There is an old saying in China that "literati are light on each other, and artists are inferior", but since the founding of the People's Republic of China, Peking Opera has established a theater troupe system, so "artists are inferior" still exists, but many of them are secretly competing, and they do not openly say who is not in harmony with whom.
However, the two big Qingyi of the Beijing Peking Opera House once launched a scolding war, and the chat records were quickly spread on the Internet, and many people lamented that the water in the original Peking Opera circle was also very deep, and it was not a group of harmony.
Today Xiaobian will talk about it.
<h1 class="pgc-h-arrow-right" > Jiang Yishan and Wang Yishan</h1>
Jiang Yishan and Wang Yijian are both Peking Opera Zhang Pai actors, and the two can be regarded as the same door.
Jiang Yishan is a peking opera performance artist who has inherited Mei Baojiu and Xue Yaping, and has the essence of the mei and zhang schools, and is also an outstanding young peking opera actor in the peking opera industry.
Wang Yijian was once taught by Yang Qiuling, Wu Yinqiu, Cai Yinglian and other famous Peking opera masters.
The two once engaged in a scolding war in the WeChat group, and neither of them obeyed the other, among which Mr. Zhang Xuehao, a disciple of Master Zhang Junqiu, once stopped it, but it did not seem to work.
In fact, this kind of thing is also inevitable, because there are two Peking opera actors of the same genre in the same Peking Opera Troupe, and there will inevitably be some disputes, which is also a drawback of the Peking Opera Troupe.
<h1 class="pgc-h-arrow-right" > Jiang Yishan died</h1>
Jiang Yishan is very famous in today's Peking Opera circle, and is only second only to Dong Yuanyuan, Li Shengsu, Chi Xiaoqiu, Zhao Xiujun and other Famous Peking Opera artists.
However, Jiang Yishan committed suicide at home, and even the reason is still unknown, why such an excellent big Qingyi chose to take this road.
In fact, the reason for Jiang Yishan's death is unknown, but the Peking Opera industry has lost a good actor.
In fact, there are undoubtedly two reasons for this situation, one is that Peking Opera actors do not concentrate on studying art, and the other is that the survival mode within the system is not conducive to the development of Peking Opera art and plays a counterproductive role.