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It was also the scholar Reuters who came out of the circle and put Yang Yang, Xiao Zhan, and Cheng Yi together, and the gap came out
Recently, an online discussion topic about the image of ancient scholars has been widely discussed by netizens. Netizens started with the performance of the three film and television drama actors Yang Yang, Xiao Zhan and Cheng Yi in different costume works, and conducted comparative analysis and discussion.
Some netizens mentioned that Cheng Yi played the protagonist Yu Zhi in the recently aired online drama "Cherish the Flowers", interpreting a Tibetan Sea adult with a calm and introverted image. Despite the average appearance of the ancient costumes, the nuanced performance still left a deep impression on many viewers. At the same time, another netizen mentioned that Yang Yang played Ning Caichen in "Yulin Ling", showing an out-and-out scholarly image with his handsome and compelling appearance and temperament, which won the attention of many fans.
Some netizens replied that in "The Legend of the Tibetan Sea", Zhao Hanqing, the ancient Jin leader played by Xiao Zhan, vividly portrayed a chivalrous character with his dignified appearance and bearing, which was highly praised at the time. Subsequently, some people said that although Cheng Yi's performance in "Cherish the Flowers" was low-key and introverted, it was nuanced, showing a Tibetan Sea master with a compelling temperament, which is quite bright in the lackluster environment of today's online dramas.
And Yang Yang and Xiao Zhan, as the two representative costume IPs, both portray unique characters. Yang Yang interprets Ning Caichen with a delicate and handsome appearance, showing the courtesy and politeness that a scholar should have; In "The Legend of the Tibetan Sea", Xiao Zhan interprets Zhao Hanqing with the appearance of a young man and heroic sword moves, vividly restoring the demeanor and style of a chivalrous man. Based on the performance of the three people in different works, through the nuanced image depiction, each shows the charm of different styles, and has achieved good results in the field of ancient costumes.
In the entire online discussion discussion, the three artists have opened up different topics among netizens through their classic images. In terms of detail portrayal, the three of them all show a unique style that is different from traditional ancient costumes, and each shows their magical powers, standing out in this saturated ancient costume market and providing everyone with more colorful choices. It can be said that they have jointly promoted the development of ancient costume IP in a nuanced direction.
According to the performance of the three costume artists mentioned above, netizens also conducted a more in-depth comparative analysis.
Some people said that Cheng Yi's performance in "Cherish the Flowers" is low-key and introverted, focusing on conveying the inner world of the character through subtle expressions and eye contact, and at the same time integrating a certain literary quality into the image, showing the restraint and stability that a Tibetan sea adult should have. This is different from the traditional costume IP's expression that emphasizes bright appearance or heroic publicity, and it is full of freshness.
Compared with Yang Yang and Xiao Zhan, netizens analyzed that both of them have established their popularity in the hearts of the audience with their proud appearance, but there are obvious differences in detail performance. Yang Yang pays attention to restoring the image of a scholar with a literary quality through details such as the scholar's sitting posture and pen holding movements, rendering a restrained intellectual atmosphere; Xiao Zhan added more martial arts elements to his expressions and body language, focusing on conveying the vivid image of a heroic knight.
It has also been pointed out that the expressions of the three in different works have deviated from the traditional route of relying solely on beauty works in ancient costumes, but instead focus on rendering the characters through details and internal expressions, leaving a deeper impression on the audience. This once again verifies that "meticulousness" is a new trend in the current development of ancient costume IP.
Overall, netizens discussed that the performance of the three artists in different works has opened up a new path for the development of costume IP to detail and personalization. Together, they have pushed the art of ancient costumes to a new highland of more humanization and three-dimensionalization, and have become IP representatives with strong core competitiveness in the current ancient costume market. At the same time, it is also pointed out that in the future, ancient costume works should pay more attention to internal expression, rather than superficial packaging, in order to truly open up a broader market space.
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