Recently, the sheep have met many new people through large and small activities, and they have found many good seedlings in the small flowers after 95.
Among them, the most amazing thing for the sheep is Qiu Tian, who shows his confidence and aura on the red carpet to the fullest, a good figure and good taste, which is simply a rising red carpet killer.
Her smoking outfit and boots, with a very storytelling face, are extremely superior in both temperament and figure. The face and posture depict a sense of arrogance and bone, and the red carpet makes this outfit heroic and cold.
This delicate and beautiful skeleton is simply made for wearing a dress.
Born in 1999, Qiu Tian is 170cm tall and studied in the 2017 Acting Department of the Beijing Film Academy.
In 2017, she temporarily appeared as "Peng Ya" in the short film "Whale Silence" directed by her classmates, which also won the grand prize at the Youth Film Festival, which also laid the foundation for her subsequent development as an actor.
After acting in many literary and art films, Qiu Tian's most promising work at present is a communication female soldier played in "King Kong Chuan", as the only female character in the movie, she is not afraid of the stage among many predecessors, and her performance is also remarkable.
However, compared with film works, Qiu Tian is undoubtedly more concerned in the fashion industry. After all, the superior right-angle shoulders, large long legs, and the most popular high-grade temperament, I have to sigh that this sense of fashion is simply God holding a bowl in front of Qiu Tian and begging her to eat a bite.
Nuwa was indeed eccentric when she created man.
If we carefully analyze Qiu Tian's face, we will find that her facial lines are clear and bony, and the cheekbones and jaw angles add a lot of presence to her.
For a long time, Asians have tended to prefer softness for the aesthetics of girls (especially Korean aesthetics), coupled with the pursuit of facial fat abundance, so in most people's aesthetic system, the importance of facial features has always been greater than the bones.
This is also why you will think that Koreans almost always look the same after plastic surgery, because their aesthetic is to enlarge the facial features and weaken the bones, as shown in the picture below, but after a long time, there will be a feeling of white dough.
We all know that female celebrities have long entered the extreme mode, completely without a skeletal face, photogenic is photogenic, but easy to lose recognition; in contrast, a slightly skeletal face, in fact, will be more conspicuous.
Secondly, Qiu Tian's eye distance is moderately wide, and the overall eyes are slightly inward, but the three-dimensional feeling brought by the brow bone deepens the weight of the whole person's facial features. In particular, the slight rise in the outer corner of the eye is a little heroic, and it is easy to create a sense of distance.
Some people say that her own sense of atmosphere and alienation is very similar to Zhou Yun, and the sense of weight on her face has the taste of Zhong Chuxi. If we compare, Qiu Tian does have some similarities in Zhong Chuxi's appearance, especially their jawbones are obvious, and they can easily hold fashion blockbusters and have recognizability.
Eyebrows are thick and uplifting, eyebrows account for the overall eye-catching ratio of the face, and the mouth shape of the red lips is also similar, so it is no wonder that the media called Qiu Tian "Little Zhong Chuxi".
However, if the above is the common point of the two, then the difference in details between Qiu Tian and Zhong Chuxi determines the completely different styles of the two.
The first is the nose.
Qiu Tian's nose is relatively straight from the side, and the nose is rounded and slightly blunt from the front, alleviating the cold alienation caused by the eyes and bone phase.
Zhong Chuxi's nose is even more straight, the line from the mountain root to the tip of the nose is smooth, the nose is small and the nose is tight.
According to the traditional Asian aesthetic system, in addition to the exquisite and coordinated face, the small face has a big nose, which is not coordination. The so-called big with the big, the small with the small.
Zhong Chuxi is a contoured face with large facial features and prominent bones.
Her eyes are closer and longer, so her nose appears larger and longer, and to coordinate, she must combine thick eyebrows with fuller lips.
The light makeup on the left when promoting "Fanghua" did not fit her at all, seemingly highlighting the eyebrows but actually having no focus, while the eyebrows on the right became thicker, but in fact it was to coordinate the red lips.
Qiu Tian's face is narrower than Zhong Chuxi's, so his nose is small and exquisite, not particularly three-dimensional. If you follow the aesthetic of the delicate hanging in the past, it is not qualified, but in fact, it is harmonious enough to see now.
Perhaps it is precisely because of the difference in temperament caused by the difference in facial features between the two, Zhong Chuxi's red carpet style is basically "aggressive", the necessary retro and beautiful makeup, the perfect S-shaped curve, is with a "style".
Qiu Tian still has a fledgling sense of convergence and alienation, and it is still suitable for the style of literary and art films. So even if the two look a certain degree of similarity, but because they both have scarcity/irreplaceability, it is not really a collision.
However, why are the stars who look "the same" not only Qiu Tian and Zhong Chuxi? In the show business circle, there are many "high-end versions" and "low-end versions", and even if two people who look similar will also embark on different development trajectories because of different cores.
According to the logic of Qiu Tian and Zhong Chuxi's analysis above, the differences and deficiencies can be simply seen from the bones and facial features of both sides.
The "high-end version" is destined to be the former that became popular first, and their face shape is often more angular and more "refined".
For example, everyone has always said "Wanwan Qing", sun Li and Jiang Qinqin looked very similar when they were young. If we carefully analyze the shape of their faces, Sun Li actually belongs to the square face, the chin is flat and has a small ass groove, and the facial features are also larger.
Jiang Qinqin's face is a traditional goose egg face, the cheekbones and cheeks are more adducted, the lines from the temples down are more smooth, the mandible is small, and finally intersect in the chin.
In a comparison chart, sun li's jaw angle has a significant fold.
People's bones will continue to grow, Sun Li can also use the flesh on the face to round the line when he is young, but after getting older, the change of cheekbones causes the temperament to become harder and harder, but it is also suitable for the aesthetic of the current "big heroine".
And Jiang Qinqin's facial features are mentioned earlier as "small with small", with her peak "second dream" and the recent face photo comparison, you will see that her adducted bone expansion trend is not obvious, the curvature of the cheek is still round.
So until now, I can still see her relatively feminine and soft side.
When Yang Yi debuted on TVB in the early days, the name he used was "Xiao Zhang Keyi". Looking at Yang Yi's photos when she was young, there seems to be nothing wrong with this title.
But compared to Zhang Keyi's narrower, smaller face, you know how important the sophistication of the "high-end version" face shape is.
Compare with the same angle and smile. In addition to the shape of the face, the proportion of the facial features is also easy to distinguish. Yang Yi's nose is slightly wider and longer, and there is flesh on the tip of her nose, which causes her atrium to be affected, and she will visually elongate her face when she laughs.
Zhang Keyi's nose part is just right, and the part that occupies the atrium is just right.
With the change of age, Yang Yi's nose has become longer and longer, so it has gradually changed her original facial feature ratio.
There are also some minor problems with the proportion of faces. When he first debuted, he was called "Xiao Zhang Ziyi", and it is no exaggeration to say that most people may not be able to distinguish between them until now.
Guess if this picture is Tong Yao or Zhang Ziyi?
If it is a big beauty, then the facial features must be able to withstand enlargement, the lines are more clear and exquisite, the shape is more beautiful, and it is more "like a painting".
In comparison, Tong Yao's eye distance is relatively close, and the symmetry of her cheeks is a little worse. At first glance, it is no problem, but if the big lens is scared, it will amplify the shortcomings, and the difference is that little harmony.
And Zhang Ziyi's claim to be the perfect face shape is not without reason. Compared with Zhang Ziyi, the problem of Tong Yao's face has been there since she first debuted.
When the sheep finds her laughing, only one side of the mouth and the wrinkles are forced, and the symmetry of the face will be greatly reduced over time.
The asymmetry of laughing still exists, so Tong Yao's refining picture likes to show only the right side of her face.
If we cover our mouths and only look at the upper half of our faces, we can confuse the truth with falsehood.
However, the later development of Tong Yao and Zhang Ziyi also determined that the similarities between the two of them could only stay in appearance. Relatively speaking, tong yao's life breath is heavier, so when interpreting Gu Jia in "Thirty Only", he can use his own core to drive acting skills and achieve better results.
Perhaps the easiest and hardest thing in the world is to debut with another person's fame and aura. The easy thing is that the latter can enjoy the traffic and aura of the former, and the difficulty is that you may never reach the height of the former.
Therefore, for female celebrities, there will always be new people who look similar in this circle to grab resources and occupy the C position. But sometimes it is not the most critical thing to look like, the key is to find the specific gap, as to whether to use the gap to fight the "differentiation" war, or to imitate the whole aspect of COPY, it can only depend on the individual's choice.