"Brother with Thorns 2" has been praised continuously, and Liu Jia, who is a dancer with double appearance and strength, is very eye-catching.
Being able to be called a "military gemini star" with Yang Yang is by no means a figment of its face.
Today's male color appreciation will come to see the charm of Liu Jia.
Ye Zheng face Liu Jia
If Yang Yang is the end of the ruler than the end of the Peugeot, then Liu Jia is upright and transparent with wildness and deviation.
▲ Two people who have a very star-like taste in life photos
It can be seen from the childhood of military art that Yang Yang is a typical orthodox symbol baby face, far less sharp and deep than the current sculpture. And Liu Jia, as if he had already written the bad handsome man full of cleverness and vigor all over his face.
▲ Military Gemini
All of Liu Jia's facial features are a vivid deviation on the basis of male competitiveness.
The thick and obliquely flowing long eyebrows with the drooping dog eyes with the center of gravity of the eyes give the spiritual eyebrows a sense of innocence and childishness.
Prominent high eyebrow arch + high nose bone is the standard for big beautiful men. The brow bone makes the eyes deeper and more affectionate, and the nasal bone emphasizes the prominent male hormones.
Like the positive face, the side face of the two is also an extremely standardized and correct + right red heart, a twist and turn with more drama + story sense. Liu Jia's slightly hunched nose and slightly protruding upper lip make his beauty more complicated.
The carnal thick lips are equipped with narrow arches + small granular teeth, adding a childlike cuteness to the lips of the desire, and it is a vivid contradiction and balance.
Therefore, Liu Jia's whole person exudes a charm of wanton and handsome and upright.
And because of the background of military art, many norms have been carved into bone and blood from a very early age, and the evil qi in the face has naturally been erased, and all of them have turned into hormone-bursting wildness.
Such a face, combed with oily and shiny Branches of the Republic of China, does not appear greasy at all, but carries a kind of abstinent alienation.
Temperament and expressiveness can be switched in one second between the ascetic cold man and the carnal Sven scum.
From the facial features to the look, from the head to the body, seeing Liu Jia, it seems that all the male protagonists with deep sadistic love have a face.
Almighty dancer
It can be said that the face is only the highlight of Liu Jia, and half of his charm comes from his high-standard body and body language.
The word panliang is like being born for him.
Born in 1991, he has been dancing for 25 years.
After graduating from primary school, he was admitted to the dance department of the People's Liberation Army Academy of Arts as a self-funded student, and since then he has laid the foundation for the opening of his dance career.
Dancers with tong zi gong are very lucky.
Because of the explosiveness and flexibility developed as a child, these precious abilities will grow and continue to practice for a lifetime. Even as we age and deteriorate in our physical functions, many abilities have long since become deep muscle memories.
▲ The practice career during the military period
The dynamics of the basic skills performance can see the incredibly silky and smooth explosive power and flexibility.
With the accumulation of these 25 years, Liu Jia's first dance in "Dance Storm" won the hearts of all the guest judges.
A well-deserved all-round young dancer who can easily mix a variety of dancers.
©️ Modern and contemporary dance in Dance Storm
Even the improvisational test maintains a high standard of dancing that exudes charm every minute and every second, as if he is the king of the stage.
©️ The Classical Dance of "Dance Storm" "Liang Zhu"
The main aesthetic point of view of modern dance presented by Liu Jia is to oppose the formalistic tendencies of classical ballet to conform to the old ways, detached from real life and simply pursue technique.
In terms of body language, it also breaks the stylized action lines, pursues angularity, makes full use of changes in time and space, and the movements are novel and chic.
©️ 《ELLE》February 2020
Advocate getting rid of the shackles of the overly rigid action program of classical ballet, using the dance movements of natural movement laws to freely express the dancers' own true emotions, and the dance art itself must also reflect the real life in modern society.
©️ "Dance Storm" street dance "Stay"
This is consistent with Liu Jia's dancing soul as a dancer.
In his mind, the order in which the dance is remembered is much higher than that of himself. This is the attitude and persistence of a really good actor when facing the role.
Mixed dance + modern dance makes his charm very mixed: cutting-edge, unlearned, uninhibited and incomparably free.
"Dance Storm" can be seen as comprehensive, and the identity of the dancer allows him to retain his original refreshing charm in "Brother with Thorns 2".
Beautiful body language
Many of the techniques in dance are also well suited for spurring ourselves into managing body language in our daily lives.
For example, modern dance uses contraction and extension as the principle of movement. It focuses on training to contract the lower abdominal muscles to gather power, and through the condensation and explosion of force, the extension of the limbs is farther, higher and longer.
It looks very tall, slender, powerful, and is a very textured body language.
©️ The 8th Lotus Cup Awards Party "Yellow"
There is also a relaxation technique derived from the continuous exploration and experimentation of the potential of the limb, which is improvised.
This relaxation technique emphasizes that the movement pattern and movement of the limb are neither overused nor fully relaxed.
Let the body language in the continuous movement, naturally form a continuous tension, so that the limb from one action is very silky extension to the next, as well as the countless movements behind.
©️ "Dance Storm" "Stay"
We will always emphasize body management and body language in aesthetics, and various types of dance can be called the rejuvenation movement of the body.
Not only modern dance, but also the core stylistic quality of classical Chinese dance, body rhyme, is also teaching us how to recognize our own neglected body.
Body rhyme is a general term for body law + rhyme. "Body law" belongs to the external technical category, and "rhyme" belongs to the connotation of art. In other words, the body rhyme is "both form and god, body and mind are used together, and the inside and outside are unified."
©️ "Dance Storm" Li Xiang's classical dance body rhymes
The reason why dance movements have aesthetic value and artistic charm is because they embody a high degree of integration of "shape, god, strength and law".
Shape, that is, external action, contains the motion line of the posture and its action connection. God, that is, shen yun and mind, is the dominant part. Strength, that is, force, contains the artistic treatment of the relationship between weight, urgency, strength and weakness, length and shortness, rigidity and softness. The law is the law of motion of the action itself.
All this constitutes the unique dance aesthetic theory of Classical Chinese Dance itself.
©️ "Brother with Thorns 2" Li Xiang
It's hard for us to be a dancer, but it's not hard to be someone who can control your body.
Doing this, we can also understand why Liu Jia and Li Xiang, who are also brothers of military artists, look natural and lively forever.
There is a saying, rightly so, now the idol list of young people needs to appear in the name of the dancer.
▲ Three typical people who dance with wisdom
After all, they are more worthy than a lot of love bean idols who pull their crotches everywhere and rely on their faces.