There are sculptures, there are murals...
Rich in culture
Yeosu is another theme park
Open!
Hurry up and take the baby with you on the weekend
Shili Qingfeng Garden, that is, the "Shili Qingfeng" Qinglian Theme Park, starts from the Shuidong Bridge in the urban area and is laid out along the west bank of Haoxiyan. At present, the "Ten Mile Breeze" clean and honest theme park has been opened to the public.
In order to vigorously carry forward the revolutionary spirit of southwest Zhejiang, carry forward the clean and honest culture of putting the country first, taking the people as the foundation, taking the clean as the beauty, taking the honesty as the pride, and taking the thrift as the virtue, the city relies on the Daxi governance and transformation project to build the "Ten Mile Breeze" clean and honest theme park, inherit a piece of history, and carry forward a spirit. Since February 2018, under the guidance of the Municipal Commission for Discipline Inspection, the Municipal Water Conservancy Bureau has been responsible for the construction of the owner unit.
"Forward"
Ten Mile Qingfeng Garden is a new position for clean culture and education in Lishui City. In the theme park, you can see the clean cultural elements of Lishui's history, the famous family style and family training, and many honest and honest celebrity stories in the long river of history.
The theme park adopts the organic integration of traditional art and modern science and technology, and uses sculptures, murals and other forms to display vividly and vividly, painting a "landscape painting" in which the two "green waters and green mountains" of political ecology and natural ecology complement each other and coexist harmoniously.
Bright Sword
"The park uses local elements such as lotus flowers, celadons, swords, stone carvings, and paper-cutting, and organically integrates traditional art with modern science and technology in the form of caravanserais, warships, pavilions, sculptures, murals, etc., creating three major interactive spaces for tourism." According to the relevant person in charge of the Municipal Water Conservancy Bureau, the three major interactive spaces are the clean culture display block of the station, the square and the Golden Pavilion; the five theme sculptures of "Ding Shuo", "Bloom", "Forward", "Bright Sword" and "Jing Si"; the eight theme murals of "Clean Family Biography", "Clean and Honest Government", "Clean and Honest Learning", "Clean and Patriotic", "Clean and Dedicated", "Clean dedication", "Clean and Righteous", and "Clean and Honest and Anti-Extravagant".
Stroll along the shores of Nanming Lake and feel the clean culture and education
The reporter takes you to feel it
The charm of a clean theme park
A big wave of beauty is coming!
01. Introduction to sculpture and landscape sketches
1. "Ding Shuo"
Ding is the heavy weapon of the country, with the righteousness of Ding, reflecting the inheritance of the people of Lishui who are loyal, clean and courageous, and shows the thickness of Lishui's clean and honest culture.
Taking Ding as the prototype, the work uses the deconstruction and dislocation of the body block and the yin and yang modeling method of relief, implants the decorative graphics of The Green Mountains and Green Waters of Lishui, and reflects the coexistence of its historical calmness and modern metallic texture through the coloring and polishing of red copper. With the new theory of re-creation, it means that Lishui City has sent love to the clean culture in the landscape and evokes re-respect for the clean culture.
Size: Length 410X width 360X height 270cm
Material medium: red copper forging
2. "Bloom"
Yeosu is known as the "Lotus City". The lotus flower is high and beautiful, out of the mud without staining, mao qing lian without demon, always for the world's praise. With the character of the lotus, sing the purity of Lishui's clean culture.
The work uses Lishui white lotus as the material, using abstract generalization and hollowing out artistic techniques, through the borrowing and reflection of the mirror stainless steel crystal medium, expressing the artistic tension of the life of the flower, and singing the brilliance of the clean spirit of Lishui in a new language with both divine form and shape.
Dimensions: Height 120cm, diameter 150cm, height 160cm, diameter 150cm,
Height 240cm, diameter 160cm
Material medium: mirror stainless steel forging
3. "Forward"
From The Tang Dynasty to the Ming Dynasty, Lishui has been the base for the manufacture of warships in the imperial court. Organically integrate ancient civilization with the spirit of the times, chop the waves with the chopping waves of the boat, and carry forward the progress of Lishui's clean and honest culture.
The work begins to evolve from the shape of the ship, through the contrast between the mirror reflection of stainless steel forging and the brushed celadon opening pattern, superimposed on the components of the old ship, creating an artistic conception of symbiosis between the old cultural background and the new forward spirit, through the abstract block art treatment, compatible with the internal space for the display of clean cultural video installations, creating an artistic structure of the charm of the ship, and carrying forward the spirit of Lishui's adherence to incorruptibility and breaking waves.
Artwork size: Length 13200x width 520X height 440cm
Material medium: mirror stainless steel forged and ready-made hybrid material
4. "Bright Sword"
The Longquan Sword, which began in the Spring and Autumn Period, flourished in the Wei and Jin Dynasties. The sword is sheathed, and the delusion of corruption and perversion is broken. With the power of the sword, create the majesty of Lishui's clean and honest culture.
The work uses the local elements of the Longquan Sword, and adopts the combination of granite rock carving, forged copper and forged stainless steel to express the current spirit of bright swords. With a horizontal horizontal composition, the sword is drawn, the square hand ancient sword is shaped, and the bronze and stone carvings are erected to create a clean and honest cultural monument that warns the world and the spirit of the bright sword.
Artwork size: length 850X height 150 X thickness 900cm
Material media: granite carving, stainless steel and copper forging
5. "Meditation"
Qinglian reputation, meditate on life. Clean for beauty, clean and blessed, clean and clean Lishui, you and I go together.
The work uses lotus fresco decoration and the combination of conifer plant cultivation and seat function to design the art landscape sketch, on the node in the waterfront walkway route, facing the good creek horizontally. Sitting here and watching the poems on the ground can make people think a lot.
Artwork size: length 400X width 210 x height 105cm
Material media: mosaic collage, cement pouring and anti-corrosion wood construction
6.《Yingin Kantei》
The Golden Pavilion was originally built during the Xuande dynasty of the Ming Dynasty, and its original site was located in Liushan yi (present-day Yanquan Subdistrict, Chengdong District). Qing Daoguang's "Chronicle of Lishui County" Volume VI: But Jinguan, in Liu Shan. Ming Wenzhou Prefecture He Wenyuan but gold. The people built a pavilion on their land with their gold, and the plaque was called 'but gold'. The autumn of 2019 was built here to commemorate the Qingfeng Su Festival of he Wenyuan, an honest official of the Ming Dynasty.
In October of the seventh year of Ming Xuande (1432), the governor of Wenzhou, He Wenyuan, entered Beijing to report for duty, and Yongjia County admired He Gongqinglian as an official, so he raised two silver to help him enter the capital to entangle his needs, but before he could send it, He Wenyuan had already set off. So he let his son Huaijin rush to He Wenyuan's Liu Shan Station to give him two silver. He Wenyuan was unable to do so, so he had to keep the bonus for a while.
The next morning, He Wenyuan left silver on the door of the building and quietly went on the road. Later, the beautiful story of "Butkin" was passed down as a good story, and there were scholars who wrote the three words "Butkin Pavilion" on the wall. In order to promote the honesty and honesty of He Gong, the Chuzhou government expanded four mansions at the "Chojin" and sent troops to guard it; on the left side of the ancient road, a tall "Chojin" arch was erected.
02. Introduction to the mural group
The mural group extends from south to north along the waterfront landscape walkway, and there are two specially designed special-shaped walls in a rest station set up every 500 meters, facing the good creek with the mural surface and the text behind it. The themes of the eight stations are: "Clean and Honest Family Biography", "Clean and Honest Government", "Clean and Honest Learning", "Clean and Patriotic", "Clean and Dedicated", "Clean and Honest Dedication", "Clean and Righteous", "Clean and Honest and Anti-Extravagant". Sixteen frescoes and sixteen textual faces.
The mural group was completed in November 2019, and the material medium is high temperature flower glazed porcelain plates, high temperature digital color printed porcelain plates and hand painting.
The walls of the mural group are designed as eight sets of different styles of special-shaped series, drawing on elements such as tradition and place, including: film-shaped, vase-shaped, seal-shaped, yantai-shaped, lotus-shaped, residential-shaped, mountain-shaped, and water-shaped. Each wall shape corresponds to a different theme, and while strengthening the expressiveness of each group of murals with the help of the differences of the special-shaped walls, it also shows the artistic expression of the walls themselves, and promotes the innovative practice of mural building carriers in the spatial environment.
The left wall of Station One
"The Legend of a Clean and Honest Family"
"Incorruptible family tradition" refers to the inheritance of incorruptible morality and family rules from generation to generation. The transmission of family training has a great influence and is one of the spiritual carriers of traditional Chinese culture.
Title of the text on the left wall: "The Legend of the Honest Family"
"Yan Zhu Ancient Training"
The Yan Family Training is the first systematic family training work in China, written after the destruction of the Chen State by Emperor Wen of Sui and before the reign of the Sui Emperor (about the end of the 6th century AD), and is a work of Yan Zhitui (531-c. 597), a famous writer and educator of the Southern and Northern Dynasties, who recorded his personal experiences and ideological knowledge to warn his descendants.
Zhu Xi (1130-1200), the author of the "Zhu Xi Family Training", whose ancestral home was Wuyuan, Huizhou, was born in Youxi, Nanjian Prefecture, and was a famous theorist, thinker, philosopher, educator of the Song Dynasty.
In the mural "Ancient Training of Yan Zhu", the left and right sides are portraits of Yan Zhu Xianxian, and the central part is designed with character scenes from the Southern Dynasty to the Yuan Ming Dynasty, and the upper and lower parts have the local ancient buildings, lotus flowers and monuments of Lishui. In the modern form of film film, the long roll spreads horizontally and runs through the whole world.
Left wall picture title: "Yan Zhu Ancient Training"
The right wall of Station One
"Ancestral Training of Family Style"
"Family style and ancestral training" is the family's teaching on the future generations to deal with the world, maintain the family and govern the business, has an important binding effect on personal upbringing and principles, and is the intuitive carrier of the essence and morality of traditional culture.
Title of the text on the right wall: "Ancestral Training of Family Style"
"Liu Zhu Jiaxun"
Liu Ji (1311-1375), the author of "Liu Ji's Family Training", was a military, politician and literary scholar of the late Yuan and early Ming dynasties. He is known for his clever calculations and strategists, and Zhu Yuanzhang "often calls Mr. Zhu Instead of his name." Together with Song Lian and Gao Qi, he was known as the "Three Great Poets of the Early Ming Dynasty". The core of his family training is "emphasizing literature and advocating wisdom, still thrifty and advocating honesty", and he practices "words and traditions" and emphasizes "teaching by example", which has a great influence on future generations.
"Zhu Zi Family Training", also known as "Zhijia Maxim", is easy to understand and is a classic family training that is well known. The author Zhu Yongchun (1627 -1698), known as Bailu, was a native of Kunshan County, Jiangsu Province in the late Ming and early Qing dynasties, a famous theologian and educator. He advocated the simultaneous advancement of knowledge and practice.
In the mural, the left and right sides are portraits of Liu Zhu Xianxian, the central part shows the scene of the inheritance of clean and honest culture from the Qing Dynasty to the present day, and the upper part has the ancient buildings and modern architectural landmarks of Lishui. Drawing simple methods with lines, praising the light of the wisdom of the sages.
Right wall picture title: "Liu Zhu Jiaxun"
The left wall of Station 2
"Honest government"
"Honest government" means that politicians should be innocent and clean. The old saying goes: "Pure heart is the cure". Today, only by being honest and honest in government can we keep firmly in mind our duties and never forget our original intentions; can we "treat ourselves and love others," care for the masses, truly do practical things for the people, win the trust of the people, and make the country prosperous and undefeated.
Title on the left wall: "Honesty for Government"
"Bao's Integrity"
The Bao clan of Hengzhang Village, Dadongba Town, Songyang County, was after bao zheng, a lianchen of the Northern Song Dynasty. The fifth generation of the Southern Song Dynasty Bao Zheng Sun Baoren, who retained the wind and bones of his ancestors, impartially enforced the law when he was the right commentator of Dali Temple, sent the illegal magnates to prison, and corrected unjust cases and wrong cases. Successive generations of Bao's grandsons also kept in mind the Bao Zheng family's precepts: Future generations of descendants and eunuchs, those who commit crimes of abuse, must not be released to their own families; after death, they must not be buried in the big house. Not from my will, not from my descendants.
In the mural, the left and right sides are bao zheng and bao ren full body portrait, from left to right most of the pictures are allusions to Bao Zheng's "Chen Zhou grain release" during the Northern Song Dynasty Renzong. It shows: scenes such as the people fleeing the wilderness, the uncle greedy for grain, the Bao Gong entering the city, and the knife and the uncle. The final picture is Bao Ren's fair judgment.
Left wall screen title: "Bao's Integrity"
The right wall of Station 2
"Generations of Honest Officials"
"Honest officials from generation to generation" refers to a family that has been admitted as an official for generations, and that each person is fair and honest in his work, does not use power for personal gain, is loyal to the people, benefits the people, wins the trust of the people, serves the people, and contributes his own strength to the realization of the prosperity and strength of the country and the rejuvenation of the nation.
During the Ming Dynasty, Lishui County had five generations of officials of the Jinshan clan, and all of them had two sleeves and a clean wind, which was a model of concern for the people, and was known as "three generations of imperial history" and "five generations of honest officials".
Title of the text on the right wall: "Generations of Honest Officials"
"Jin Jia Lian Guan"
Jin Shan (1335-1386), also known as Zhonghe, was in charge of military law for the sake of marching history, was both fair and strict, but also benevolent and tolerant, reducing the punishment of many suspects with lesser crimes, saving many people, and later tired officials to Ganzhou Zhizhou.
Jin Zhi (lǚ), born in 1457-1464, was the fifth grandson of Jin Shan. The official awarded the sentence of Yongchang Province in Yunnan. Xingli culling, folk songs and their achievements.
The mural is divided into two pictures, on the left is Kim Sun-joo enforcing the military law and Kuan Ren release of minor offenders, and on the right is Kim Min-ching, honest and honest, and refusing to pay gifts.
Right wall picture title: "Jin Jia Lian Guan"
The left wall of Station Three
"Honesty and Reverence"
"Honesty and reverence" refers to the realization of the excellent traditions of the Chinese nation through advocating the study of understanding things and improving one's own moral accomplishment. Reading books can contact the wisdom of the sages, increase knowledge and broaden horizons, so as to achieve self-discipline.
Title of the text on the left wall: "Honest and Noble Learning"
"Zhu Jia Shangxue"
During the Song and Yuan dynasties, the Zhu family in Jinyun Heyang Village was clean and honest, and eight jinshi and ten households and nine Confucian students appeared successively. At the end of the Qing Dynasty and the beginning of the People's Republic, two descendants, Zhu Xianbang and Zhu Wenyuan, went to the Orient to study, and then returned to China to devote themselves to education. Heyang Zhu's talent is abundant, thousands of years of cultivation and family style, here formed a "doctor village", in recent decades out of 12 doctors, 40 master's degree students, 10 people have obtained the title of associate professor or above.
In the mural, three representative scenes are arranged from left to right: the ancient old and young were diligent in farming and reading, the modern study abroad returned to China to do teaching and research, and the modern doctoral village is still thriving.
Left wall picture title: "Zhu Jia Shangxue"
The right wall of Station Three
Education for the People
Since ancient times, education has played an important role in social progress and development. Whether in ancient or modern China or abroad, improving the knowledge level, survival ability and comprehensive quality of the broad masses of the people through education is an important issue of great concern to the state and society.
Title of the text on the right wall: "Education for the People"
"Tan's Xingxue"
Since entering Confucianism, from the fifth generation of descendants Tan Xian, the Tan family has devoted themselves to learning. In 1905, before Tan Xian became the prime minister of Chuzhou Middle School, he founded the Chongshi Elementary High School Hall (the predecessor of Yushan Elementary School) at Guishan Academy, and served as the principal of himself. In 1909, Tan Xian, Together with Mao Guanfeng and Liu Tingxuan, founded the First Girls' School in Chuzhou on the upper floor of the Tan Mansion. Tan Xian's eldest, second, fifth, and sixth sons all taught at Chuzhou Middle School. The second son, Tan Yundi, served as a member of the National Assembly in the early years of the Republic of China, and the president inscribed a plaque "Ru Lin Model" to praise.
The mural designs four sub-screens to represent the whole story, starting from left: Zhongli Primary School, Tan Xianchuang Girls' School, Returning to School in Japan, and The President's Praise. Elements of local residential architecture are arranged up and down.
Right wall picture title: "Tan's Xingxue"
The left wall of Station 4
"Honest and Patriotic"
"Honest and patriotic" refers to the patriotic spirit of dedication and patriotism for everyone. The touching story of Lishui's honesty and patriotism has been passed down to this day, which is the essence of local traditional culture and has reference significance for the current reality.
The text on the left wall is titled: "Honest and Patriotic"
"Lu Bo Anti-Wu"
Lu Bo (1505-1577), a native of Lishui County. He fought bravely against the Wu on the southeast coast for more than thirty years, and after hundreds of battles, captured and killed more than 10,000 Wukou people, and together with Yu Dayu and Qi Jiguang, he was a famous general in the Ming Jiajing period. To this day, the streets named "Dayu, Lu Boring, and Jiguang" are preserved in Yeosu City.
In the mural "Lu Bo Resists the Wo", the upper right is a close-up of Lu Bo's division uniform, the lower right is the scene of the battle of the ship, the lower left is the middle scene of the Ming army desperately killing the enemy, the upper left is the long-range view of the naval battle defeat of the Wokou, and the upper left corner is the Weiyuan City Fort built by Lu Bo.
Left wall picture title: "Lu Boring Resistance"
The right wall of Station 4
"Nation First"
"Putting the nation first" refers to the fact that under the premise that legitimate personal interests are respected and protected, individuals obey the state, and are willing to give up or sacrifice some personal interests, and insist on putting the interests of the state and the nation first.
Title of the text on the right wall: "Nation is important"
"Ji Shi Wu Men"
The work "Ji's Wumen" shows three stories of the Ji family: Ji Yiqiang, who participated in the Chinese Expeditionary Force's anti-Japanese sacrifice (close-up on the bottom left); trained seven Whampoa Military Academy students to serve the country (middle and upper); Ji Bugao led the workers' demonstration and distribution of ordnance in the Guangzhou Uprising (middle right), and finally at Honghuagang (upper right center).
There are also many children of the Ji family who were born into death to follow the party's revolution, and Jishantou Village was called "a revolutionary red light in Longquan". In its family style inheritance, "putting the country first" ranks first.
Right wall picture title: "Ji Shi Wu Men"
The left wall of Station Five
《Honest and Dedicated》
"Honesty and dedication" means to be honest and love one's work and work diligently, as opposed to corrupt and perverted the law and lazy and lazy work. Honesty is regarded by the literati doctor as the foundation of standing in the matter, and dedication is a person's serious and responsible attitude towards the profession he is engaged in and the reverence of the profession. The story of "He Wenyuan but Jin Liu Shan Pu" takes place on the Lishui Ancient Road, and the current old site has been opened up as the integrity education base of Lishui City.
Title of the text on the left wall: "Honest and Dedicated"
"Wenyuan Butjin"
There are several scenes from left to right in the mural: the station's eun-thanks for the gift, the next day's gold station door, the giver's salute to He Wenyuan's way out, and the scene of the guests of the "Golden Pavilion" entering and leaving the station.
Left wall picture title: "Wenyuan but Gold"
The right wall of Station Five
"Self-Denial"
Title of the text on the right wall: "Self-denial and Public Service"
"Shi Ren Ren Ren Ren
Guan Shiren (1045-1109), a native of Longquan, Song Prefecture. Shenzong Xining jinshi. Officials to the official Shangshu, Tongzhi Privy Council affairs. One day, his nephew wrote to him about fighting with his neighbors in Longquan City. After reading it, he wrote a letter and wrote only one poem: "The Letter of a Thousand Miles is only for the wall, so why not let him be seven feet?" Distant relatives are not as good as close neighbors, and the world is wide." His nephew was ashamed and embarrassed after reading it, and according to his uncle's wishes, he gave up seven feet to his neighbors. Later, the neighbors thanked the housekeeper Ende, used the seven-foot foundation to build an alley, and built a "XianliangFang" at the entrance of the alley.
In the mural, the picture from the left is Shi Ren's homecoming letter, the second left is the nephew's family reading the letter, followed by the neighbors reconciling and hanging the "Xianliangfang" plaque, and finally Guan Shiren reading the letter.
Right wall screen title: "Shi Ren Jean Di"
The left wall of Station Six
"Honest Dedication"
"Honest dedication" means innocence and incorruptibility, silently paying for the people, willingly, and not seeking returns. Being honest and dedicated will make the society more productive, fairer and more harmonious, so that the pace of national development will be more stable, the people will be happier and healthier, and the nation will be more prosperous.
Title on the left wall: "Honest Dedication"
"Xianzu Zhi Suichang"
Tang Xianzu (1550-1616), a native of Linchuan, Jiangxi, was a Ming Dynasty opera composer and writer. He was a 34-year-old zhongjinshi, and in the nineteenth year of the Ming Dynasty (1591), he was degraded because he angered the emperor by playing the "On the Auxiliary Minister Kechen Shu", and was later transferred to Suichang County, Where he served for five years, with outstanding political achievements, but offended the local magnates, and abandoned his official position and returned to his hometown in the twenty-sixth year of the Wanli Calendar (1598).
Tang Xianzu's opera creation achievements are very high, and his works "The Record of returning the Soul", "The Record of Zi Chao", "The Record of Nanke" and "The Record of Handan" are collectively known as the "Four Dreams of Linchuan", "Peony Pavilion" is not only loved by the Chinese people, but also well-known in Britain, Japan, Germany, Russia and other countries, and is a treasure of world theater art.
The mural consists of four parts, the left is the scene of Tang Xianzu leading the people to fight the tiger and eliminate the plague; the upper middle is a close-up portrait; the middle and lower is to promote good governance and let prisoners go home to see the lantern festival; and the right is a picture supporting local opera.
Left wall picture title: "Xianzu Zhi Suichang"
The right wall of Station Six
"Ji Shi Yi De"
"Ji Shi Yi Moral" refers to the pursuit of higher life goals and value realization, adhere to the moral character model, self-discipline and touching with virtue, save the world with practical actions, and promote the healthy and harmonious development of society.
Title of the text on the right wall: "Ji Shi Yi De"
"Wu Jia Ji Shi"
The Wu family in Daji Village, Qingyuan County, is known for its "Ji Shi Yi De" and has inherited the ideal of "Jing Bang Ji Shi" to this day. The descendants of the Wu clan practiced the family motto of "passing on poetry and books to the family, and articles to the world", and cultivated 26 jinshi and professional talents from various walks of life in later generations.
Li Gang, the first chancellor of the Southern Song Dynasty, and Wen Tianxiang, the last chancellor of the Southern Song Dynasty, were the grandsons and nephews of the Wu clan of Daji, respectively. The Wu family style attracted many great sages: Zhu Xi once came here to give a lecture for one year, The Great Confucian Lu Long lectured at the "Rishi Garden" in Daji for three years, and the master of heart studies, Wang Yangming, also came to give a lecture.
The mural depicts the story of The Wu clan of Daji from different angles, and from left to right, it includes four parts: building a road for the people, building a bridge for the people, Zhu Xi's lectures, Lu Long's discourse on the Tao, and Yang Mingxin's saying.
Right wall picture title: "Wu Jia Ji Shi"
The left wall of Station Seven
"Honesty and Justice"
"Honesty and justice" refers to the honesty and non-selfishness of those who serve the government. There is a saying in the Zizhi Tongjian: "If officials are not honest and peaceful, they will govern the way and decline." It is said that if the government is not honest and righteous, the country will decay. The relationship between being an official and the fate of the country is profoundly revealed. Justice is the lifeline of government, and in the hands of public power, we should not waver in principle, do not deviate from standards, keep our procedures unchanged, and abide by discipline. Only by distinguishing between relatives and aliens and treating them equally can we win the trust of the people.
Title on the left wall: "Honesty and Justice"
"Aota Lawyer"
Zhang Kai of Xiaoyuan Village, Qingtian County, was raised in the ninth year of Qing Tongzhi. During the Guangxu years, when he went to Beijing to take the exam, when he passed through Tonglu, he encountered the Qingtian people who cut bamboo here and injured people by mistake, and asked them to pay for their lives. Zhang Kai changed the complaint from "flowing bamboo hurts people" to "bamboo hurts people", and went to the official palace to defend himself, and ordered economic compensation to sympathize with the funeral. Because of the lawsuit, he missed the examination period and no longer pursued the meritorious name. Recommended by friends, he served as a volume master in Shandong. Later, he returned to his hometown to study the history of the scriptures, made a complaint for others, and often won the case, and was known as "Qingtian Lawyer".
The mural depicts Zhang Kai protecting the people with the law in three pictures. On the left, he went to Beijing to rush to take the exam and abandoned his studies to fight a lawsuit for the people; the middle was to defend the people and go to court; and on the right was to return to his hometown to serve the people and abide by justice.
Left wall screen title: "Qingtian Lawyer"
The right wall of Station Seven
"Protector of the Law"
"Protecting the law and abiding by justice" means abiding by the law and maintaining justice. Only by doing things fairly and abiding by the law, adhering to the inner moral bottom line, and following the laws and regulations can we maintain objective rationality and seek legitimate development.
Title of the text on the right wall: "Protector of the Law and Keeping Righteousness"
"Hairui Back Fiber"
Hai Rui (1514-1587), a famous Qing official of the Ming Dynasty, a native of Qiongshan (Haikou City), Hainan, experienced the four dynasties of Zhengde, Jiajing, Longqing and Wanli, and wrote treatises such as "Public Security Neglect" and "Governor's Broad Covenant", and made great contributions to the construction of laws and regulations. When he served as the chief of the household department in Chun'anzhi County and the Household Department in Zhejiang Province, he repeatedly rectified unjust, false and wrongly decided cases and cracked down on corrupt officials and corrupt officials. The implementation of the "one whip law" and the forcing of corrupt officials to return to the land and return to the people have earned the reputation of "sea and blue sky."
The mural depicts the story of "Harry's Back". During the Ming Jiajing period, when Hai Rui was serving as the commander of Chun'an County, he was not afraid of the powerful and resisted the corrupt and perverted law behavior of Zhang Zhibo when he was ordered to inspect the provinces. In the picture, the scene on the left is where Zhang Zhibo, the duke of the country, collects bribes, the second on the left is Zhang Biao, a close confidant of the Duke of Guo, and argues with the Guo Gong, the third on the left is Hai Rui leading the servants to carry the fiber, and finally Hai Rui watches the Guo Gong take a boat.
Right wall screen title: "Hai Rui Back Fiber"
The left wall of Station Eight
"Honesty and Luxury"
"Honesty and abstinence from luxury" is a style of advocating simplicity, thriftiness and prevention of luxury, and admonishing officials should stay away from the hotbeds of hedonistic corruption and be honest and self-disciplined. Diligent and frugal without being greedy, honest and virtuous.
Left wall text title: "Clean and Honest And Refrain from Luxury"
"QingJie Li Tang"
Li Tang (1400-1460), Zi Zongkai, Jinyun ren, Ming Xuande five years (1430) jinshi. In the first year of orthodoxy (1436), he was appointed as a member of the Punishment Department, Wailang, and a procurator during his term of office to rehabilitate many unjust prisons. When serving as the inspector of Guangxi, he straightened out military affairs and public order and made society peaceful. In the second year of Jingtai (1451), he was also the viceroy of the conquest of barbarian military affairs. The Ming Shi (明史) praises him for "manifesting himself in the Qing Dynasty".
The mural is composed of three pictures from left to right: on the left is the scene of Li Tang returning to Beijing without taking a place and returning to the grass, in the middle is the scene of Li Tangqing's poor married daughter, and on the right is the scene of the people supporting Li Tang.
Left wall picture title: "QingJie Li Tang"
The right wall of Station 8
"Simple Defan"
"Simplicity" explains that simplicity is not only a virtue, but also a realm of being a teacher. It contributes to the cultivation of one's own character as a moral code.
Title of the text on the right wall: "Simple Defan"
"Xiande Cai Shi"
Lü Caishi (1728-1815), a Tairu and Jinyun, suhuai crossed the grand wish of "building stone beams and changing the heavens into a smooth road" in Huzhen. To this end, Cai Taiyi people cut down on food and clothing, were diligent and thrifty, and often encouraged the whole family with the ambition to build the Huzhen Bridge as soon as possible.
In July of the 22nd year of the Qing Dynasty (1817), Lü Zaiyang's brothers and nephews donated funds and donations, and under the command of their second son Lü Jiansheng, began to build the Xianmu Bridge, which was fully completed in March of the 24th year (1819). In the sixth year of Daoguang (1826), Lü Jiansheng donated funds to preside over the construction of the Jiyi Bridge in the county seat. In the eighth year of Daoguang (1828), Lü Zaiyang's eldest son donated funds to build the Jingshuang Bridge.
The mural contains three passages, from left: Lü Cai's dying instructions to his descendants to build bridges, Lü Jiansheng led the crowd to build bridges, and Zhu Shiyan, a scholar and politician in Zhejiang Province, renamed the three bridges.
Right wall picture title: "Hyun Tak Choi"
Source: Chuzhou Evening News reporter Liao Wangjing