People who are new to landscape painting usually start with trees, which is enough to prove the place that trees occupy in landscape painting, and if there is no tree in a landscape painting, the painting must lack vitality. The performance of trees is directly related to the success or failure of mountain stone paintings, trees are the clothes of nature, when dense layers of forest are dyed, when sparse rocks are exposed, and trees change according to four hours, giving nature infinite vitality. Due to the different growth areas, there are many kinds of trees with different shapes, among which pine, cypress, poplar, willow and banyan trees are the most representative, and they each have obvious characteristics.

Figure 1
Figure 1: When drawing the trunk out of the branches, the branches should not have three lines crossing at a point, but should be as dense as the branches on the right, and the water should not be too much when writing, and the lines should change.
Beginners often draw the branches symmetrically, the lines do not change, should be like the branches on the right, interspersed freely, with front and back layers, thickness and light changes.
Figure 2
(Fig. 2) Draw a set of trees, beginners are most likely to draw it as an equidistant arrangement.
2. Pay attention to the interspersing between several trees, the front of the tree ink color is darker, the back of the tree ink color is slightly lighter, so as to show them
Before and after the level.
Figure 3
(Fig. 3) Use a stone badger pen to outline the tree shape, and pay attention to the change of the line when drawing the line. The tree's stripes are represented by transverse stripes (most common in birch, plane tree, etc.). This is a combination of multiple trees, pay attention to the front and back layers of the trunk.
Figure 4
(Fig. 4) After the trunk is drawn, it is necessary to consider representing the leaves. This tree point leaf method uses red dots, pay attention to the color is not too thin, you can appropriately add rouge, Garcinia cambogia, ink in the pot.
Figure 5
(Fig. 5) This painting uses a pip pen to first point out the shape of the bush, pay attention to the relationship between the size of the tree shape when pointing, and then use a harder pen to outline the trunk and branches.
Figure VI
(Fig. 6) This method of painting is to use a special pip pen to point out the shape of the tree, and then outline the branches. Do not paint the treetops full, leave a certain space, and breathe, so as to feel the realism of the tree.
pine tree
When painting pine trees, pay attention to the characteristics of pine trees. Rub out the texture of the trunk with a dry pen, pay attention to the interspersed branches, use a harder pen to dot the leaves, and pay attention to the breathability of the whole tree.
Lawn
These are two different ways of drawing lawns. The above one is to use a harder pen to flatten it, draw it with the method of silk wool, pay attention to the dense relationship at the junction of the soil slope; the following lawn is to use a darker color to first draw the front lawn and then gradually transition, the brighter the higher, the brighter it is, and then use the darker ink to take advantage of the wetness to drag the grass after painting.
Sketch composition
This is a tree-based sketch composition, the whole picture is basically occupied by trees, leaving a breathable space in the lower left corner, a mountain route
Near and far, the geometric farmhouse is hidden through the trunk, which adds to the layering of the picture.
1
1. When drawing a tree trunk, draw the relationship between light and shade of the tree pattern. The branches should have a sense of front and back layering, and pay attention to the position of the leaves.
2
2. To outline the leaves with the leaf clipping method, to draw its thickness, it is necessary to show the overlapping relationship between the leaves.
3
3. Dye the layers of the leaves with light ink.
4. Dye the bottom of the leaf with a darker blue color, and then gradually dye it upwards, making it brighter and brighter the more up, making the leaves more light and three-dimensional
One
One. This is a painting method that shows a large area of woods on the surface of the mountain stone, first use the pip pen to point out the woods, pay attention to the layering and density of the ideas
Two
Two. Then outline the trunk and branches of each tree, paying attention to the large front and small back. Then dye the entire forest with ink.
Three
Three. When dyeing, do not consider that each tree should leave a bright part to avoid too many highlights on the screen. It should start from the whole, the color should be from dark to light, and gradually rendered from the bottom up, so that the whole forest looks rich in layers and pushed far.
1. Draw the trunk with a dry brush, pay attention to the interspersed branches, and leave the leaf position.
2. Use the pip pen to point out the leaves, point out the level, and pay attention to the density of the idea.
3. After the leaves are lit, the tree should be dyed, and you can choose a variety of different colors, red, green, and blue. If you choose autumn tones, the shades of orange red as the main lower part can be darker and thicker, and the top hue is bright, making the whole tree very light.
This tree uses some special techniques, first using glue to adjust the ink to draw the trunk, and then when the ink color is not dry, some salt is added to the ink with glue to produce a special effect.
This is the most common tree in Sichuan, a cedar, starting from the top of the tree and gradually painting down. When painting cedar, you should have a trunk in your heart, do not draw it bent, the leaves on both sides should not be too symmetrical, and pay attention to the dense changes.
This is the most common scene in the countryside, looming through a few large trees and a few farmhouses, dense, chickens, dogs, and full of life. In front of a variety of large trees stand on the top of the sky, small branches with red branches interspersed with more complex surfaces, leaves are dyed randomly, and a few canes flutter with the wind, producing a static and dynamic effect.
【Legend】
Step 1: The pip pen points out the tree shape, pay attention to the size change of the shape of the tree, use the darker ink to outline the branches, and pay attention to the interspersed and hierarchical relationship between the tree
Step 2: Outline the branches at the point and shape the tree. Lining the trees with a thick and light ink rhyme. The ink color transitions gradually and is connected to the branch.
Step 3: Dry dye the bush first, and the color gradually transitions from thick to light. In this way, it seems that the light of the tree will be more intense. Pay attention to each tree
The color of the tree has to change.
Step 4: Dye the entire picture, pay attention to the connection of clouds and the unity of the picture.
【Appreciation】
Sometimes there are quiet flowers and a tree
Cooking tobacco villages rise up and return to the geese sky
Cuiyun Xiaoyun
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