As the most popular hairstyle among internal entertainment stylists in recent years, ya bun has almost become the standard of most of the costume drama heroines on the market, and even sometimes makes people have the illusion that "which small flower is not considered to be a heroine if she has not used this style".
The problem is that many stylists only know how to follow the trend, but they do not understand what is "different from person to person" and "moderate and stop", often blindly engaging in wholesale regardless of whether the actor can support this hairstyle, wasting the beauty of the beauties.
In the end, it seems that the double buns of Ekda and Su Xiaotong are snacks, with recognizable red headbands and tassel pendants respectively.
However, as netizens said, this kind of "intention" looks so pale and weak after comparing the hairstyles made by the hanfu circle sisters.
Especially looking at the various or retro or innovative jewelry on their heads, it is even more perfunctory and monotonous to lament the perfunctory and monotonous of the ancient dolls now.
So, what is a truly changeable and moderately tall girl's bun?
The first thing that must be mentioned is the various types of hair braiding that were extremely popular at the end of the last century.
Taking "The Knife of the Wind" as an example, the three actresses in the play have very different styles, and the only common point is that the hairstyles are developed around the compilation, which is a representative work of TVB martial arts style "with few enemies and more enemies".
I don't believe you see Ling Xiang, played by Cai Shaofen, a headband plus a few strands of braided hair has designed so many different shapes.
The best thing is that these hairstyles not only conform to the character's dusty personality, but even the simple and easy-to-use transformations that are not too shabby are so delicate and cute.
Then there is Yuan Jieying's Helian Bobo, which is decorated with a wig bag and tied into a double twist, and the exotic hair ornament makes her add a bit of mystery in addition to her beauty.
Liang Xiaoice, the stylist of "Wind Knife" chose a more jumpy orange asymmetric braided hair for her.
Then to the later "Full Moon Curved Knife", both the makeup and hairstyle are more beautiful and vulgar, in line with the young love Dou dou at the beginning but entrusted to the inhuman encounter.
Zhu Yin's colorful braided hair in "The Legend of the Archery Hero" is also a very classic demonstration, especially the green one, which not only sets off the eccentricity of Rong'er, but is not as black as the pink and red headbands.
Xiao Yan also imitated Huang Rong's hairstyle when remaking "The Legend of the New White Lady".
Only to see that whenever Xiao Qing flew up, the small braids on both sides would dance with it, and at once the snake demon's agility of becoming a human was expressed, and the recognition was not much stronger than her pill head in "Little Nyonya" and the high ponytail in "Swagger".
There is also Zhou Ye's Gu Xiang, although her sister's acting skills are not very good, but on the shape of this drama alone, it is really not to say.
Not only did she follow the tradition of the old drama to design a variety of asymmetrical hair braids for her, but she also changed her bangs and headdresses in a different way, looking at it and looking really a bit of an ancient martial arts style.
If you want to be more exquisite, it is better to learn the half-bundle of hair in the "Kangxi Micro-Service Private Interview", that is, to add a wig bag to the small bun on the top of the head, so as to facilitate the use of beaded silk flowers to reflect the temperament and elegance of the official miss.
Or encounter Du Xiaoyue's "silly white sweetness" who loves martial arts and does not learn literature, directly spread the hair below, and only change the headdress according to the style of clothing, which is also more photogenic than directly combing the big light.
After talking about the haircut, let's talk about the disc hair that has been misunderstood as "mature".
Different from the shawl that has hardly disappeared on the screen, the coiled hair is always ignored for one reason or another, and even crowned by people with hearts as "girly unsuitable".
But is this really the case?
Taking "Daming Palace Words" as an example, at that time, Ye Jintian had not yet developed the brain hole of "copper coin head per capita" in "Dream of the New Red Chamber", and chose a miniature version of Fei Xian Bun and Anti-Bun with history for Zhou Xun and Hu Jing respectively, so that the two looked pink and pleasing.
Then to the "Prequel to Detective Di Renjie", which is also set in the Sheng Tang Dynasty, Linglong, played by Yang Mi, is pure and agile, and the delicate peony on the double ring looking at the fairy bun is just right for her identity as a flower seller next door, and personally believes that she has the best hairstyle since filming.
Among the new generation of small flowers, Ren Min and Zhao Lusi's hair style is the most brilliant.
Especially Ren Min, she herself does not belong to the standard ancient style beauty looks, Sheng in the noon stylist is a wig bag and thin bangs, even the two symmetrical small bows on the sideburns are the result of careful design, and finally have the title of "Hui Soft Little Cute".
In contrast, the "Jade Bone Yao" to be broadcast, the stiff to gray Qi bangs, obviously directly with the wig glued to the bun, even a good hair cover is not willing to buy or known as the S+ configuration, we do not know where the crew spent so much money.
In contrast, goose another S+ "Long Song Line" styling is online more, not only borrowing the characteristics of Zhao Lusi's "hair volume king" to design the following princess head made of full real hair, but also adding fetal hair bangs and wig bags behind the head in the details, successfully making Le Yan among the inspiration muses of this year's major imitation makeup bloggers.
Fang Sizhe's old partner Chen Gufang did not hesitate to let go in this regard, the two worked together in the Tang Dynasty when they were young, and designed many brilliant coiled hair styles for Liu Shishi.
The most out of the circle like the dragon flower, the front look at the double conch bun with blue crushed jade hairpin delicate and noble, reflexively exposing the long bow headband behind the head and adding a taste of purity.
Jiang Guo recalled that the improved hanging bun that appeared in the part was also rare, and the deepest impression was the jewel hair crown on the top of Liu Shishi's head, which was not found from a distance, and the enlargement knew that it was done so carefully, and even the fixed hairpins were in the shape of flower branches.
In addition, Chen Gufang's flying fairy bun for Yang Zizi is also good, although the overall style plate is much lower than the film version of "Dream of the Red Chamber", but it also coincides with the young and petite and cute setting of the lord of Misa County.
Coupled with the pink and blue skirt and the small strands of hair that are faintly exposed in the play, it is really the cute little girl who is held in the palm of the hand in the novel.
The third type of teenage hairstyle worth learning is a double ponytail, which can often be seen in ancient dolls at the beginning of the millennium.
More creative like a small dragonfly, the top of the head is divided into three strands to raise the proportion of the head and face, and the pink-yellow-green feather headband is an age-reducing tool.
Li Qihong's hairstyle seems simple, in fact, she first used a wig bag to pad the top of her skull, then fixed it into a double ponytail with braided hair, and finally pulled out two strands of hair to tie a hair ornament, which had Guo Xiang, who was full of spirit.
Of course, low ponytail is sometimes a good choice.
Just remember that it is most likeLyu Lu Yi pulls fluffy, otherwise it is likely to appear on the camera.
Or learn from Wu Qian and Guan Xiaotong to use broken hair and forehead ornaments to shift the focus, and Xu Qing's version of Ren Yingying has had similar operations before.
In addition, actresses with small enough faces may wish to try Li Qian's hairstyle of putting the two sides of the twisted braids together, moving several braids one after another, which is a very restorative of the "little witch" image in the novel.
The headdress of the Ten Princesses looks a bit "plastic" today, but the combination of side braids and butterflies is still very worthy of reference, and only girls who are in their youth can wear that kind of playfulness.
Then there is Huang Riying, who looks like Li Ruotong between her eyebrows, putting aside the bug that the male protagonist's low appearance value, her strategy of "half a bun does not move, changing the jewelry and braiding with the plot" in "Spring Pillow Galaxy" is really good, which is very in line with the styling specifications of the female protagonist's neighbor's little sister.
All in all, it is not the bun that goes wrong, but the increasingly depleted creative ideas of some stylists.
Just like the so-called "S + big IP" in the past two years, to put it bluntly, is it not the traffic actor + the original novel that was magically changed + the behind-the-scenes team of the assembly line + hundreds of hot search bombardments?
The question is to cut these out, what exactly do the S+have left for the market?
I hope that after this year's big productions and the grand situation of the street, several major platforms and investors can think about what is the most important part to invest.
It can only be said that writing a good script and finding the right team is sometimes not as difficult as you think, and the key is to see what you are prepared to do.
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