Many of Ma Dong's variety shows are believed to have been seen by everyone, even if they have not seen it.
For example, "Strange Story" and "Summer of the Band" are quite popular.

For Ma Dong, I believe that many viewers still know about him as a host.
In fact, in addition to the host, Ma Dong's identity is also very much, for example, he is also a director.
Perhaps some netizens will say that they have not seen the movies or TV series he directed!
Ma Dong has indeed not made film and television works, but Ma Dong is the general director of the 2011 CCTV Spring Festival Gala.
Ma Dong has developed very well in the past two years, and his hosting style is witty and humorous, which is very popular with the audience.
For many young people, they may know Ma Dong, not necessarily Ma Ji.
But for friends after the 70s and 80s, Ma Ji is too familiar.
Ma Ji is a famous cross-talk master, who has participated in many Spring Festival Galas, and is of the same generation as Zhao Benshan, Chen Peisi and others.
Ma Ji and Ma Dong are father and son.
When Ma Dong was a child, he was always labeled as a "Son of Ma Ji".
However, Ma Dong is really angry and successfully gets rid of this label with his own efforts.
If you were to introduce Ma Ji to young audiences now, it would be "Ma Dong's father".
As the son of the comedy master Ma Ji, Ma Dong has humor in his blood.
In the various variety shows hosted by Ma Dong, he will shake some baggage from time to time, making the audience laugh forward and backward.
I believe that many netizens are thinking, such a comedic talent, but also very fond of tossing Ma Dong, why not do a comedy show?
Unexpectedly, he really made such an attempt, bringing everyone a "annual comedy competition".
Purely from the analysis of this name, everyone must think that this is a sketch or cross-talk competition.
After watching the show, I found that it is really not so simple.
Every piece in this show is unrestricted in form, as long as it's funny.
Ma Dong invited four resident guests this time, they are Li Shi, Xu Zheng, Huang Bo, Yu Hewei.
Judging from this guest lineup, it can definitely be called luxury.
Each of the four guests is a big coffee, I believe that when you see this lineup, you decide to stay up late to chase it!
However, if you analyze this lineup carefully, it will feel a little strange.
Li Shi is a stand-up comedian who is engaged in comedy.
In the past few years, his "Talk Show Conference" and "Spit Conference" have been well received by the audience.
The other three seem to be related to comedy, but they are not.
Xu Zheng and Huang Bo have acted in a lot of comedies, and even directed a lot of comedies, but they have never played sketch cross-talk.
Not to mention Yu Hewei, he has always acted in a regular drama, and he has the impression that he has nothing to do with comedy.
I believe that many viewers have doubts when they see this lineup.
Why would Ma Dong invite the four of them instead of Guo Degang and Chen Peisi, who are comedy masters?
After watching the first episode of the show, I found that I really couldn't invite these masters.
Because most of the performances in this are already beyond the scope of traditional comedy.
Ma Dong's new variety show subverted my cognition, and it turned out that comedy could still be played like this.
Under normal circumstances, whether it is a sketch or a cross-talk show, it pays attention to one shop and three shakes.
Every time you shake the baggage, you need to have a foreshadowing, but also pay attention to the rhythm and skill.
However, the work in this show does not need these at all.
Many times there is no foreshadowing, it belongs to the hard, that is, the kind of "big straight stem".
For comedy masters such as Chen Peisi and Guo Degang, such a performance can be said to be a "mama see fight" series.
Of course, for us young people, such a performance is acceptable.
It can even be said that as long as it is funny, it doesn't matter what form he is!
Many of the works that premiered are still remarkable, although there is no foreshadowing, but there are laughs and irony, and it is of great quality.
Jiang Shimeng, Liu Siwei and Guo Dabao cooperated in "Internet Physical Examination".
I believe that the audience is still quite familiar with these three, and can also be regarded as "old comedians".
Jiang Shimeng and Liu Siwei both participated in the "Gold Medal Comedy Class", and Jiang Shimeng finally won the gold medal students.
Jiang Shimeng has participated in many comedy programs, and has also been on the Spring Festival Gala.
Liu Siwei can also be regarded as a new generation of actors who are quite happy and twisted.
To be honest, when I first saw this combination, my heart was quite looking forward to it.
After watching this performance, I laughed, but I always felt a little weird.
Because there is no foreshadowing, and there is no reversal, it can be said that it is all expected by the audience.
I believe that everyone still remembers a sentence of teacher Chen Peisi, comedy is to be reasonable and unexpected.
But this work is not the slightest surprise.
This work satirizes the Internet broadcasting platform from beginning to end.
"Member Jump Ads", "Paid Unlock", "Advanced On Demand", "Acceleration Pack", "Hidden Ads" and so on.
Every point accurately pokes at the audience's heart, as long as people on the Internet have experienced these things.
Every baggage of the work is clear to the audience what will happen next.
Even so, the audience laughed, and every time it was laughed.
I really admire these three, because such works are generally afraid to perform.
As Ma Dong joked, satirizing video platforms on video platforms.
In other words, the three of them satirize their own "springboards."
Such content is easy to be deleted by the platform, but the pattern of the platform is not so small.
I don't know if it has anything to do with this work, anyway, the platform has cancelled the "advanced on demand" business two days ago.
In any case, the operation of the platform is very fanatic.
In addition, such works are indeed quite positive and worth recommending!
Zhang Youwei and Yan Peilun collaborated on "One Heart Is Not Two".
The work is very simple, but it is a big test for the actors.
The laughter of the whole work revolves around the fact that the actor's speech and movements cannot be synchronized.
If you want to say whether this work has a foreshadowing, it really doesn't, it's very direct.
But you have to say that after watching it, you were really amused.
This work also won the second place in the whole field, and the five guests voted at the same time to pass the next round.
Why does this performance make the audience laugh?
The reason is simple, the audience has not seen a similar performance.
Such a form is fresh for the audience, and once it is played too much, it will not work.
This is the same as Zhou Yunpeng's "stuttering performance" before, because it is fresh and funny.
Xu Zheng was eventually inspired.
He felt that the gameplay could be upgraded and expanded, and could even be made into a movie.
To tell you the truth, I don't know if Xu Zheng is just talking about it or really going to shoot it, anyway, I am a little looking forward to such a movie.
Zhou Shilin, Li Qiumeng and Cao Muzhi collaborated on "The Voice of Father and Son".
I didn't laugh after reading this work.
This is a comedy derived from musical theater, and the audience's acceptance is not too high overall.
Although the results of this work are not good, it is still meaningful for this show.
Because "The Annual Comedy Contest" is a variety of all-encompassing comedy programs.
This format is different from traditional comedy, and the diversity of the show can also be seen from it.
Of course, poor grades do not mean that this form is not good.
It is said that their comedy in this musical form is quite popular offline, and even a ticket is hard to find.
As this form slowly comes to light, it may be accepted by more audiences!
Tudou and Lü Yan's "ManCai" work "Strange Neighbor Seats on a Bus".
As long as the audience who watched the "Talk Show Conference" knows that this year's "comic talent" is quite hot.
The comic group carnivores also ended up finishing seventh in the season.
After the end of the program, Li Also decided to open an offline "Comic Talent Training Class".
In the next season of "Talk Show Conference", there will inevitably be a lot of excellent "comic talents".
It can be seen that Li Shi is to praise "mancai".
From my personal point of view, the comedy form of "comic talent" cannot poke my laughter.
This form is a bit uncomfortable to watch, one person "pretending to be stupid" and the other person "spitting".
How to say it? Watching this kind of performance is like feeling like I'm not very smart.
Of course, this can only be said that "Man Cai" did not grow on my laughter, not that there is a problem with this form.
We still have to evaluate the works of Tudou and Lü Yan in a fair and just manner.
The rhythm of the two is quite good, and it can even be said that it is not worse than that of carnivores.
The text of this work is very rhythmic.
The kind of conversation between two people bites quite tightly, and a little faster and a little slower will overturn.
As long as one person is out of rhythm, the whole work collapses.
I have to admit that the cooperation between Potato and Lü Yan is quite perfect.
It can also be seen from this that the two offline are not less diligent.
These two years will strive to praise "mancai", so the development of these two should be very good.
Song Muzi, He Wenjun and Li Fei cooperated in "Three Dogs Live Room".
If you have seen "Serious Gaga", you must be familiar with these three.
The works they brought this time really subverted my understanding of comedy, and there was no bit of foreshadowing at all.
Overall, this work is quite hilarious, but if you want to say something funny, there are indeed some.
After the performance of this work, one of the screenwriters on the scene questioned this form.
I think this performance is OK, whether it's a white cat or a black cat, catching a mouse is a good cat.
This somewhat "neurotic" performance was not advanced, but many viewers were indeed amused by success.
In addition, there is irony in this work.
I believe that many viewers still remember the previous news live broadcast overturning!
Now the development of the live broadcast industry is quite rapid, many anchors say that there is no teleprompter, but in fact, it is all according to the mind.
This time, the three really satirized this kind of fraudulent deception of the audience.
For example, Li Fei plays a front reporter, but in fact he is just in front of a painting.
Song Muzi and He Wenjun said that everything on the live broadcast was real, but in fact it was all fake.
Zong Juntao, Yang Yuguang, and Qiang Dongdong cooperated in "Sanmao Defense War".
Zong Juntao and Yang Yuguang are two well-known drama actors.
In particular, Zong Juntao, known as "Brother Tao", brings works this time is also equivalent to a drama comedy.
This work finally won the first place in the whole field, which can be said to be quite powerful.
Overall, the structure of the work is very complete, with a beginning and a tail, and can even be seen as a movie.
In addition to being funny, the work is also extremely ironic.
Some time ago, a word that was very popular was called "inner volume".
I believe that everyone has heard a lot about the topic of overtime.
This time, the three satirize the exploitation of employees by capitalists from the perspective of "hair loss", which can be said to be quite profound.
Judging from the premiere of "Annual Comedy Competition", the form of comedy can be said to be quite diverse.
However, none of them are familiar with traditional comedy sketches, cross-talk, talk shows, nor mimes, mimes, or duo turns.
I don't know if you have found that there have been quite a few comedy shows in the past two years, but the overall situation is relatively weak.
For example, the show "Happy Comedians" was quite popular before, but now it can't hire the right contestants.
In other words, there are no newcomers in the comedy industry who can carry the big flag.
For many viewers, after the retirement of Zhao Benshan, Song Dandan, Pan Changjiang and other generations, the language programs of the Spring Festival Gala in the past two years have been a bit lacking.
What can be expected every year is Shen Teng, Yue Yunpeng, Jia Bing, etc., and it can be said that the comedy industry is currently a bit embarrassing.
In the past two years, in order to cultivate new talents, there have been many comedy variety shows, but there are not many good ones.
For example, Li Tian, Shen Teng, and Xie Na's "You Look So Good When You Laugh" as guests is very embarrassing to watch.
Of course, there are also good ones, such as the "Gold Medal Comedy Class", Guo Degang, Chen Peisi, and Yingda, the three mentors are really imparting knowledge and experience to newcomers.
Although this variety show does not have a tutor to teach, the overall quality is still OK.
At the very least, the audience can see something different and know that there are other forms of comedy besides cross-talk sketches.
I believe that many viewers are only worried about one point now, that is, do not go high and low in the later stage.
I hope that the later program can bring more surprises to the audience, it seems that Ma Dong is going to succeed again, what do you think?