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Quentin Tarantino – the ultimate aesthetic of violence

author:Chasing the drama Fat Sister

Both from the perspective of seeing the hilarity,

Or from a professional point of view,

His work always gives people different degrees of satisfaction.

He is talented, familiar with all kinds of film languages and film genres,

But he was never bound by any rules and regulations.

His work is never perfect, always with distinct edges and angles.

But all kinds of high scenes,

It is to allow fans to experience unprecedented excitement and well-being

He's just --

Quentin Tarantino

Quentin Tarantino

EFFORTI ESS BEAUTY

/The Ultimate in Violent Aesthetics/

See Wen Ruhui, Zhan Wen Shuyan, I am Zhou Muyun.

The article is divided into two parts: character interpretation丨 Movie inventory (with resources)

"The anti-B movie reluctantly ascends to the altar surrounded by the B-loaders."

This has happened frequently in recent years, and the more classic example is the old hooligan in Hollywood.

Extract keywords, like Wong Kar-wai, see Wu Yusen as "favorite", and Jiang Wen is a friend... These labels seem to be related to many directors and screenwriters, but if you add a "foot control", you can definitely guess Quentin.

Quentin Tarantino – the ultimate aesthetic of violence

At the shooting scene of "Qin Song", Jiang Wen talked to Quentin in a costume

Some fans wrote to this picture: "You can't just look at your feet, you have to look up." "It can be said that Quentin's hobby has been fully demonstrated.

Quentin's foot control can also be reflected in the communication with fans. On June 24, while recording a talk show in California, Quentin was asked by a girl to sign an autograph on her foot.

Quentin Tarantino – the ultimate aesthetic of violence

Some passers-by wonder why Quentin dared to show his foot-operated XP to the outside world.

In fact, Quentin's foot control is not a day or two. And the audience loves to watch his foot control, and it is not something to be ashamed of.

"A foot-controlled movie must have enough foot-controlled footage"

If you ask Quentin what body parts are shot most often in his films, the answer is mostly that nothing but face is feet. If you're a big Fan of Quentin, I'm afraid you can tell which movie it is based on your feet.

Quentin Tarantino – the ultimate aesthetic of violence

Left one "Pulp Fiction"; Left Two "Shameless Bastard"; Right One "Kill a Dawn"; Right Second "King Kong Is Not Bad"

Or, as a movie fan, you're also a foot-control, so you can definitely distinguish between Uma Thurman's foot and Sidney Tamia's foot.

The aesthetic of violence in Quentin's films is very pure and direct.

In his films, Quentin is passionate about using gore scenes (such as skinning, "popping eggs") and numerous sounds (the sound of bullets shooting into the body or knives inserted into the body) to express his black violence and his understanding of violence and death.

Quentin Tarantino – the ultimate aesthetic of violence

"Villain Agent" is played by the stripped-off Nazi Quentin

Quentin Tarantino – the ultimate aesthetic of violence

Beatrice Beatrice as Uma Thurman

However, he did not directly show the sex in the film, but incorporated his own XP - foot control.

Not only that, but he also likes to force directors to insert foot-control shots into films he starred in or cameo, such as Quentin's friend Rodgriez's "Breaking Dawn."

Quentin Tarantino – the ultimate aesthetic of violence

"Kill a Dawn" by Richard Jacko Quentin

Not only in the movie, but also quentin's foot control XP in reality was also exploded.

Quentin Tarantino – the ultimate aesthetic of violence

2007 Nude Photos Gate

In 2007, this nude photo of Quentin sucking on the beautiful woman's toe was revealed; in 2011, during a one-night stand, Bejeli Shah said in an email to a friend that Quentin "caressed Bejeri Shah's toes as his breakfast."

In the eyes of many people, many foot control shots in Quentin's movies have no other role except to make them look good, but to satisfy Quentin's foot control XP.

However, Mu Yun felt:

Quentin's foot control is far more advanced than you think.

"Barefoot Aesthetics and Body Art"

High heels first appeared in ancient Egypt, and thousands of years later they became the fashion standard for contemporary women from agricultural production tools.

The increase and retraction of high heels can make women wearing high heels more energetic and slender; the feet that are extended by wearing high heels can show the curve of the arch of the foot, making women look more sexy.

At least that's what a lot of men and fashion designers think.

Quentin Tarantino – the ultimate aesthetic of violence

Taylor Swift

For the film industry, high heels are undoubtedly a symbolic cultural symbol about women.

It symbolizes slender sexiness, but also represents a delicate and capable woman in high heels, often a fierce character.

Quentin Tarantino – the ultimate aesthetic of violence

Very Trafficker 2, Played by Lola, Cady Nautta

Not only in the film shots, American actresses often wear high heels to highlight their tall and slender figures.

Quentin Tarantino – the ultimate aesthetic of violence

Emma Watson

Quentin, however, doesn't think so.

In Quentin's films, the elements of "the beauty of barefoot" change periodically with the order of shooting, often alternating between a period of silence and an explosion of foot control. However, as far as the plot of the movie and the design of the shots are concerned, it is barefoot if you can go barefoot.

Quentin Tarantino – the ultimate aesthetic of violence

Once Upon a Time in Hollywood

At the 26th Screen Actors Guild Awards, Brad Pitt won Best Supporting Actor for Once Upon a Time in Hollywood. In his acceptance speech, he "solemnly" thanked the co-stars in the film: Margot Robbie and her feet, Margaret Curry's feet, Dakota Fanning's feet.

No one knows whether the element of "beautiful naked feet" has important symbolic significance in Quentin's films, or whether it is just to satisfy Quentin's well-known foot fetish. However, Quentin strives to "liberate" the actress's feet from the stereotype of high heels, reflecting his unique body aesthetics.

Planet of Terror

Quentin Tarantino – the ultimate aesthetic of violence

In the view of many psychologists, feet are often related to sex.

In many parts of the world, people are more taboo to expose their feet than to expose their genitals. A woman's feet are considered organs with sexual characteristics, wrapped and decorated to make them more conspicuous and attractive.

Quentin Tarantino – the ultimate aesthetic of violence

Guess which movie it is

"Quentin asks women to take off their shoes more often than at security checks."

Quentin's film chooses the opposite expression in the element of "foot". "Bare feet" liberate the feet from the traditional shackles, stretching various parts of the human body into a natural state, showing the original beauty of women.

Quentin Tarantino – the ultimate aesthetic of violence

Dangerous Relationship as Melanie Ralston as Brigitte Fonda

For example, in Dangerous Relationship, the first scene in which Melanie appears is her leg.

When the camera finally appears along her legs, the camera turns around and captures her bare feet again. This direct body presentation, through "bare feet", shows a direct sense of flesh and sensuality.

Although Melanie is only a supporting role, Quentin vividly presents the image of the gangster killer through close-ups of legs and feet.

Quentin Tarantino – the ultimate aesthetic of violence

Some people say that women like the decoration of high heels like the protective color of an actress, and Quentin is happy to peel off this protective color completely. Not only in terms of liberating his feet, Quentin's body beauty is also very unique.

Quentin Tarantino – the ultimate aesthetic of violence

The famous scene of "Pulp Fiction" twists and turns

Twisting and twisting is a famous scene in Pulp Fiction. In the first story told in Pulp Fiction, "Vincent and Martha's Wife," the gangster boss's woman and professional killer dance expressionlessly on stage.

The male and female protagonists twist and turn in the cheerful soundtrack, expressionless, and there seems to be an undercurrent of inner turbulence.

Mia thought of Vincent, expecting Vincent's initiative with flirtatious movements, and Vincent kept retreating from her psychological defenses under Mia's provocation. But the two also know that the eldest woman and the professional killer will inevitably not have a good result.

Quentin Tarantino – the ultimate aesthetic of violence

Stephen Chow's "Hundred Variable Stars" Pays Tribute to "Pulp Fiction"

Quentin's meticulously rehearsed dance did not disappoint him. Mia's movements are frivolous, Vincent hesitates, and the dance moves are expressive but seemingly casual. Quentin uses this natural and random arrangement of movements to fully express the beauty of the body, while at the same time closely fitting the psychology of the characters, thus creating a classic in the history of cinema.

Quentin Tarantino – the ultimate aesthetic of violence

"Falling Water Dog" Mr. Kim tortures and kills the police while singing and dancing

In Quentin's debut novel, The Falling Dog, one of the protagonists, Mr. Kim, kidnaps a policeman. Mr. Kim's cruelty to the police led to bloody scenes at the time. But this bloody scene allowed Quentin to handle it well: with a song and dance

In fact, when Mr. Jin tortured the police, he had a certain meaning of taking pleasure in torture. Torture the police at will, sometimes scrape the face of the policeman with a blade, sometimes cut off the ears of the policeman, and combine the aesthetics of the body with black humor with absurd song and dance, so that it is "bloody but not fishy".

Quentin's foot control led him to be dubbed the "Honorary Minister of Honor of the Hollywood Football Club". When Quentin got married two years ago, fans were not concerned about who her wife was and whether she looked good, but rather joked that she must have a pair of good-looking feet.

Quentin Tarantino – the ultimate aesthetic of violence

Quentin with his wife Pick

But Quentin's foot control is not just the XP of the foot, his foot control hides the sense of art and beauty under the beauty and body. This burial and explosion of barefoot aesthetics and body art has made many of his films a classic, and he has also been called a generation of masters.

Regardless of Quentin's preference for feet, this liberating aesthetic is like a rebellion against Hollywood. Whether it's the form of his independent film or Pulp Fiction's break with the linear narrative structure, Quentin's rebellion has had a groundbreaking effect on the film industry.

Quentin Tarantino – the ultimate aesthetic of violence

He is the spokesperson for the aesthetics of violence, the director of b-grade films with bloody blood, he is a master of scoring with unique tastes, he is also a foot-loving demon of "moral corruption", he is a film genius with amazing creativity, and he is also a shameless bastard who is plagiarized...

These contradictory labels blatantly attached to Quentin have become a footnote to the brilliant life of this movie genius who is loved and hated and addicted.

However, the anti-B action against Cobain and Hollywood often pushes a group of people who like to pretend to be B on the altar.

Writing this, Mu Yun had to say: Quentin, capital new bee!

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