There is no face value, let alone acting
I don't remember when I promised to write Kim Min-hee.
About two years ago?
OK, forget those past events, and now in front of you is a Song Beauty, Diligence, Zhou Gengwen Ting.
First of all, on behalf of all, I would like to praise myself.
After saying nonsense, get into the main text.
Kim Min-hee, a magical woman.
Born superior, there are no strong highlights in the ordinary facial features, but in the variety show, he directly said, "So far, the men I want have fallen in love with me."
It was screaming wildly.
In the variety show, Kim Min-hee replied to the host, yes
But it seems that there is indeed this arrogant capital?
Because the "man I want" in her mouth used to be: the male god Cho Yin-sung, the male god Lee So-hyuk, and the male god Lee Jeong-jae.
Kim Min-hee poses with his ex
Now it's: Hong Shangxiu.
It doesn't matter if you don't know them, you just need to know that either the top looks or the top talent, you can do it.
This also shows a style of Kim Min-hee's sister:
Only like the best.
Friends, many people have talked about Kim Min-hee's charm about her brokenness and her boldness, but what I want to talk about today is her bright and dangling "greed".
Yes, Kim Min-hee is undoubtedly a greedy woman.
It's the source of her controversy and the source of her charm.
note!
Greed is not a positive or derogatory word, it is a neutral adjective.
The meaning of the word is very accurate, that is—
Eager to break, dare to break, successfully break, break again and again.
In other words, greed is simply a super-strong internal drive and path to arrival.
What do you mean?
Take Kim Min-hee as an example, the so-called concept of "breaking", in this sister, is specifically divided into two levels:
Appearance has always been an inseparable issue for actors.
If you believe that what is standing in front of you now is Song Beauty, Diligence, Zhou Gengwen Ting, then believe in yourself, you will soon see some articles on the relevance of actors' looks, temperaments and roles that Xiao Song has carefully written.
Let's start with Kim Min-hee.
Kim Min-hee is beautiful, but strictly speaking, not Peugeot.
Unlike the facelift style cut by the Korean assembly line, her eyebrows are quite "non-standard".
Korean plastic surgery "template" Ko Yoon-jin
This non-standard is embodied in:
(1) Bending eyebrows;
(2) Slightly swollen eye;
(3) Thin lips and nose that is not delicate enough;
(4) slightly longer among persons;
(5) Slightly raised cheekbones;
(6) Slightly square chin and cheeks.
(7) There is much more baby fat on the face in the early days.
In short, no one will follow Kim Min-hee's facial features to get a facelift.
Because none of them are top-notch in terms of looks alone.
If you want to be the same, you don't know how to ask the doctor.
To put it bluntly, grab a beautiful woman on the street in Changsha, and the original facial features may be stronger than her.
Kim Min-hee early photo vs recent photo
However, on this facial condition, Kim Min-hee dared to choose to make a bold move and develop twice in South Korea, where the mood of the beautiful man is extremely serious, but to retain his natural appearance and characteristics as much as possible, constantly modify his makeup and manners, and complete his own transformation.
This metamorphosis is very strange, because people look different, but it is no different when they look at the facial features.
Maybe many aesthetic bloggers will talk about organ changes from an external point of view, but in fact, from the perspective of appearance, there is indeed a muscle change, that is:
The end of the change in appearance is the change of looks.
In other words, there are many people who look better after the face, on the one hand, it is true that the facial features have changed, but more importantly, they often have more psychological confidence because of the changes in the facial features.
This psychological self-confidence will once again act on the direction of the facial muscles, thus changing the temperament of the whole person.
The so-called do-good is actually to make the muscles and bones play a perfect match, that is, through the improvement of facial hardware, further assist the software upgrade.
Positive examples, such as Zhong Chuxi. The neatness of her facial features also makes her expression more stretched and her coordination is very high.
Zhong Chuxi did face back and forth
Negative examples, such as Zhang Meng. Too much hyaluronic acid filling leads to muscle stiffness, the overall trend is bumpy, and it feels like the bones are dry with soft tissues, and it is twisted.
Zhang Mengdo face back and forth
So back to Kim Min-hee, she is actually very confident and brave at the aesthetic level.
She's been getting beautiful, but not by pandering to mainstream aesthetics.
Instead, she has always catered to herself.
She really has too many conditions (money, time, industry customs) to use the knife to turn herself into a Korean assembly line beauty.
But she didn't.
She used her almost plain cheeks and performance to lift South Korea's first Berlin Silver Bear trophy.
Holding this hard-won honor, she told the world lightly: The old lady is here to define beauty today!
Such a woman, really, whether you like her or not, you have to sigh: something.
Kim Min-hee won the Best Actress Award at the 2017 Berlin Film Festival
This is the first layer: Kim Min-hee's disobedience in female aesthetics, or rather, her breaking of the male gaze.
Talking about Jin Minxi, anyway, I can't get around Hong Scumbag Shangxiu's old brother.
If you are a fan of Brother Hong, you will understand that Brother Hong doesn't mind me calling him that. (That's how he describes himself in his own films.) ）
But that doesn't matter.
What is important is that the unconcealed extramarital behavior of Hong Sang-so and Kim Min-hee is rampant in Korean society where the surface kung fu must be done enough.
Kim Min-hee and Hong Sang-so
But maybe you've heard about it,
Artists enjoy madness more than the average person.
The crazy attention here is not a positive word, nor a derogatory word, but a neutral word.
And it's explained in detail.
It's a bit like a bloodthirsty animal opening a meat.
It is itself a strong act of aggression and aggression, and the excitation value of this behavior is fluctuating, and the conditions for fluctuation are very simple:
When strong, it is strong.
You say it's not a coincidence.
Hong Shangxiu is a brother who does not admit defeat, but Kim Min-hee is also a disobedient sister.
Anyway, the two of them are getting better.
After getting better, Kim Min-hee's charm began to escalate.
Originally, she was very outstanding in Park Chan-wook's film "Miss", but at that time, her beauty was still a regular beauty.
Beautiful, but the range of motion is narrow.
The whole play, except for the passion play part, is like an oriental rag doll that has been pinched.
Stills from "Miss"
But by "Alone by the Sea at Night", her beauty has completely become a kind of loose beauty.
She became very irregular. Dense language and large blank interludes appear, she sits or lies or kneels or goes mad, with both signs of nervous fragility and an infinitely extended purity, which she is elusive and highly real.
Whether it is the way of walking during the performance, the rhythm of the language, the gap in communication, all have changed.
In Hong's films, she is completely transformed into an elusive liquid creature: constantly flowing, but not knowing where to flow.
She seduces you and me in a fluid way, but rejects you and me with liquid representations.
This is the metamorphosis she completed in Hong Shangxiu's film:
From regularity to freedom. The freedom that madness brings.
There is a saying that whether this woman meets these two directors or not, she will definitely be beautiful.
Because her beauty is self-supporting.
But under the influence of these two different guiding concepts, she was pinched into different shapes.
She in "Miss" I personally love very much,
But from a professional point of view, "Miss" is much more replaceable. There are many actors who can be changed.
On the contrary, her own will to shape is very weak under the strong style of director Park Chan-wook.
Therefore, when director Hong Sang-so constantly breaks the order of film grammar, Kim Min-hee does not hesitate to abandon everything that is prescribed (this is more specific to be combined with the film, there is a chance to pull a film for everyone), and follows him to use some strange methods to act in some mysterious but unique films.
Both her first and second selves have undergone a domestication and reinvention in the process. But she was conscious, was aware of it and tried to reach out enough.
This is the second layer: Kim Min-hee's disruption of the established order.
Not just morally,
But it's creatively, too.
Aesthetically the same goes for,
Overall.
Remember what you said at the beginning of the article?
Kim Min-hee is undoubtedly a greedy woman.
This greed equals intense desire.
She is very "wanted",
So she dared very much,
She only craves the best,
So her ego system has a very strong incentive to update and iterate.
And then to reach her "want."
This is where Kim Min-hee hooks up, or any non-technical determinist actor whose charm ultimately falls here:
Ta is a variable, an elusive variable.
But
And it doesn't stop there,
They start from the variable itself, whether you are a delicious opposite sex, or a hungry audience, when you become the prey in her eyes, you will receive her blatant signal, that may be a frown, or a blink, or a whisper,
Whatever they are, their meaning will be clear, i.e.:
"You can see through me"
"I'll give myself to you"
"I'm looking forward to you"
Baby
Believe me
You can't not go over.
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