Painting Zen Fish (Chinese painting) zhao tao
Painting Zen Lotus Ascension Grade III Flower Diagram, 2020
Painting Zen Lotus Ascension Grade III Sub-Figure, 2020
Painting Zen Lotus Ascension Grade III Leaf Diagram, 2020
Painting Zen Notes
Text/Zhao Tao
Yu has recently painted, only one fish, one flower, one leaf, and ziyun painting Zen, which is three.
One is to paint enlightenment Zen, to take "Jane" as the key - the state of emptiness of "there is nothing in the original, where is the dust".
The avenue is simple, and the painting is only simple.
Chinese painting has always sought "Jane", and Zhang Yanyuan of the Tang Dynasty praised Wu Daozi for "only one or two pens, like it has been done".
Lin Yutang's "Biography of Su Dongpo" Chapter 20 "Chinese Painting" writes: Su Dongpo has admired Wu Daozi since he was a child, and his years in Huangzhou have devoted all his time to painting. ...... To look at the extreme examples of extreme Impressionist art, it is easy to see on a chicken and a fish of the Bada Shanren, or on the orchard of Shi Tao. Whether it is a fish, a chicken, or a bird, the art of the Bada Shanren can see the least action of the line, the least ink, the art of expressing the most content.
Bada Shanren is one of the "Four Monks of the Early Qing Dynasty" who stood on their own in the history of Chinese painting. Qi Baishi admired and admired the Bada Shanren all his life, and at the age of 91, he titled himself "Baishi and Xue (Bada Shanren) are the same liver and gallbladder".
The second is to see Zen with painting, and to take "I" as the key - to see the way of the saints who "the universe is my heart, and my heart is the universe".
Su Dongpoyun: "The text is to reach my heart, and the painting is just to suit my wishes." ”
Shi Tao bluntly said, "I use my own method" "Even if the pen is not pen, ink is not ink, painting is not painting, I am there." ”
Shi Tao is not only an explorer and innovator of painting practice, but also an art theorist, authoring "Quotations from the Painting of Bitter Melon Monks", advocating the famous "One Painting Theory".
The method of a painting is self-reliance.
See Zen with painting, as you see my heart.
The three are to draw and practice Zen, with "stillness" as the key - the practice of "to the void pole, keeping the quiet".
Pan Tianshou asked the students to "paint quietly and without distractions, which is exactly where the monk's heart lies." ”
Huang Benji, a Qing dynasty, said that painters have a long life because of "quietness", and his "Preface to the Eighty Birthdays of Que Wen Mountain" says: "Yu Ze said that the painter concentrates on one mind, such as the pranayama of the Daoliu, the knot of the Shi clan, all day long according to the case, not disturbed by foreign objects, the quiet of the benevolent, the quiet of the quiet can live." ”
Dong Qichang, a great calligrapher and painter of the Ming Dynasty, named himself a "painting Zen room" and "ink Zen Xuan", which used Zen metaphors to paint, which had a great influence.
Dong Qichang Lin Juran painting title right: friends with Juran "Songyin on ancient figures" sold to the rest, Yu Hangzhi painting Zen room, happy to enjoy the same viewer. Fu Bing candle sweeps the second picture, and the light is clear to show the guest. Guest: "Junsan Juran Zen Machine, in one night." ”
JuRan, the first painting monk of the Five Dynasties of the Song Dynasty, "good for the smoke and lan weather, the scenery of the mountains and rivers". Dong Qichang spent a night to see through the giant Zen machine, Fang knew that painting Zen is a taste, painting is Zen.
Yu learned calligraphy and painting since childhood, his heart chased after the ancients, and he hated to get nothing, but he felt a little bit about painting Zen, so he remembered it. (Originally published in China Art News)
Zhao Tao, a member of the Hunan Provincial Federation of Literature and Literature, the secretary general of the Hunan Provincial Federation of Enterprises (Affairs) Industry, the editor-in-chief of Fortune Geography, was the director of the Office of the Leading Group for the Construction of Hunan Art Museum. He is a member of the Hunan Writers Association, the Calligraphers Association, the Artists Association, and the Literary and Art Critics Association, pursuing the integration of "Poetry Zen, Shu Zen, and Painting Zen", and publishes works in People's Daily Overseas Edition, Hunan Daily, China Art Daily, and China Calligraphy and Painting Daily. Participated in the planning and editing of "Praise of Xiangjiang", "Hunan Literature and Art 60 Years • Hunan Provincial Enterprises (Affairs) Industry Literature and Literature Joint Volume", "Wenmai Millennium Lake Xiang Academy", "Huxiang Five Records • Millennium Lake Xiang "One Lake and Four Waters" Context Map", "Wenmai Millennium Lake Xiang Eight Scenery Dictionary" and other series of humanistic albums nearly 100 volumes, and created and published long-form reportage "Phoenix Nirvana" and "Big Dream Zhengrong". Participated in the writing of "Wanshan Red All over - The Journey of the Centennial Party in Hunan" large-scale literature book.