring rushes to the stone crest. A heroic hate in Chiaki is written into the copper lute iron plate. Xuantong Xinhai (1911) Mr. Shu wu ordered the painting, and left the an Taoist and inscription.
Seal: Rugan Michiren (朱)
2. Bo Xu Dao Chang genus title, Qiantang Jindeshu.
Seal: Shu (Zhu), Quan Tang Jin (White)
3. Brother Wuren's Word Sect Title, Shen Zesheng.
Seal: Shen Mo (Zhu), Zhi Zhai (Zhu)
4. Ye Gong respectful question. Seal: Gong Qi (Zhu)
5. Mr. Shiwen filled in the word picture with his xiande rain house deep stirrup, because he was given a more missing song to answer the ya order, that is, he had been corrected. June 1951, Ma Jian.
Seal: Ma Jian (White)
6. Brother Ma Jian Jian Qi, July 18.
Seal: Lao Xuezhai (Zhu)
128 Qian Skinny Iron "Independent Cold Stream" vertical axis coloring paper
Size: 147×39.5cm
Title: Xin Weiqiu August passenger sea. Guo's Iron Buddha Shrine has been painting for no days or days. I don't know where the deification came from. This is a work of chance, because it is remembered. Iron.
Seal: Iron Thin Iron (Zhu), Qian Kui Seal Letter (Zhu)
129 Lu Yushao Painting, Han Tianheng Title "View of the Waterfall"
Vertical axis Colored paper
Size: This frame: 79×48cm Poetry Hall: 21×48cm
Seal: Old Home Shangbai Mountain (Zhu), Qikun (Zhu), Magnificent Mountains and Rivers (Zhu)
Shitang: View of the waterfall. Lu Yu Shao Weng's true deeds of decline, Xin Wei Qingming Han Tianheng.
Plutonium Seal: Han Yin (White), Tianheng (White)
Publication: "The Book of Painting Points", p. 12, Life, Reading, and New Knowledge Triptych Bookstore, 2005.
131 Yaming 'Across mountains and water without sound insulation》 Vertical axis Colored paper
Size: 89×60cm
Title: Not soundproof across the mountain and water. Written in the winter of 1977 in Xiangxi, Yaming.
132 Zhou Sicong's "Picking Diagram" vertical axis coloring paper
Size: 67×44cm
Title: Comrade Defen Zhengzhi, Hewei (1979) Si Cong.
Seal: Si Cong (Bai Wen)
Note: The person in the above paragraph, Defen, is Yu Defen. Yu Defen is the former deputy director of Fujian Provincial Television. Source: Directly from the person in charge.
133 Lu Shen's "Dai Nu Tu" vertical axis coloring paper
Size: 68×49cm
Title: Dai Nu Figure. Peng Wu (1978) Li Chun, Lu Shen painting.
Seals: Lu Shen (White), Lu (Zhu)
136 Xu Yansun's "Quasi-Zhou Wen Zhi Lady" vertical axis coloring paper
Size: 105.5 ×39.5cm
Title: Proposed Zhou Wenjue was careless with Tailiu Fanghua Lou Frost Red Master Yan Sun Cao.
Seals: Yansun (Zhu), Xu Cao (White)
137 Zhang Shuxu "Independent Branches" Vertical Scroll Colored Paper
Size: 131.5 ×32cm
Inscription: Xin Wei (1931) Autumn Book Prayer.
Seal: Shu Xu (Zhu)
138 Ye Qianyu "Dance of the Tibetan Plateau" vertical axis colored paper
Size: 87×43cm
Title: Dance of the Tibetan Plateau. 1960, Asahiro.
Stamp: Asahiro (White)
A special session of ancient Chinese painting and calligraphy
《Ancient Calligraphy and Painting Session』
This special auction features 34 lots
(Shooting starts: July 23)
(Auction time: 21:30 on July 24)
In the 18th issue of the 2020 China Trade Shengjia Network Auction of Ancient Calligraphy and Painting, a total of 34 ancient calligraphy and painting works were selected, most of which were the works of literati and calligraphers in the Ming and Qing dynasties.
Among them, the "Eight Poetry Scrolls of Fushan" written by the famous minister Tongcheng He Rupet at the end of the Ming Dynasty is the Ayamoto Book, which is as good as new, and is written for the eight scenery of the old Yong's hometown of Fushan, and the calligraphy and poetry are all white eyebrows in this field; the Ming Dynasty literary scholar and official Wang Siren painted "Farewell to Spring Mountain", and the "sea guests" in the above paragraph had contacts with Wang Siren, Chen Hongshou and others, and they were all remnants of the Ming and Qing dynasties; the late Ming and early Qing dynasty literary scholars and one of the "four princes" of the late Ming Dynasty, the Poems of the Xiangshu Song Dynasty, which was once the old collection of Li Xuangong, a famous poet in modern Fujian.
In addition, during the Chongzhen period of the late Ming Dynasty, Han Fan, a member of the Songjiang Several Societies, painted "Near Yang Chunxin", Huang Shenchu, one of the eight monsters of Yangzhou, came to Yangzhou and has been copying Han Fan's figure paintings privately; Gao Qian, a painter who traveled to Japan in the early Qing Dynasty, painted "Fenghou Tu"; Chen Bangyan, a calligrapher in the early Qing Dynasty, wrote a book by Yu Hua Aya; Empress Cixi of the Late Qing Dynasty Ye Henara clan, painted on the golden note; the poetry hall inscribed by the RuyiGuan and court painter Zhang Kailishu, as well as Qi Qijia, Liang Tongshu and other works, please pay attention to buyers!
151 Gao Qian's "Fenghou Tu" vertical axis set color silk
Size: 104×39cm
Title: Written by Gao Qian in western Zhejiang.
Seals: Seal of Gao Qian (White), Qichang (Zhu), Seventy-Two Peaks of the Five Lakes (White)
Inscription: The old tree leans on the long stream, and the yellow leaves are written in autumn. There is no room in this way, and the painting family wishes to wish the marquis. On the day of the ding, the Wumen Shen Cao Pavilion was inscribed in the residence of Nagasaki Island in the East China Sea.
Seals: Fish Stone (White), Caoting (Zhu), Gu Wu (Zhu)
155 Han Fan (Qing) "Near Yang Chun Xin" Mirror Heart Colored Silk Book
Size: 164×46cm
Inscription: The years are not exhausted, the frost is red, and the small building window is close to the sun. The arrival of spring letters is biased from early, and plum blossoms are fragrant in October. Han Fan.
Seals: Han Fan's Seal (White), Eryou Clan (Zhu)
Jianzang Seal: Zhu Qidong's Haicun Treasure Paintings (Zhu)
156 Yao and Mu 'Tang Poetic Intentions' vertical axis set on colored silk
Size: 71.5 ×39cm
Title: Jinlema hissing grassy grass, Yulou people drunk apricot blossom day. Xin Di wrote Tang poetry, Cishui Yao and Mu.
Seals: Yao and Mu Yin (White), Yue Qing (Zhu), Qing Song (Zhu)
157 Mao Xiang "Two Poems of the Song Dynasty Yuan Night" Vertical Scroll Ink Silk Book
Dimensions: 86.5 ×30.5cm
Knowledge: Song Ren Yuan Night poems two, risk Xiang.
Seal: Chao Min Mao Xiang Yin (White), Pei Jiang (Zhu)
Interpretation: □ moon cage spring ji color clear, deep curtain orchestra clear. Compete for the luxury of the Immortal Hall, and fall into the pearl of the Emperor Man. □ bursts of laughter and trumpets, and the lights on the sixth street rose to a flat. Returning to the forbidden leak three or four, the plum blossoms on the window are thin and shadowy. The dust and light rain are moist and cold, and the clouds and leaves are fresh and the moon is round. Ten Mile Qi Luo Spring Rich, a thousand doors light night Chan Juan. Xiangjie BMW hissed, and the road was lightly publicized. The high beaded curtain stares at the □, and the stars fight under the qingjing.
Publication: The Third Episode of "The Hidden Shadow of the Ink Nest Secret", the entry "The Book of the People's Travels of the Maochao", The Commercial Press, published in the 27th year of the Republic of China (1938).
Description: This lot is li xuangong's old collection.
158 He Ru pet "Fushan Eight Poetry Scrolls" hand scroll Ink Ayaben
Size: This frame: 27.5×234cm Inscription: 27.5×67cm
Inscription: How to spoil the eight poems of the floating mountain.
Seal: Wind Mountain (Zhu)
Knowledge: Right old works, books like Mao Xian zi Bo Zhengzhi, Tongcheng He ru pet.
Seals: Fathers Zhai (White), Kanghou (Zhu), He Ru Pet Seal (White)
Jianzang Seal: Chapter of Yueshan Bookstore (Zhu)
Interpretation: Fushan Eight Songs. Shi Longfeng. The dangerous peak was terrified, as if it were ascending on the dragon's ridge. Every windy and rainy night in the empty mountains, thousands of forests and ravines sound the sound of the waves. Stone Cloud Gallery. The interpolated Man pierced the marble shore long, and the high overturned far away pressure corridor. Roundabout one path from the void, the second ricket into the upper. Will holy rock. The stone wall cloud nest faces the same, and the mountains and rivers are high and the curtains are chestnuts. Moya is full of former dynasty characters, and it is recognized as the Duke of Kaishan Gurudwara. Zixia Guan. Xiaguan is high and depressed, and people pass by the Virtual Garden. Obliquely turning the tea pavilion Jingu near, remotely hearing the bell wounding the pine rose. Jingu Rock. Yan kai jingu opened the sky, and A Ge relied on the void to the wood lotus. The Nether Realm is far away from the Protector, and the empty mountains and grass trees are all zen. Remote ladder. Luo Luo stepped into the clouds step by step, like turning high and standing on the peak. The road is gradually poor and the world is out of the world, and the cliff face is heavy with white clouds. Flying Rain Rock. Shi Dou is far away from the arrow sky, and the clear sky is trickling with rain and rain. Take a drop of Cao Xi water and flow into the ancient spring of the world. Island Rock. Jumping waves of stone Chihiro, the island is deep. At first glance, you can ride the wind and listen to the sound of the sea tide below.
Inscription: "Ming Poetry Synthesis" Yun: He Ru Pet, Zi Kanghou, Tongcheng People. Wanli Yi did not enter the army, and the Wushu Hall tried to change the Ji Shu shi, except for editing. Li Guan Shaobao, Hubu Shangshu, Wu Yingdian University Scholar, Gift Taifu, Tan Wenduan. There are seventy "Hou Le Collection", Zi Shou Shi Yun: Huang Long Said Three Passes, White Crane Why Do He Need To Be Nine Returns. Drunk guests are really drunk for a thousand days, and it is difficult for the world to be very idle. The clear stream is full of long rocking boats, and the red rain is deep in the spring to see the mountains. When the time comes, it is impossible to do it, and it has been stationed in Zhu Yan several times. Xinhai Guiyue, Shi Peishu of Shizhoushan.
Seals: Peiyin (White), Dafu (White), Jiang Tang (Zhu)
160 Chen Bangyan Xingshu Chen Quyi "Treading Song Line" Vertical Axis Ink Ayaben
Size: 132.5 ×44cm
Style: Ding You (1717) Dynasty. Chen Bangyan.
Seals: Chen Bangyan Characters Shi Nan (White), Zhilu Qinghui (Zhu)
Interpretation: Mandarin duck downstairs wanhua new, jade palace in front of a hundred plays Chen. The dragon held the fire tree and flew to RuiFeng to scatter the spring.
163 Wang Siren "Spring Mountain Farewell" Vertical Axis Ink Ayamoto
Size: 121×50cm
Inscription: Spring Mountain light spring water green, wave sent Jun north, what is the injury? Chongzhen Nongshen zhengyue shangyuan, write Ni Yuanzhen intentions, send seafarers to the elderly Weng. Brother Wang Siren.
Note: The Palace Museum has Chen Hongshou's 1639 "Beggar Figure", which is the same as this one. The seafarers, Wang Siren, Chen Hongshou and others were all remnants of the scholars in the Ming and Qing dynasties. Chongzhen Nongshen was chongzhen in the fifth year (1632), Wang Siren Pass Wuhu, with extraordinary political achievements, in Wuhu Pass repaired the octagonal pavilion, named Zhizhou Pavilion, and repaired the county school palace. This work should be a spring painting for seafarers.
164 Qi Zhijia "Imitation of Juran Xia Mu Qingyin" vertical axis ink silk book
Size: 180.5 ×47.5cm
Title: Imitation of Juran Natsuki Qingyin pen meaning. Shanyin Snow Scoop Qi Jia.
166 Cixi Painting Zhang Kai Title "Imperial Pen Bamboo Newspaper Peace"
Mirror center Colored with clay
Size: Shitang: 25.3×31.6 Center: 39.5×31.6
Title: Phase period clouds and mist with the dragon, but also wait for the heavenly wind to lead the phoenix to sing. Jiashen (1884) Jiaping Shanghuan wrote.
Seal: Empress Dowager Cixi's Imperial Pen Treasure (Zhu), Zhi (White), Tian (White), Daya Zhai (White)
Inscription: Rain over the dragon rises, the wind gives birth to emerald cold. But there is innocence, and every day is peace. Zhang Kaijing.
Seal: Zhang Kai (White), Inner Court Offering (Zhu)
Description: Zhang Kai, the inscription of the poetry hall. As a court painter in the late Qing Dynasty, he was in charge of the Ruyi Pavilion and was good at painting landscapes, flowers, and feathers.
173 Liang Tongshu Xingshu "Painting Zen Room Essay" Vertical Scroll Ink on Paper
Size: 171.5 ×41cm
Knowledge: The second brother of Zhishan has a penchant for ink, covering the so-called hidden and playing between the one, the Xiangguang resident is the next turn of Mo Qing, I don't know why Zhishan is like this. Qianlong Yiwei (1775) was three days after the fifth heavy, and the mountain boat was written in the same book.
Seal: Liang TongshuYin (White), Liang Yuanying (Zhu)
Jianzang Seal: Hanfengtang Collection of Famous Ancestors (Zhu)
Interpretation: The one who can pass on things, if three generations of Ding Yi. The drum of the sword, the sword of the dry, the seal of Si, the tile of He, and the pottery and research of the Husband Song are all placed in the special quality of gold, jade, earth and stone to exist in the world, and the world is also between hiding and playing. Only ink is not the same, with the material of rapid decay, and when it is used for grinding, its longevity is to consume gold and jade and shovel earth and stone.
Some of the other special sessions are browsed
In this auction, in addition to the traditional artifacts such as modern literati porcelain, jade, copper and copper mirrors, there are also special auctions such as "Bright and Bright - Private Collection of Copper Tire Enamel Special Session".
In addition, the "Temporary Building Tibetan Porcelain", "Fenghua For Qing - Study Room Flower Pot Special", "National Industrialist Mr. Hu Weiwen Old Tibetan Play" and other special topics are special collections, and there is no shortage of well-known and orderly fine utensils, I believe that every Tibetan friend can harvest their own surprises in this auction.
613 Early Qing Dynasty Fish ear point gold furnace
尺寸:L:14.5cm H:7.8cm Wt:515g
Knowledge: "Daming Xuande Year System" Letter Paragraph
The shape of this furnace is quite Song Yun. The neck is wide-abdomen, its slightly drooping, the waist is symmetrically cast with amphora, the appearance is fish-shaped, the bottom is closed as a low circle foot, and the bottom center is cast with the "Daming Xuande Year System" letter. This furnace style inherits the song Dynasty official kiln porcelain ware type, the Xuande Yi Ware Atlas once praised it as "elegant in style, the crown of the furnaces", this shape of the Xuande furnace is often placed in the Yanju secret room by the Xuande Emperor, which shows the taste it brings to the kings of the past. There is a fish ear furnace of the "Old 142812" in the collection of the Forbidden City, which is similar to this furnace-shaped system and can be used for reference. This furnace sprinkles gold floating elegantly, and the size of the gold pieces is staggered, such as snowflakes, natural, and like the smoke of clouds, which is quite interesting in the study room.
614 Early Qing Dynasty Manger furnace
尺寸:L:12.2cm W:7cm H:6 Tue:1105g
Knowledge: "Daming Xuande Year System" seal book paragraph
The texture of this furnace is pure and firm, and it sinks into the hand, and the buckle is also clear and pleasant. The skin of the furnace body is like the color of Tibetan scripture paper, faintly revealing the golden glow, calm and elegant. The shape of the copper furnace is square, the flat mouth is straight abdomen, the four square feet are inherited, the whole instrument is gradually decreasing, and a pair of halberd ears are placed on both sides, the edges and corners are clear, and the shape is condensed and dignified. The middle frame of the bottom of the furnace is engraved with the square section of the long foot seal book of "Xuande Nian System", which is a typical model of the Xuan furnace in the early Qing Dynasty. The bottom of this furnace is more straight and straight, the knot body is handsome and clumsy, and the type of furnace is particularly consistent, and the gold stone charm is very strong.
615 Clear copper square wash with seats
尺寸:L:13.2cm W:10.5cm H:5.3
Section knowledge: "Shaoxing second year Daning factory minister Su Hanchen supervised Jiang's casting to the altar of Virtue with the "seal book paragraph."
This piece of echo copper square wash four prismatic lines, four corners under the square plate foot, contour square. The four sides of the outer wall are decorated with finely decorated back-grained brocade, the style imitates the Shang Zhou thunder pattern, and the two sides of the wash are decorated with animal ear rings, and the overall shape is ancient and simple. The bottom of the vessel is engraved with the Yang text "Shaoxing Second Year Daning Factory Minister Su Hanchen Supervised Jiang's Casting to the Detan Use" model, imitating the Song Dynasty casting copper master Jiang Niangzi, which is a fine imitation song bronze vessel in the Qing Dynasty.
616 Qingqianlong A pair of copper elephant ear bottles
Size: H: 22.9cm
Knowledge: "Qianlong Year of the Great Qing Dynasty" seal book paragraph
In the Qing Dynasty bronze decoration, the elephant was often used as the theme to borrow the auspicious yu of "Taiping Elephant", and this object ear tube bottle is typical of it. The bottle is made of fine copper, well-preserved in pairs, straight mouth, neck, hanging abdomen, two-layer tabletop circle foot. The neck is decorated with double elephant ear rings, and the mouth edge is engraved with the "Qianlong Year of the Great Qing Dynasty". The whole vessel is natural, simple and generous. During the Qianlong period, many cylinder bottles of this type were made, and they were mostly displayed in the Yuanmingyuan and the Forbidden City Hall, which were classic utensils for the Qing Dynasty court.
619 Early Qing Dynasty Rosewood Follow-up Pen Holder
尺寸:L:14.7cm H:15cm
This piece of pen holder is made of a piece of rosewood material, the wood color is dark black and purple, and the surface of the pulp is smooth and moist, which is very elegant. The surface of this pen holder is curved with a natural wood tumor texture, and although there is no ornamentation, it is also interesting. The cylinder wall is quite thick, dug down to the bottom center, smooth and smooth, and the natural layer of the rosewood core can also be seen, which has natural elegance. As the saying goes, "rosewood has no large material", and it is even more rare to use the whole material to dig up the rosewood barrel, so the pen holder should be a good work made when the rosewood was still sufficient in the early Qing Dynasty.
620 Qing Zhao Zhiqian Huanghuali pen holder
尺寸:D:11.2cm H:13.4cm
Huanghuali pen holder, inscribed with green, inscribed: "Desolate mountains and wild waters broken huts, shangpan Xia Ding Zhou Zun Yi." Paragraph: "Guangxu did this in September of the sixth year with the Yellow Tiger Fool, Zhao Zhiqian Seal." ”
Zhao Zhiqian (1829-1884), a famous Chinese calligrapher, painter and seal engraver in the Qing Dynasty, was a native of Shaoxing, Zhejiang. The first word Yifu, the number Leng Jun. Later, he changed the word 㧑叔, number sorrowful temple, plum temple, wu boredom and so on. Zhao Zhiqian's seal engraving has achieved great achievements and has a far-reaching impact on future generations. In modern times, painters such as Wu Changshuo and Qi Baishi have benefited a lot from other places.
"Yellow Tiger Fool" is Huang Benji (1781-1856), a famous scholar of the Qing Dynasty. A native of Ningxiang County. The word Zhongliang, the number of tiger idiots. In the first year of Daoguang (1821), he was raised. In the seventeenth year, he was appointed to Qianyang County, built a church, and taught all students. He has studied the history of scripture, geography, and bibliography. Especially fond of jinshi, he has gathered hundreds of jinshi characters since the Qin and Han dynasties, as well as knife cloth, piano bricks, calligraphy and painting, etc., and is known as the "Three Long Things Zhai" in Juri. This sentence describes his love of the science of gold and stone.
621 Qing Rosewood Sunflower Pen Holder
尺寸:D:17.6cm H:17.7cm
Rosewood has been a precious wood since ancient times, its growth is slow, and there are very few people who have become large materials, so the use of rosewood digging as a pen holder is mostly the practice of the Ming and Qing dynasties when the rosewood is sufficient. This piece of rosewood pen holder is made of begonia mouth, except for the bottom center, it is made of whole wood, the barrel body is densely covered with Venus cattle hair, and the inner chamber is deeply dug, leaving a thick wall. The whole utensil is large, the shape is heavy, the shell is thick and thick, and it is placed in the study, which is elegant and beautiful.
627 Zhang Daqian sent a letter to Zhishan and gave the five old inks
Size: 29×19cm
This is a box of Li Zhishan's five old inks given by Zhang Daqian, and is accompanied by Zhang Daqian's codex at that time. The quality is intact, which is very rare.
Wulao Tu ink is a set of collection ink, a box of five ingots, different styles. The Five Elders refer to the five founding fathers of the early Years of the Song Dynasty. Each ink depicts one person, and has the inscription of Tu Jin Kai, which are "Duke Duqi of Shanyin", "Wang Yu of Taiyuan", "Feng Ping of Shiping", "Zhu Guan of Peiguo", and "Bi Shichang in the Clouds". The ink back is inscribed, and it is all coated with gold. The ink maker is known as "Cang Pei Master" and "Cang Pei Room". It is equipped with a black lacquered gold box with the words "Five Old Drawing Ink" on the lid. Ink is the product of Hu Kaiwen ink shop in Huizhou in the late Qing Dynasty. From this set of "five old inks", we can glimpse the style of Hu's ink making in the late Qing Dynasty.
631 Yuan The Great Sun comes to the Buddha
Size: H: 22 .8cm
The Great Sun Rulai is one of the five Buddhas enshrined in the Esoteric Religion, representing the physical wisdom of the Dharma Realm, and the light of its wisdom can illuminate everything and make the three thousand worlds shine forever. This figure wears a flower crown on his head, a high bun and a manipuri at the top of the bun. The inter-ear hairpin is connected to the fluttering ribbon in a bracket. The face is slightly thin, white and round, the eyes are slender, the nose is high and the lips are thin, and the compatibility is dignified without losing the delicate atmosphere. Thin skirt fits close to the body and wears a glittering ring. His hands are knotted with his chest, his legs are knotted on a lotus seat, and his palms and feet are carved with a Falun. The pedestal lotus petals are wide and fattened, showing the unique statue charm of the Yuan Dynasty, which is a good tool.
261 Qingqianlong Blue and white light depiction of tangled branches dragon and phoenix pattern celestial ball bottle
Size: H: 71cm
Lightly painted blue and white is a lighter green material to outline the line of ornamentation, without water blending, nor coloring. The ornamentation is similar to the white painting technique in ancient painting, and has a lighter and more elegant meaning. This piece of blue and white light depicts the celestial ball bottle type is quite large, straight mouth and long neck, the bulge abdomen is round, the outer wall is full of white glaze, the glaze layer is dense and delicate, and the gloss is very strong. The outer wall of the bottle is full of painted ornaments with underpainted blue and white techniques, filled with tangled branches of passionflower pattern, and the dragon and phoenix swim through it, and the whole pattern brush stroke is gentle and delicate, and the blue and blue hair color has a sense of brushwork outline.
The blue and white flowers of the Qianlong period are stable in color, and the porcelain decoration is also influenced by Western ornaments, which is elegant and dense, and this blue and white light depiction of the celestial ball bottle will play the decorative characteristics of the Qianlong period to the fullest, although there is no model, it is also a good work of Qianlong imperial kiln.
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