Written and directed by young director Yan Fei, and starring young powerful actors Liu Tingzuo and Song Ziqiao, the domestic original film "Lucky Elevator" was released nationwide today.
Happy enemies make a big fuss about the "lucky elevator", present the ultimate proposition of marriage, and the movie will take you to experience what is the "overnight cooling off period".
The type has a strong sense of form, and behind the minimalism is a deep complexity
As the first single-scene small space genre film in China, the movie "Lucky Elevator" has a unique shooting style and ingenuity.
The film has been successfully shortlisted for the "Chinese New Wind" unit of the 2020 Shanghai International Film Festival, and can achieve a successful breakthrough in the professional field, which cannot help but make people expect "dark horses".
"Lucky Elevator" not only has a strong sense of form, but also has full of ingenuity, and constantly tries to break through the limits of domestic original films in terms of shooting difficulty.
3.46 square meters of shooting space, 85,200 words of script, 647 parts, 64 months of preparation and shooting, 464 production teams, 700 hours of shooting materials... This series of figures all explains the full sincerity of the main creative team.
But when the movie is shown on the screen, it shows two lead actors, a narrow elevator cubicle, a long night... Even micro-movements and micro-expressions truly reflect the depth and complexity of the marital relationship through this minimalist focus.
Decompressing "negative" to cure marriage, we are all "people with stories"
The movie "Lucky Elevator" uses a minimalist shooting method, but it narrates the seemingly hidden but rich inner feelings of the adult world, which can be described as "the truth of the world".
The hero and heroine of the story are trapped from the beginning, maintaining a "polite" distance from each other; Then with the passage of time, the rescue is hopeless, the "cold violence" of one second becomes the next second of "ants on the hot pot", and the two open a war of words and words, and each other is afraid of each other; Finally, after a night of forced "co-ride", the two people experienced a night of "divorce cooling off" in advance, and completed the self-redemption of marriage in communication and understanding.
The film reflects the world of modern adult feelings: when it comes to feelings, the public is often ashamed to say it, or express it in the wrong way. Over time, people learn to be silent and whitewash communication barriers with words like "calm" and "polite."
Just as elevators need regular maintenance, feelings also need to be repaired in time. "Lucky Elevator" seems to be a poisonous tongue that points directly to the truth of marriage, but in fact, decompression and negative healing of emotional trauma. The film finally presents a perfect answer sheet to the audience from a unique perspective.
The movie "Lucky Elevator" for the audience to directly present the trivial life of husband and wife, with the wonderful scheduling of the director and team, and the rich dramatic emotional tension of the two leading actors, perfectly crack the emotional repair problem after the emotional loss.
On this winter day, which is known as the coldest of this century, the movie "Lucky Elevator" will provide you with a dose of cold medicine in major cinemas, repair emotions and soothe your heart.
(Du Zheng)
Source: Northern Network