Room Ya why need to be large, the floral fragrance is not much
"Man cannot be without a house, and he who is a body cannot be without clothes." People need to dress and also need shelter.
People in the late Ming Dynasty had the ultimate aesthetic pursuit of houses. But their houses are not palatial, but "ordinary people". The windows are bright and clean, one person and one table, one bed, simple and comfortable.
Wilde said: Only the carefree temple of beauty can make people forget and make people happy, and where can we go without going to the temple of beauty? For the people of the late Ming Dynasty, this "temple of beauty" is the elegant room that everyone is pursuing.
In the late Ming Dynasty, having a room, no matter how big or small, one thing and one instrument are cleverly matched, showing the temperament of the owner.
The minimalist of the Late Mingya Room
It should be simple and not complicated, and it should be natural and not carved.
——Li Yu, "Idle Love And Occasional Mailing, Living Room Department"
"Jane" is simple and simple. The interior is simple, clean and uncomplicated, and the outdoor scenery is quiet.
The late Ming Dynasty scholar Chen Jiru's room was extremely simple. "There are only a few huts, mud walls, window paste paper. Curved bed wood table, four sides of the book history". The walls were piled up of mud, the windows were made of paper paste, the beds were woven of bamboo, and the tables were made of wood.
The minimalist hut can be described as "ugly", but the randomly placed book history and the frank temperament of the owner make its "burrow" not ugly.
Outdoors, the back of the mountain is accompanied by water and landscape. "The door is in the shade of the pine" The greenery of the pine trees is his yard. Small garden trails, a few bushes of flowers, a few flocks of birds or a few district pavilions, a few fist stones.
In his spare time, he would also clean a house, let the guding in the room burn wisps of cigarettes, and use plain dust to shake off the dust. Put a table, put a few books for people to read, and put some old calligraphy models.
Sit alone, read or make a pot of tea, burn incense, and enjoy the wall map.
Simple but not simple, the late Ming Dynasty's elegant room pursues an intriguing minimalist beauty.
In the minimalist living room, sipping a cup of tea, writing, enjoying flowers and paintings...
The real fun of the Late Ming Ya Room
There is not much fun, between the pots and ponds, the smoke is sufficient; the scenery is not far away, under the bamboo house of the tent window, the wind and moon are self-credited.
——Chen Jiru, "The Secret of the Little Window"
Fun is not how expensive it is. Even if you sit quietly under the thatched windows and bamboo eaves, let the breeze blow and the moon shine, there will be endless fun.
Fei Yuanlu said that there are three ways to travel, one of which is "anti-zhi is unconventional, and the playthings are true." Late Ming people generally believe that playthings will not lose their minds, but can get the true interest of life and express their true selves.
The true interest of the late Ming people is reflected in the ultimate pursuit of things, to live with their own hearts, and to be extremely fine about objects.
For example, the pen holder on the desk of the literati, Tu Long said, "The pen holder Xiangzhu is for it, and the rosewood and ebony ridges are set as elegant, and the rest is not in the product?" "Even if it is just an ordinary small object, they are extremely particular about the selection of materials, raw materials, production processes and so on."
In order to pursue true fun, Zhang Dai personally designed his own bookstore in many places. The Plum Blossom House was built from a collapsed old house. After the renovation, the house is surrounded by plum blossoms, peonies, begonia flowers and other green plants. He only enjoyed it, "undressing and discping, cold and hot did not try to light out."
In the late Ming Dynasty, The nest duanming used gourds to raise song insects, and he planted multiple varieties of gourds around his residence, and closed the molds engraved with patterns on the gourds to make them grow into gourds in the shape of bottles and yis.
The living room can not only cultivate and recuperate, but also exquisite and fun.
Unlike the Song Dynasty, which had a distance aesthetic view, the late Ming Dynasty pursued a close viewing. It's an immersive aesthetic experience, like a chair, which can be drunk, supine, or lying down under a flower.
In the late Ming Dynasty, appreciating playthings is an interesting thing of elegance and fashion, and if you meet a good person, it is another fun.
The rhyme of the late Ming Ya room
The door is elegant and clean, and the room is clean and beautiful. The pavilion has the nostalgia of a man, and the pavilion has the grace of a ghost.
—— Wen Zhenheng, "Changwuzhi Andulu"
The ancients said: There is a rhyme of after-meaning. "After-meaning" is the feeling of lingering sound around the beam and endless aftertaste. The room is placed differently, the complexity is different, and it will have different charms.
The elegant room pays attention to unity and harmony, and it must be simple and elegant, and it is not vulgar. Return to the attention to nature, connect aesthetic experience and daily life, and pin their faith and elegance on grass and trees, tables and chairs.
Even if it is a small living room, it must have charm. If its doors and windows are built well, they can produce endless elegance and taste, so that nature and cultural landscapes are integrated.
Li Yu said in "Casual Love and Occasional Mail": "The house and the people want to be commensurate with them." The house reflects the disposition of the owner, and your house is yourself.
And "the window screen is to borrow the scenery, and the bamboo stone can heal the customs." The utensils in the living room should not only be cleverly conceived in production, but also need to be complicated and simple in the placement room. In this way, all kinds of furniture are cleverly used to update and look good.
Li Yu's bed was made of sandalwood so that he could smell the flowers when he lay down; his tent had bone clothes, and there were locks to shield mosquitoes from the wind. There are simple porcelain cups, elegant tea sets, poetic bottle stoves in the living room...
The objects in the living room all reflect his leisure and leisure, and the afterglow is extreme.
Mr. Liang Shiqiu said: "I live in The House for one day, and the House will belong to me for one day." In the elegant house, you can cultivate your ambition, and reading a book is enough to entertain yourself.
Choose a clear residence, insight into the heart, perhaps this is the highest happiness in life.
Yaju is a way of life of the late Ming Dynasty. Only the late Ming people enjoyed the extreme.
They pursue simplicity, simplicity, simplicity but deep elegance.
In the elegant room, incense burning, tea tasting, flower arrangement... Even in the downtown area, you can have the charm of mountains and forests.
The one-room thing is not gorgeous, as long as it is pleasing to the eye.
The elegance of a room is not noble, as long as it is comfortable.