Since the 1970s and 1980s, Japan has produced a large number of memorable and memorable movies, thanks to the blessing of my father, I have the privilege of appreciating one or two of them, and I would like to share some of my movie experience with you, if you like it, please don't forget to give me a thumbs up Oh, thank you!
1.Suna no Ware 1974 Yoshitaro Nomura
Father and Son, wandering the world
Movie Background:
The Instrument of Sand is a film directed by Yotaro Nomura and starring Tetsuro Tanba and others. Based on a novel by Japanese writer Kiyoharu Matsumoto. It tells the story of a generous, benevolent, and beloved veteran police officer who was murdered at the Tokyo Train Station, and the two agents who were ordered to investigate could not find any motive for the murder, but under their perseverance, they revealed a mysterious life involving a young composer with a growing reputation.
Synopsis:
One morning in June 1946, a murder occurred in Kamata, Tokyo. The victim was a sixty-something old man who was fatally injured in the head with a blunt object, but the murderer created the illusion of being crushed to death by a train.
According to the waitress at the Ron Bar where the victim had been, the victim had come here with a young man who spoke with a thick Northeastern accent. Combining many clues, the police officers Yoshimura and Imanishi locked the suspects as young musicians and He Yingliang.
Under the adoption of the deceased's family, the identity of the victim was finally clarified: his name was Kenichi Miki, he used to be a policeman in Shimane Prefecture, after retiring from his post, he returned to his hometown in Emi to do business, and left home a few days ago, saying that he was going to Visit the Shrine in Ise, and he never came back.
I had no choice but to move forward
Yoshimura and Imashi rushed to Kamematsu, where Miki Kenichi was working, to investigate in depth, found the old man Kirihara who was closely related to Miki, and consulted the history of Kamematsu Village, and the material obtained was: Miki was kind-hearted, extremely popular, and his wife died prematurely, leaving no children. During his tenure, he met two beggars, father and son, and adopted the beggar's son, whose original origin was Edakami-gun, Ishikawa Prefecture. Imasai came to Ohhata Village, Esakami County, Ishikawa Prefecture, the hometown of the beggar father and son, according to the address provided by the old man of Kirihara. The investigation revealed that the man's name was Chiyoyoshi Honura, his wife had divorced him, and the child was called Hideo Honura, who had been raised by Chiyoyoshi and had never returned since the father and son left the village twenty years ago.
When Yoshimura and Imanishi subsequently investigated and He Yingliang's household registration, they found that the wartime household registration had been destroyed by the war, and the existing one was only made up by him to take advantage of the opportunity of re-registration after the war. From the materials provided in the supplementary book, it was found that his real name was Hideo Honura, his father was called Chiyo Motoura, and his mother's name was Afang, and he was the same person as the beggar adopted by Miki.
It turned out that Hideo Motoura and his father were suffering from terrible leprosy, and in order to survive, the father and son went out wandering. They begged during the day, stayed in temples at night, starved and cold, suffered the humiliation of the world, and spent year after year. Once when they arrived at a village with a sign at the entrance of the village with a sign prohibiting beggars entering, Chiyoyoshi begged for permission to enter the village, but the patrol police not only refused, but also pushed him away. In August of the 18th year of Showa, the local police station continued to receive reports of theft of things in the field, and the police officer Kenichi Miki found the father and son beggar based on the clues in the report. Not only did he not drive them away, but he also arranged Chiyoyoshi to the National Sanatorium and took Hideo Motoura as his adopted son.
But for some reason, at the end of Showa's nineteenth year, Hideo went to Osaka to become a young man at the Waga bicycle shop, thus forging his household registration, and later, after studying in anger, he went to high school, and then went to Tokyo to attend the University of Art, so that he went straight up and became Waga Hideyoshi...
Before the crime, Kenichi Miki was excited to find his adopted son again, and he wanted to find He Yingliang and let him go to the National Sanatorium to meet his biological father, but He Yingliang was afraid that exposing his relationship with his leprosy father would ruin his reputation and future, so he brutally killed his adoptive father Miki.
My movie experience:
The father was a leper who seemed to have been deprived of the right to live, so the father and son embarked on the road of no return. Every time they go to a place, they are greeted by driving or throwing stones, and the father and son can only curl up in the bridge hole, cover the wind and rain with rags, stroll on the beach, feel the powerlessness of the sand, and the sea ruthlessly destroys the land, as if it will take everything away. The son is innocent, and finally met a well-meaning person in a caravanserai, but the story behind it does not have too much color, a child's young mind has endured so many setbacks, he did not learn how to love very well, but chose to bury love deep in his heart, preferring to go to heaven rather than uncover that scar in the world, so that all the beauty stays in that symphony.
2. "Heavenly Station" 1974 Out of the eye Masanobu
Although I am not worthy of you, I have no regrets about protecting you!
Tenkoku Station is a drama film directed by Masanobu Izumo and starring Koyuri Yoshinaga, Toshiyuki Nishida, and Yukazu Miura. Based on true events, the film tells the story of a woman named Hayashi Kadai who killed her two husbands because of emotional problems. The film was released in Japan on June 9, 1984.
With you, I am so happy, I don't have to be hurt again, because because of you, life has become beautiful
Superficial beauty brings endless harm, if life is only like the first sight.
This is the look of a person who is distressed, even if I have been handcuffed, but there is still only you in my heart!
In the spring of 1955, Kayo (Koyuri Yoshinaga) is beaten by a jealous veteran husband for the attention of a young policeman, Hashimoto, who takes possession of Kayo's body and instigates her to poison him. Hashimoto, who lives with Kayo, relies on the other's financial support to study in Tokyo, but returns home with his young lover Sachiko (Junji Makoji). Grief-stricken, Kayo and Sachiko leave their hometown and live by spinning, getting to know the owner of the Yamato-kaku bath, Fukumi (Masa Tsubawa), who is possessive of Kayomi falls in love with Kayo at first sight, and Kayo is reprimanded by his wife, and kazuo ( Toshiyuki Nishida), an ugly miscellaneous servant who has always had a crush on Kayo, also appears here, and soon a series of murders occur around Kayo, and the police from his hometown target Kayo.
Jia dai is born beautiful, helpless to find true feelings in the world, many people approach her just to possess her body, and do not treat her as a human being equally. This may be the true portrayal of the humility of women under machismo, she is very industrious, her craftsmanship is good, such a good woman who is thrifty and thrifty, but she cannot get the appreciation of handsome men, but in exchange for repeated injuries, but the ugly-looking miscellaneous servant Kazuo, after witnessing The tragic encounter of Jiadai, fought for her, and killed the owner of the bath, Fukumi, naively thinking that Jiadai would be happy forever. But it backfired, just the appearance of Seeing Kayo as a sex toy, Ichio and Kayo joined forces to kill him and embarked on the road to the end of the world, but it is also this road that brings them unprecedented happiness, perhaps this is the real sense of salvation. Sometimes the happiness we seek is so simple, but the price is indeed a little big, hey ~ ~ ~ ~
Time has dimmed the face, and what has not changed is the yearning for a better life.
3. "The Witness of the Sea" 2002 Kei Kumai
This film was the last film conceived and written by Japanese film master Akira Kurosawa, and before it could be shot, Akira Kurosawa passed away, and finally directed by Kei Kumai to complete his work. The film is based on a short story, and the main story is the story of two geisha who support each other in their tribulations.
The same is the end of the world fell people, when they met, why should they have known each other.
The story takes place in Fukagawa during the Edo period. Working at Fukagawa's "Reed House" brothel, Koshin is kind and simple, and her sister Kikuno often teaches her not to fall in love with her beloved guests. One night, a drunken and injured young samurai, Banosuke, escapes to the reed house and escapes the investigation with the help of Koshin. After that, deeply touched by Xiaoxin, he risked being arrested and visited her in the brothel several times. Although Xiao Xin struggled internally, he still fell deeply in love with him. The kind hermit guards are deeply in love with Kikuno and hope that they can start a family. Unable to get rid of the rogue Ginji, Kikuno is troubled. When The Warrant for Kunosuke's arrest was lifted, he came to reed house for the last time, and he also brought news that he was about to get married. But the bride is not the little newcomer everyone envisions, which makes the sisters sad. Little New's spiritual wounds gradually healed, and a silent young liang intervened in her life. As a fallen man at the end of the world, Xiao Xin desperately fell in love with him and restored his ventilation to face the standard of living. However, Kikuno was caught in the grip of betraying her Ginji again. Just as Koshin and Ryosuke are planning for the future, the summer torrential rain suddenly comes, the flood breaks the embankment, and everyone scatters, only Kikuno, Koshi and Ryosuke, who are holding on to the reed house. Ginji, who took advantage of the fire and coerced Kikuno, was killed by Ryosuke.
Geisha are forced to sell their bodies in the helplessness of life, but they do not sell their souls, their understanding of love may be deeper than ordinary people, they are eager to harvest a stable love, but they are helpless to have a better choice. Maybe life is like this, because it is difficult, so it makes people more resilient. When the tide comes, they show a strong side, which is an unyielding to nature and a struggle against fate, although humble, but more and more tall, such feelings are more precious, blessing lovers to eventually become dependents.
Love is when you need help the most, and here I come.
4.Mibu Yoshishi 2003 Yojiro Koda
The Legend of Yoshishi Nobuo is a 2003 drama film directed by Yojiro Takita and starring Hiroshi Sato. The film tells the story of Japan in 1868, the last year of the Tokugawa shogunate, the Sa and Nagato clans tried to overthrow the curtain, so that the daimyō was returned to the emperor, thus setting off a war between the shogunate and the army of the fallen shogunate.
The hero is gone and never returns
Since the dilemma of loyalty and filial piety in ancient times, my generation has shown its heroic nature at the critical moment.
In the pro-shogunate samurai organization Shin-ichi Group (しんせんぐみ), a wandering samurai Yoshimura Guanichiro resolutely left his hometown under pressure to save his family from famine. In the new selection group, he ignored the ridicule of others, desperately made money, and sent it home. In the case of the decline of the shogunate and the exile of the shogun himself, the new selection group was helpless, and only war was the only choice. Knowing that you are going to die, you also have to fight. In the Battle of Toba Fushimi, Yoshimura, who could have escaped and secretly lived, chose to fight the enemy to the death for his duties. Eventually returned to Osaka scarred... In 1899, meiji 32, Tokyo, snowy night, I don't know why, now when I see snow, I always think of the Japanese legend, "It is people's sadness that calls for the snow to fall." ”
Home is the harbor, the softest part of every man's heart
The faltering old man carried his little grandson to the door of a clinic. A notice written on the closed glass door shows that it is closed for business. After much hesitation, the old man knocked on the door. A middle-aged man in a white robe gently welcomed them in. The relocation is imminent, and the clinic is a mess. The old man explained the meaning: the grandson's high fever does not go away. The doctor beckoned the little boy to the inner chamber, where he was cared for by his wife, who was in charge of the pediatrics, while the old man's eyes fell on a yellowed photograph. It was a tall, thin samurai, and the story began with the memories of these two unknown people.
In 1863, at the end of the shogunate, Nongsheng-ji Temple in Kyoto. At that time, the shogunate was weakening day by day, and some wandering samurai gathered under the three gates of the Togata clan to form a new group.
Don't fight, don't know each other, heroes cherish each other
At the suggestion of Soji Okita, the newly selected Kanichiro Yoshimura (Kiichi Nakai) and Nagakura compete in a real-gun and real-sword contest. Kanichiro Yoshimura's calm and self-assured murderous spirit under his humble appearance impressed Saito (Hiroshi Sasuke) and determined the entanglement of the two of them for life.
Yoshimura's unlimited flattery made Saito disgusted and cruel not to kill him, but Yoshimura was more skilled, and he was meticulous in his thinking, he saw through Saito's assassination of his colleagues, but Yoshimura actually took the initiative to ask Saito for a sealing fee, which surprised Saito, and when Kondo announced that the new group was directly under the shogunate, Yoshimura was the first to stand up from the solemn meeting and asked if he would raise his salary. The crying and laughing earthen party told him that he had 40 bags of rice, and he happily knelt down to thank all the people. At this moment, to be honest, I really can't laugh, and from here on, my comic-like thinking about the new group is completely shattered! They are all human beings who eat human fireworks.
Originally, Yoshimura worked as a swordsmanship and culture teacher in his hometown, but his family was still poor, and his character and swordsmanship were deeply loved by students. In order not to let his family die in the famine, Yoshimura resolutely left the tribe under great pressure and his inner reluctance, and at that time such a departure meant betrayal and was shameful. As soon as he received his salary, he immediately sent it home, and looked at his son's letter, and he smiled happily.
In Yoshimura's story, I also saw the journey of the new writer group, this momentary wolf, from prosperity to loneliness. During the Battle of Ikedaya, Soji Okita suddenly vomited blood, his pale and young face smiled miserably in the darkness, and Saito in the distance smelled the death of the shin-choo group. During the Battle of Toba Fushimi, Yoshimura explained his duties to the few remaining members of the team, and in the face of the spear, he chose to fight to the death.
Saito was injured in the right leg, and Yoshimura returned to the door of his former friend's house in Osaka, scarred. The emperor's army was in hot pursuit and wanted to see his family, but it was difficult to move, so his friends were in a dilemma, only to send the rice ball wine to his hometown, Yoshimura finally chose to commit suicide for the love in his heart and for the duty of a samurai.
The story begins in the memories of Chiaki, the son of an elderly Saito and Yoshimura's former friend, and ends in the memories. Mizu, the younger daughter of Mayoshimura, who treated Saito's grandson, burst into tears, and he seemed to see Yoshimura again after thanking him repeatedly. Walking out of the clinic with his grandson, the grandson asked his grandfather to carry him, and Saito crippled and said solemnly, "Go by yourself, like a real samurai!" ”
Samurai is also a profession, the salary is meager, it is difficult to support the family, the family can not open the pot, the wife wants to jump into the river just to save rations, as the pillar of the family, the eldest husband is obliged to go to other places just for a few more copper plates, so that the family can continue to operate. It wasn't that he didn't love his Fanbang, nor was he a traitor, but here he seemed to have no place to stay. The new writing group accepted him and gave him the warmth of home, so he had no regrets in this life even if he went to the soup for the new writing group. This is a real samurai, whether it is for his family, or his Fanbang, or his new owner, he has shown the good side of the samurai, helpless to the world is cold, I am a scorpion, can only go with the flow, but this also created his heroic nature as a righteous soldier.
Choose one person, for the rest of your life, without complaint or regret