Cultural self-confidence is the most basic, deepest, and most enduring force. Cultural self-confidence is more basic, broader and deeper self-confidence. Only by not forgetting history can we open up the future, and only by being good at inheritance can we be good at innovation." Only by being good at inheritance can we make the "cultural feast" have the original taste, and we must uphold the attitude of learning from each other's strengths and complementing each other's weaknesses and using it for me, adding flavor and color with "cultural ingenuity", expanding the extension of Chinese culture, enriching the connotation of Chinese culture, realizing the malleability, creativity and sustainable development of culture, and radiating a more exuberant and confident spiritual temperament. To this end, a group of calligraphy and painting masters who have a certain level of creation in the field of calligraphy and painting, personal cultivation and professionalism have reached a certain level, have profound calligraphy and painting attainments, and have considerable influence will participate in the joint launch of a number of news media to display the excellent works of artists and teachers online.
Biography of a famous artist
Shan Yinhai, male, born in 1948, was originally from Beidaihe, Qinhuangdao City, Hebei Province. He is currently a member of the Chinese Elderly Calligraphy and Painting Research Association, and a researcher of the Heilongjiang Provincial Elderly Calligraphy and Painting Research Association, a researcher of the Gannan County Elderly Calligraphy and Painting Research Association. Since I was a child, I like calligraphy and painting, when I was reading, I copied comic strips, and I especially liked the works of Master He Youzhi, and copied the whole set repeatedly until I could write silently. After graduating from high school in 1965, he was assigned to work as an artist and film projectionist in the cinema. In 1966, he painted portraits of great men and oil paintings on revolutionary history. He was drafted into the army in 1969 and worked as an artist in the Political Department of the 192nd Division of the Army. In 1978, he went to the provincial government to do advertising work in provincial enterprises, and retired in 2008. He is good at character painting, and his works have participated in national and provincial calligraphy and painting exhibitions for the elderly many times and won awards. Engaged in film screening and art propaganda work, drawing slides and propaganda posters with military themes as the mainstay. After retiring from the army, he was transferred to the provincial Direct Gannan Diesel Engine Factory to do advertising and information work, to some provincial capitals, cities, and counties to draw street sign advertisements, shopping mall window advertisements, to the central and some provincial television stations and newspapers for advertising, with machinery as the main content, because of the wide range of involvement, accumulation of painting knowledge and experience, laying a solid foundation for artistic creation, has created gouache paintings and brush strokes with personal style, and has been selected and awarded many times in the Provincial Film Company of the Ministry of Mechanical and Electrical Machinery and Electronics and the national, provincial and municipal elderly calligraphy and painting exhibitions. In 2015, the Chinese painting "Blood Battle Nenjiang Bridge" won the second prize in the National Calligraphy and Painting Competition of the Chinese Elderly Calligraphy and Painting Research Association to commemorate the 70th anniversary of the victory of the War of Resistance Against Japanese Aggression.
Group exhibition of Shan Yinhai's works
After a long period of experience, it has come to fruition
——Remembering the famous painter Shan Yinhai
Watching the paintings of the painter Mr. Shan Yinhai, the grounded style is very impressive! He uses solid and skillful painting skills, does not style the fabrication of Flowers and Snow Moon, and paints portraits of the whole people, often making realistic expressions. This kind of painting is related to the public, and the creative direction of painting is sung by the times, and there is no doubt that it is incomparably correct! In many contemporary paintings, there have been nonsensical and meaningless works, which look uninteresting, hang up uselessly, and the result of creation divorced from real life has become a fraud. On the other hand, the paintings of Shan Yinhai can re-experience the fiery and passion of "art serving the masses"!
Mr. Shan Yinhai, who is willing to immerse himself in the theme of realism and painting creation, is a painter with great artistic feelings and social responsibility. If a paintbrush cannot serve the times and the masses, then he would rather put down this pen than do this art! Realistic creation, let his artistic ideals quite stubbornly contact the earth, express the spirit, paint works that the people like to hear, let him have the qualifications of the people's artists, and the reputation comes from cultivation!
If more and more painters can be as persistent as Mr. Shan in painting art, then the public aesthetic will inevitably have vitality. From this point of view, Mr. Shan is not only an excellent painter, but also a cultural activist who aims to shape the spirit! Painting can be grounded, because the intention is to take responsibility! As a result, his "Blood Battle Nenjiang Bridge" will become the watchman of the spirit of the homeland! Using Danqing to create heroes and lyrical ambitions, Mr. Shan has walked very solidly and profoundly on this road!
Good at taking responsibility, with word of mouth. This is the achievement of the painter's spiritual level. Spirituality is based on physics, and physics is both professional! Mr. Shan painted, and the professional problems were solved quite well. In his early years, he liked to practice Danqing, a superhuman painter, without a teacher but able to understand himself, with both comic strips and gods, and realized the true meaning of Chinese painting according to the line modeling, so as to enter the method of artistic creation. He chose to paint, and painting also confirmed his hard work and talent!
He is a Danqing master who has been trained from the process of realist creation, has a considerable wealth of practical experience, his kung fu is born in practice, wonderful in practice, wall painting advertising is quite appealing, creative culture wall is influential, so his painting works are tempered by practice, rich in solid modeling kung fu!
Where painting is a painting, the profession is basically to have the ability to shape the pictograms of objects. Mr. Shan's paintings are rooted in the grassroots, listen to the voice of the people, understand the good of the people, photograph the people, handy, create a large number of situational character works, squares and alleys, mountain villages and water towns, markets and pyro, a variety of ordinary people, after the shaping of the pictograms of the object, coupled with the rendering of color with the class, the part-time work belt is written into the details of his Danqingli era, painting the smell of fireworks and humanity, becoming the most long-lasting humanistic classic! If these works are dropped out, they can also be called the Qingming River Map of the New Era!
After a long period of practice, the water will come to fruition. Mr. Shan's paintings are rich in titles, including fantastic new paintings of flying skies, lashing out at ugly righteousness, and even more far-sighted works of revolutionary history! The leader enters the painting to commemorate, and the hero enters the painting to shake people's hearts. The great Mao Zedong Deng Xiaoping, the Guoshi Zhong Nanshan Li Sujuan, and the civilian hero Zhang Lili all have vivid and vivid portrayals in his paintings. He paints people, but also portraits of the whole era! The painting has seiko, the inscription has a true soul, and if you do this for a long time, you will become a monument!
Text / Lin Zhixian (popular science writer, first-class calligraphy and painting critic)