Author: Syracuse/Anitama Cover Source: Little Witch DoReMi Dokkan! 》
<h5>【Q Baby All-Star Storm Record・Black Edition】This week is the black version, and next week it is the white version. </h5>
<h4>Episode 15 Doraemi: 20th Anniversary! Please accept this letter! </h4>
Doraemi's sequel, this time continues to step on the accelerator, the content is the story of the last three years of the series.
<h5>[Second year].</h5>
The first year took the orthodox line of children's films (especially toddler films), little girls fell in love with each other, and the number of intern witches has increased to four. I didn't expect to be able to approve the second year, and the planning lineup was very confusing, because the new tricks were not easy to do. The first reaction is to add new people, right, add someone, directly add the fifth intern witch to come in is just a copy. To throw a change ball, Naga also add a younger junior... Come on, where do you put the bubbles? Then change it to an older sister, but Seki Hiromi producer is afraid that such a scene will be robbed by the powerful big sister, and the protagonist's aura will be airborne. Well finally a curved shot, to add someone I directly add a baby!
In this way, the theme naturally becomes raising a baby, and the series constitutes the excitement of Ryuji Yamada, who is a serious and righteous person. To the child, we want you to understand how your mother raises you and how you are loved. For parents, we can not be negligent, at that time, parents with the baby lack of heart to take the baby to death is too much, to let the parents who watch the film with their children have some reflection and understanding. Guan producer also wrote this in the planning book, and found that there was a big problem... The production staff on the scene is not just a bunch of social animals, who understands the topic of raising babies!
It's okay Yamada patted his chest, forgot I have a daughter, well, although I'm a man, no sex discrimination is allowed. In fact, more excited than him is Bandai, saying that the first instant reaction of the baby is that it can produce a small doll doll, which is the same fix for young girls' films for eternity! The mother of the first little girl naturally likes weak creatures, the second baby has the feeling of having a pet, and the third little girl likes to imitate the behavior of her mother (you can refer to the sixth time in "Toei Misanya Adult Affair").
Since the original starting point was the key words of the note scale, the title of the next year was simply and rudely added an elevation sign in the score, and the meaning of the work was upgraded upwards. See clearly, the ascending sign is like this:♯, the hashtag is like this:#, the direction is completely different. The baby is called Little Flower because the witch is set to come from peanuts. Xiaohua is the future queen of the Witch Realm, and the plot can also involve the past queen in the past, expanding the worldview of the Witch World that did not have time to dig deep in the first year. The business theme of the Magic Hall became a flower shop, which was the result of a questionnaire and the popularity of the little girls.
Compared with the previous year, the lineup of planned producers is an acquaintance but has changed. The producer of asahi Broadcasting Television is the same as the first year, and is Shinji Shuryanagi, who has collaborated with Hiromi Seki since "Dream Crayon Kingdom". However, from the second quarter onwards, Zhu Liu added a newcomer, Nishizawa, to serve as his deputy, and then from the third quarter onwards, Nishizawa was left alone to carry the banner. This Nishizawa did the Doraemi series to the end, and later became the original producer of the Qwa series. The three-dimensional willow is gone, the second dimension still has the willow, I don't remember the friend of her father who came out of the fortieth episode. The editor-in-chief of the fishing magazine who gave him a large check to pay the royalties in advance was called Zhu Liu, of course, the name was deliberate.
Everyone understands the fact that this film is named from reality everywhere, and last time I said a little bit of this time, in fact, I am not sure that I will say it all. Shuryū was a former Producer of Asahi Broadcasting Television, and he fought on this show for a year and a half until the early days of "Dream Crayon Kingdom", and his name was Tetsu Kotake, so he knew what it meant. For example, in the role that appeared in the second year, the object of Bubble's foolishness in kindergarten is called Shunyi Teacher, and this Shunyi teacher obviously does not need to say much.
However, the one who gave dog food to Shunichi Sensei was called Kanako Sensei, and it is generally believed that the voice actor is called Asamatsu Kanako. It is also believed that it should be Kanako Arai if pushed down this, which is the only one that has not been confirmed, and the probability is low. Shunichi-sensei and Kanako-sensei have been handing out dog food more than once, and the true love between octopus and squid cross-racial still remembers no, and the voice actor is also the two of them. When Asitsumaki Kanako was less than twenty years old, her voice actress debut was just before "Dream Crayon Kingdom", the third of the three girly anime in which Hiromi Seki was the producer, and then played soy sauce until "Naka of Tomorrow", and eight years passed before and after this show.
As for Kanako Arai, she is the producer of the advertising agency AsahiTsu Daiichi. Takashi Horiuchi left in the third quarter of the second half of the year, and was succeeded by Arai. Horiuchi fought for four years before and after this show, and the three-dimensional Horiuchi was gone, and the same second-dimensional Horiuchi was gone. Appears in episode 45, this time even bigger, directly the founder of Doremi's school, named Takashi Horiuchi.
Finally, there is the producer of the Toei Animation side, and it is known that Sensei Seki is going to fight until graduation. However, Seiichi Leech, who had been the deputy of Seki Producer since "Dream Crayon Kingdom", left from the third quarter of the second half of the first year. So the second year, there was only one person left, but below there was Also Kido Mu of "Dragon Ball Super", who was trained as a producer at that time.
The director of the following year's series still adopted a two-player system, but only Igarashi Takuya remained in his original position. Shunichi Sato handed over the baton to Yamauchi Shigeho, and later performed a book of Yukimitsu Qwa who was exaggerated and blown to the sky. As mentioned last time, Yamauchi was the director of the third of the three girl anime before "Dream Crayon Kingdom". However, after only one initial performance in "Dream Crayon Kingdom", he left the cast until dolemi was the fourth season of the final episode of the first year, and the notes had already appeared.
This means that Yamauchi had a two-year gap in this program, from the autumn of 1997 to the autumn of 1999, during which he was the director of the series of the Heisei version of "New Alare" between Dragon Ball GT and One Piece (you can refer to the tenth time in this series). After Sato was removed, Yamauchi, who had joined the company for the second year, was chosen as the director of doremi's second year series, but in fact, one of the key reasons was... He has children, while Igarashi doesn't. This Yamauchi is also very confused, in fact, when the child was born and needed to be raised most, he did not care much and was busy with saint seiya (also see the tenth time).
Of the main six in the first year, Yoshimura Motoki and Jun Maekawa withdrew. The reason is that the Fuji TV program "Digimon Adventure 02", which focused on the same year when Hiromi Seki served as a producer, the two jointly served as the composition of the series. So in the first quarter, there were only four scripter shifts, ah, the FLAT4 that has been messing in since this year, you see only one of the four people has a Chinese name. His name is Xiao, and among the four of them, he is the first to appear, which is the ghost of Yamato Yaxiao. Yamatoya said that he had been wronged, and I had not written the two books that appeared back.
In the second quarter, the script team joined the fifth person, Yoshimi Narita, who debuted in the "New Alare" series where Yamauchi was the director. Moreover, in the identity of not being a series composition, the theatrical version of the work that was supervised by Yamauchi was noticed by Yamauchi, although the first book she came up to play was Shunichi Sensei. Since then, Narita has participated in the script shift of this program for sixteen consecutive years, and is the only scripter to write the Q baby series to reach three digits (you can refer to the twelfth time in this series).
The lineup of performers and painting supervisors was the same as in the first year, but Sato did not perform in person after retiring from the series directorship, leaving only the task of splitting for Hideki Hiroshima and Takayoshi Iwai. Hiroshima continued to train as a performance assistant while performing, and finally had a re-performance as a storyboard himself. In addition to Hiroshima, the only one who stayed in the previous year was Tatsuya Nagato, and in the second half he joined newcomer Yukihiko Nakao. Later, Nakao participated in only two works of Q-yō and Yuki, with Nagato as the director of the series, and the final performance was drawn by Nagato to him.
The threshold for the filming of young girls is higher than that of young men's films, and after entering the status of popular works in the second year, Doremi also decided to make a theatrical version for the first time. At that time, the Toei Anime Festival, which developed from the Toei Manga Festival, still existed, and the institutional concept of the Toei Manga Festival can be referred to in detail in the second half of the nineteenth time of the "Genealogy of Toei and the Sixty-Six Years of Sunday Morning".
At the Toei Animation Festival, Toei adopted the spring break by the main force of "One Piece" and "Digimon", and the summer vacation by the main force of "Digimon" and "Doremi", so at that time, the Digimon could be released twice a year. Doremi's first theatrical version, and the same work is the first theatrical version of Digimon Adventure 02, "Part 1: Digimon Hurricane Landing!! /Part 2: Super Evolution!! Golden Digital Armor" and both series were first released at the Toei Animation Festival in the summer vacation slot.
On doremi's side, the deployment of course takes the TV version of the main personnel. The script Ryuji Yamada, the superintendent Igarashi Takuya, and the painting supervisor Masahiko Makoshi, the three of them were established at the same time in a certain episode, in fact, they have not appeared in the TV version for a year and a half, and the first time is in this theater version. The fortieth episode was then produced as a sequel to the theatrical version, with the same lineup, and was the only one in the second year of the TV version in which Ma Yue personally served as the artistic supervisor. The theatrical version of the assistant supervisor is the first time to participate in the Doraemi series koga Hiroshi, because Nagato went to Yamauchi as an assistant supervisor. Koga previously worked as a performance assistant in The Kingdom of Dreams Crayons, and later as the director of the Series of Heartbeat Qwa.
Nagato's assistant supervisor for Yamauchi is the Digimon side, and the supervision of this theatrical version is Yamanai. This is actually the only time in Yamauchi's life to participate in the Digimon series, and the script is Reiko Yoshida, who has participated in both series. However, this is the first time that Yamauchi has personally performed Yoshida's script, and in the past, even yamauchi's girl animation Yoshida, who was the director of the series, has participated in it, but the most intensive performance in Yamauchi in the past five years is the script of Yumi Shadow Mountain.
There is enough explosive popularity to extend the series on top of the original plan, especially children's films, and the peak of commercial performance brought by popularity is generally in the second year, which is an iron law since ancient times. In the box office revenue of today's films released in 2000, the Natsu No Toei Animation Festival ranked third, with two works totaling 1.27 billion yen. Ratings also rose continuously, and bandai's annual shipments soared by half compared to the previous year, and Guan Producer exclaimed that it was suddenly red.
<h5>[Third year].</h5>
In this way, of course, it will be the third year, and the title will not be played. The first case, since it is an upgrade number and then a sequel, then continue to rise, add a point in the promotion number ♯ "" to become "丼". ...... Teacher Guan said that when you wake up, in the end, it is still simple and rude to call a "more ~ more!" Trouble Witch Doraemi". Well, the old question comes again, how can the newcomers still shoot the change ball? As a result, she actually stared at Hikaru Utada, and those two years were when Utada had just caught fire.
The Japanese who grew up living in the territory of foreigners, when they grew up, this hot spot was fixed, especially the kind of returnees who still speak unfavorable Japanese. So the theme of the third year is communication, and the voice actor of Asuka Peach uses the ready-made Miyahara Nagami to play the high-cold classmate Yada Jun of Doraemi. Her voice actress debuted in The Kingdom of Dreams Crayons, and then as a returnee in the digimon theater version overseen by Yamauchi in the front. What came out of her mouth was a true Western dialect, not a katakana, and she had to be used.
Although it is called peach, peach color has long been used by Doraemi, that refers to the routine of the Super Team series, and the next common color is green for peaches. But green is actually not very popular among little girls, and later Q baby is also very green, too many people to use it, the last two arranged into green do not give the top green hair. That's still yellow, this is fortunate that the yellow of Yuyue was deliberately changed to orange, and now the yellow vacancy can be used. Yellow in the Super Sentai series is a female color in addition to peach, so the popularity of little girls is also high.
This time, the business theme of the Magic Hall has been renovated into desserts, and the pastry chef, like the previous year, is another kind of industry that is at the top of the little girl's popularity as a result of the questionnaire. The costume of the intern witch was also renovated as usual, but this time another set of special costumes for the pastry chef was designed, which was a reference to the second stage of the superhero leather jacket that the little boy saw. A video at intermission:
Ryuji Yamada was confused because he didn't know anything about making desserts. And the complexity of the series composition this time is comparable to the first year, although it has been renewed to the third year, a number of settings should be easier to use, but Doraemi they are also in the fifth grade. Elementary schools in Japan generally change classes every two years, so in the first year, the protagonist group of third-grade students are new, and by the fifth grade, it is time to completely renovate.
All rearranged, the new character treatment special can follow the first protagonist, Peach and Doremi are in the same class, and even the class teacher is still Guan Teacher. Hazuki Aiko's notes were divided, but a new class teacher was arranged, and the voice actor let the lead actor of "Dream Crayon Kingdom" Tokumitsu Yuka, who had been renamed Tokumitsu Yuho at this time. Then came the serious topic, and since the theme was communication, the phenomenon of students refusing to go to school also became an important object of description. Also Peach's witch Monroe died, and Yamada admits that this is because his father died at that time.
The core lineup of the production front line has not changed much compared to the previous year, and Asahi Broadcasting Tv's Nishizawa Tsubasa producer and Toei Animation's Seki Hiromi producer have gone it alone. The producer of asahi's first company was replaced by Mao Katsuhi, who changed shifts in the fourth quarter of the following year, and then worked for a year In the fourth quarter of the third year, Takahashi took over. This Tomoko Takahashi was the original producer of the Qwa series, and later served on the "Beautiful Melody" and "Secret Heart Egg" series, because Asahi Tsunade was on the production committee. Takahashi left Qwa exactly nine years later and returned to the front line, and two years later he was promoted in the company, in fact, there are always unfamiliar names in the world, so there is no need to follow the trend to know the name of Qwa:
Following the producer, Kido Mutsumi left, and from this year Shibata Hiroaki gave Seki as a producer to make up. Production manager Atsutoku Kazema finally left in the second half of the year, and he took on the role of seven years since the beginning of the three girl animations of that year. Kazema later became the production director and the production management director in Toei Animation, according to the general theory in the enterprise, that is, managing the assembly line in the front and managing the personnel and finances in the rear. These two positions were also done by Jun minoru Umezawa, and they both took turns to do it at the same time, when the same level of Vulture Washin was doing tv planning, which means to manage the product itself. Doraemi took over as Kazuo Sakai, who worked for three years from the middle of "Dream Crayon Kingdom" after joining the company, and finally became the production manager, and later the original production manager of Qwa.
Since then, the series director has only been Igarashi Takuya, but Yamauchi Shigeho is still in the cast of performers. This time, the theatrical version was also supervised by Yamauchi, and the period and release format were exactly the same as the previous year. Therefore, it is a short film of about the same length as the one episode of the TV version, but Yamada's first draft is enough to make a long film of one and a half hours.
The script array was reduced by one person, and the composition supervision lineup did not change. Reiko Yoshida broke away from the battle line, and in the same year, on the other side, "Digimon Beast Trainer" had only one book to write, and this work was rotated by the remaining four scripters. However, Takaya Nagato, who has been a performance assistant for many years since "Dream Crayon Kingdom", finally debuted as a regular performer in the middle plate. The first book of his debut was drawn by Igarashi for him, and then in the second half of the year, he officially became an independent performer and joined the shift lineup.
Two new performance assistants were added in the first quarter, Koga Hiroshi, who had been the assistant supervisor of Igarashi in the theater version last year, and Komyo, a twenty-five-year-old newcomer in the second quarter. Originally, it was Changfeng with a seat of antiques, and the two of them went up together. In the second half of the year, after the promotion of Nagato, it was the turn of the ancients to do it alone, and then it was the director of the series of fruit Qwa and hugging Qwa.
<h5>【Fourth year】</h5>
Most of the things they wanted to do were done, they all took one step at a time, and no one thought of fighting for three years at first. There is also a feeling of burning out of light guarding the same character modeling, and then the predecessors of the Sailor Moon are beckoning on the road. In addition, the protagonist group also happens to be in the sixth grade, so the theme is graduation, and the premise at the beginning of the fourth year is to end. Popularity did not collapse like the fourth year of the Sailor Moon series, and it is not impossible to continue like the predecessors until the real popularity is exhausted due to commercial requirements. But it is not yet like the predecessors and the later Qwa, the fire is not finished until it is finished, so the series is successfully brought to an end in the state of late festival.
The protagonist group has grown to the age of graduating from primary school, and the audience group of the program is after all kindergarten girls, which is enough to become a big sister in their eyes. So the character who needs a young perspective, this time to give the little flower a wave of reverse Conan operation, the appearance of a schoolboy, the heart is... Or a baby. Although they are also teammates, Xiaohua's clothes are deliberately designed to be different from those of Doremi, which is used to indicate that they are not the first protagonist and the secondary protagonist, but the two equal protagonists. Later, the first Qwa also adopted this, and when Xingxue painted the apprentice witch costume of Xiaohua, the intended image was the wings of an angel.
In the final session, the personal return is in reverse order, and the small flower is special and put aside to finally summarize, and the other five people who join later will first come out of the essence of the personal return. However, Ryuji Yamada actually counted the numbers wrongly in the stages of the series composition, and every year began in early February and ended at the end of January, not only was the four episodes in January of the New Year not enough, but even if the five episodes were advanced, it was not enough. Realizing that it was too late, Peach and Notes' personal backscrammed together and squeezed in the penultimate episode. Then the penultimate episode Aiko, the penultimate episode Yuzuki, the penultimate episode Doraemi, and finally the finale, the one who kissed her daughter Aiko was of course written by Yamada himself.
The fourth year is the smallest degree of change in the on-site lineup, basically the state of the extension line in the third year, and the elderly in the core positions are all there. Hiroaki Shibata's producer left after a quarter, and Mutsumi Kido returned to take over. In the finale of the performance, Hosoda Mori, who returned to Toei Animation after Ghibli was frustrated, was pulled twice by his old acquaintance Seki Hiromi, and this matter had been blown up so that I didn't need to talk more.
However, Yukihiko Nakao, who joined the performance assistant from the second year, finally debuted as a regular performer in the final set, and the first book was also drawn by Igarashi for him. The painting supervisor of this book is Shinobu Ōkawa, who served as a painting supervisor for the first time in his life, and in the last year, two new debut painting supervisors were added, the other being Kuwahara Kane, who had previously participated in the original painting. So the main cast of performance assistants also had the last newcomers to participate, and it was twenty-one-year-old stunned young student Takashi Otsuka, the supervisor of the later Qwa All-Star Movie DX trilogy, and the series director of Smile Qwa.
<h5>[OVA of the appendix].</h5>
After a year and a half of blank space, after the end of "Naja of Tomorrow" in the year Qwa began airing, thirteen episodes were produced in the form of an OVA, which was equivalent to the weight of the TV version in the first quarter. It is not a TV version, so Asahi Broadcasting TV does not have to participate, but Asahi Tsuji is still in place, and the producer is also Tomoko Takahashi, who is also acting as a "Two People are Thunderbolt Q Baby". Although it was not released until after the TV version was completed after four years, the content was a sequel to the third year of the TV version, and Teacher Guan said that it was the most popular this year.
It is not like the TV version to have a series director, but there must be a supervisor, by Sato Shunichi. Sato only had one storyboard in the third year, and did not participate at all in the fourth year, which was a long time gone. The four-person scripter who played for four years was fully mobilized, and the performance of Gu Mingshi was upgraded to a regular performer. This one was drawn by Sato, who had just officially debuted through the first Q-yah in television animation at the time. Two of Ma Yue's classmates also served as painting supervisors, Keishi Nishi and Mitsuko Baba, who had participated in the original painting of the fourth year.
<h4>[This week's Witch Voice Actress Biography] (actually a limited time).</h4>
Doraemi = Chiemi Chiba:
When she first auditioned, the role she was originally aimed at was Bubble, but her agent advised her to take down the lead actor Doraemi. Four years later, when the individuals who were close to the final return came back, someone cried out every week in the collection, but Qianye himself was still in a trance. Until the real full collection is complete, go to the radio drama guests with Yuzuki Sauce and Ai Sauce, and ask them to say the last sentence on it. At this time, Qianye cried out like she woke up, and even the other two couldn't stop, and it was great to be back in the dessert Q baby after fifteen years.
Hazuki = Tomoko Akitani:
When I first tried the sound, I also went to the bubble, but after trying it all, even I felt that the sound I said was the most suitable for Hazuki. The mood was heavy when the final return was approaching, and the personal final return of Yu Yue was also very heavy. Akitani recalled that at that time, he had completely become the state of Yuzuki, and when he walked into the studio, he was full of thoughts, and today he must say that to Doraemi Sauce!
Aiko = Yuki Matsuoka:
Aiko, who has been playing Aiko since the beginning of the audition, competed with her for the role of Aiko to the end, and it was actually Nagasawa Who played the witch Lika. When Aiko's parents are related to the plot, Matsuoka herself plays a face full of tears, in fact, she is also a single-parent family with only her mother.
Witch Lika = Nagasawa Cuisine:
The actual Doremi who initially auditioned the sound did not feel suitable for herself. However, she is from Kansai, so she tried Aiko. Later the agent told her that you passed, and it turned out that the character was called the witch Lika, sorry, it was a character that had never been heard of. Halfway through the work, the witch Rika became fond of hot springs and drinking, but it was actually because Nagasawa herself liked these.
Cheer = Kei Takamura:
I also participated in doraemi's audition, and then failed, but I received an unknown character. Like Yongze, he likes to drink, and often goes to have a few drinks together after being included.
Bubble = Ishigami Sum:
The original audition role was Doraemi, who was chosen to stage bubbles and had no bottom in her heart, which was her debut. So I wasn't confident at the time, saying why I was chosen to really play this. Sato said that we think we can choose it for this reason, and you can play it with peace of mind.
Notes = Shito Ryumi:
There was no audition, and I said last time that it was Sato Whooping. At that time, the acting was too dramatic, and the whole person was like a musical note, so other voice actors thought she was cold. When she finally returned to the studio, she cried in a pile, and she still maintained the high cold of the notes, but when it was finally her turn to speak into the microphone, she still choked. When I appeared at various events, I shouted hello to the little girls in the audience, I was Shito Rumi, and the stage was completely dazed. But once you shout at everyone with the sound of the notes, suddenly the stage will be like being lit, and the young girls will shout wow aaaah in unison!
Obana= Ikue Otani:
Babies are too difficult to act, and what Xiaohua wants to express is not only incomprehensible to the audience, but also Otani himself. Later, I gave back the role of a witch Monroe, and at first I was super happy to see the name, but it turned out to be an old woman.
Peach = Miyahara Nagami:
In the first two years, he only played Takashi Yada Jun, a classmate of Gao Leng, and at first he liked this kind of role, so he went to audition. Peach requires a high tone of voice, and it is also necessary to express the Kind of Japanese with foreign emphasis, which is super laborious to perform.
<h5>[Last words].</h5>
Seki Hiromi:
I've wanted to make completely original magical girl works from scratch for a long time, and if I didn't go beyond Magic Makes Sally and The Secret Little Yazi, then my work at Toei Animation wouldn't make sense.
Koichi Sato:
Doremi is a huge being, a testing ground for what has been accumulated in that previous life.
Takashi Yamada:
Don't forget Doraemi!
Igarashi Takaya:
Dolemi is the feeling of the end of life, I really appreciate the help of everyone, really happy, people who watch say that I am happy to look good, I also feel good.
Yamauchi Resurance:
I like Doraemi the most, and I like the whole work, and Doraemi is a work that I really want to continue if I can last a lifetime.
Ma Yue Yoshihiko:
It lasted for four years, just like eating, unconsciously I would start drawing Doraemi, and I was completely integrated with my hands.
Line 3:
Doraemi is also a representative work in Toei animation works.
Snow Painting:
I can feel that my life has also grown with my works, and for me it is like a part of myself, my own history, very important works.
Chiemi Chiba:
Doremi has been engraved in my body at the level of cells, and I hope that the next generation of children can also see it and tell them that the feeling of "there was once such a group of children" will be passed on and will never be forgotten.
Tomoko Akitani:
Doraemi is a work that can give warmth and overflowing with love to the heart, Andetsu is a part of me or I am a part of Hazuki, integrated to the point that I myself can't figure it out, it is an irreplaceable existence.
Yuki Matsuoka:
I think in years there will definitely be a lot of people saying to me, I watched this when I was a kid! It is great to meet a work like this that is the mark of an era in which it grows up.
Sawa Ishige:
Originally, the reason why I became a voice actor was to bring positive energy to people, to give people a happy mood, Doremi is to bring these works to the audience, thank you to all the people who support Doremi.
Shinto Rumi:
I'm glad if you can re-watch it when you stumble in life.
Ikue Otani:
Xiaohua and Doraemi are also living in my heart now, and I would be very happy if I could become an important existence for you, and I think this is a work that the children who have seen it become adults and show their children that are not embarrassed to see it, and can become an opportunity to think about something.
Miyahara Nagami:
After becoming an adult, it seems that my heart has hardened, and the words that were said very naturally before cannot be said gradually, and the adults will lock themselves in the shell, but Doraemi is the role of breaking this shell without doing anything, and I should learn too much from it. Dolemi is worth letting all the children in the world see, I have this level of confidence, adults can see the same part of the part, can always watch it is good.
Syracuse Moment:
At the end of the last year, the graduation certificate that Dolemi received from the principal was signed with the principal's name, called Dongtang Quan.
Adi:
It has been considered from a long time ago that if it were not for the 15th anniversary of QWa and this serial "QWa All-Star" as an excuse, the antiques that laid the key cornerstone of many historical inheritances but became the tears of the times would never have the opportunity to talk about it, so there have been many self-hi texts with Qwa as the title of the serial for half a year since February, but they have not directly said Qwa's self-hi text. Doremi is the most important link in these outpost battles, and the amount originally planned may be at least eight, but realistically consider success to be completed within two returns. To put it completely, this series of so-called foreshadowing began two years ago on the 60th anniversary of the founding of Toei Animation, "The Matter of the Toei Imperial Three Families", which has been → tv station (but shortened) → Toei (actually cut) → genealogy→ dorae remi. These are all over, this series next week is the "white version" continues to be borne by the dream bear sister, and then next week is the "black version" finally to start telling the story of the first generation of Qwa, I will drop the board to write better people to write, I hope the audience continue to watch the story of the Qwa series.
<h5>[This time ED: the operation posture of ten years in a quarter of an hour].</h5>
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