Chen Musheng and Nicholas Tse are enough names to let you walk into the theater

The label "Chen Musheng's last works" is the reason for driving me to go to the theater to see a genre film that often does not make me pay psychologically.

In my opinion, the last time the police film played flowers was "Peerless", but it was always a remake of "Very Suspect".

Others, the theater after watching a cool, in a few days if you want to think back to the plot, you can go on a series with several movies.

Evil does not suppress righteousness, inner ghosts, brothers turn against each other, the revenge of killing × does not share the heavens, the system destroyer genius commits crimes but the defenders of the rules will always see what is going on and eventually impose sanctions.

These ever-changing settings, "Fury Case" almost all have.

But this time I paid the bill like crazy and was ready to find a good day to see it again.

I don't like the rhythm of the film at the beginning, the decent performance, the facial characters appear one after another, and the righteous protagonists who have appeared ten thousand times in previous Hong Kong films have confronted the sophisticated boss plot, and I feel like I am watching a wireless drama.

However, soon after Nicholas Tse appeared, coupled with the gradual improvement of the pace of the film, I was absorbed.

In my opinion, Nicholas Tse's acting skills have saved the loopholes in the text, and Nicholas Tse has a blackened motive, but the motivation does not seem to be enough to support his hatred and revenge. However, his expression in the court gives him an arc of good and evil, when his personal justice meets the legal justice represented by Zhen Zidan, the stubbornness in his eyes has evolved into paranoia, and it takes enough fierce motivation to turn a normal person into a demon, but to turn a stubborn person into an extreme criminal, there is no need for wild fire.

While Nicholas Tse contributed a superb performance, Zhen Zidan's acting skills are difficult to hide mediocrity. He has a face that punishes evil and adultery, and in addition to a face of righteousness, there are few other emotions, and even if there is, it cannot be said to be natural and real. There are many close-ups and large close-ups in the film, and they amplify the evil of Nicholas Tse, but make Zhen Zidan's stiff expression have nowhere to escape on the big screen.

The acting is a bit unsatisfactory, but! Zhen Zidan will fight! The scene of fist to flesh made me can't help but twist and turn excitedly in the seat, the strength, speed, and beauty of the action scene, coupled with Chen Musheng's control of the scene, the adrenaline secretion is really endless. Zhen Zidan is almost sixty years old, and seeing such an action scene, I can't even restrain my heart from being moved.

I remember watching "Crackdown" a long time ago, I walked out of the theater and started to play a star, Tse Tingfeng's role has the shadow of Wu Yanzu in "Riot Elimination", but I don't have any really convincing reasons, Wu Yanzu's role annoys me, but Xie Tingfeng lingers in my mind.

Finally, A tribute to director Chen Musheng.