On the evening of August 25, the TV series "Tianmu Crisis" was launched in two episodes of Mango TV. The TV series only has a total plot volume of 12 episodes. It stars zhang rui, He Dujuan, Zhang Xiaoquan and Liu Xueyi. Based on the content of the two episodes that have been broadcast so far, "Tianmu Crisis" is full of thrillers and is likely to be a relatively good crime drama.
In order to be able to talk about this TV series clearly, you may wish to briefly say a few words about the plot of the first two episodes:
Physics genius Li Tian (Zhang Rui) is obsessed with the study of "avant-garde science - the power of consciousness". His mother, mei Xueyan, a famous musician, was involved in a mysterious levelwalk accident in Japan, and Li Tian went to Japan alone, but unexpectedly stepped into a well-planned crime trap.
The powerful enemy behind the scenes secretly manipulates Li Tian, using more sophisticated avant-garde science than him to carry out a series of criminal incidents. In Tokyo, Li Tian meets the lively and frank Zhang Ni (He Dujuan), the criminal police officer Yamazaki (Miao Qiaowei), who is in charge of investigating the case, and the three of them form a delicate detective team.
The spearhead of the incident pointed directly to the mysterious band "Forerunner Band" more than twenty years ago, the three found hattori Suke (Zhang Xiaoquan), a newspaper reporter who had been tracking down the band for many years with disabilities, and learned that the truth was related to a huge fire that occurred in the performance of the Forerunner Band in the Lumingguan twenty years ago, and it involved the amazing secrets of Li Tian's parents...
The main reason why this TV series is different from other thrillers is that the plot of the first two episodes of the series is closely centered on the "power of human consciousness". In the premiere plot, scientists used everyone's combined consciousness ability to save a cat from a bomb. In another consciousness experiment, the prisoner who is about to be executed can use his consciousness to finally "kill" his heart.
In the main plot, it is also the content of "consciousness killing". The male protagonist's mother is likely to be manipulated by a person with extremely strong consciousness, so that a traffic accident will occur in the level crossing. In the content of the second episode, when the male protagonist tracks down the truth of his mother's car accident, he also encounters the "manipulation" of this powerful consciousness and achieves a face-to-face confrontation with the controller. How to manipulate a person's consciousness, and how to achieve crime through this manipulation, is obviously one of the plot points of "Tianmu Crisis".
In order to be able to form a story, in this TV series, there is also a hidden line of content, that is, whenever there is a level traffic accident, the music of a former pioneer band will sound. And this band caused a fire many years ago, during the performance process, and many people were killed. Since then, the regular singles of this avant-garde band have become a dangerous track that many people do not want to hear. What is the relationship between the successive levelwalk accidents and the former pioneer band? "Tianmu Crisis" obviously has done enough of the sense of story on this level.
The thriller of "Tianmu Crisis" comes from "consciousness killing". In other words, the audience and the content of the TV series work have achieved a kind of "conscious manipulation". In the TV drama works, the audience has been using the bridge content to suggest that human consciousness is powerful, and this powerful consciousness, even a larger and more hidden physics problem, behind the consciousness, can be manipulated, and may even be used by bad people. The repeated hints of the audience actually constitute the manipulation of the audience's consciousness by the story content of the TV series. And the most direct transmission of this kind of manipulation is the sense of horror that the plot wants to achieve.
Huang Jingpu, the screenwriter and director of the play, is good at creating some avant-garde and avant-garde works. And in his works, there is a universal characteristic - the depth of paranoia. Achieving a more profound thematic expression by seeking a paranoid end is not only an important technique for avant-garde film and television drama works, but also a creative technique for many avant-garde poetry. Many of our creators follow this principle of "deep paranoia". In the TV series "Tianmu Crisis", the "depth of paranoia" was brought to a good level.
Because the TV series "Tianmu Crisis" is paranoid in its narrative, many viewers have a sense of unfamiliarity with the content of the show. In the play, the state in which the human individual consciousness can be manipulated is also not covered in many thrillers. Huang Jingpu's narrative ability makes "Tianmu Crisis" a more profound work. However, it should also be pointed out that this more sharp style may not be suitable for ordinary audiences.
Here are a few additional remarks. Mr. Jin Yong once said in "The Legend of the Archery Hero" that Ouyang Ketong was musical, so he could not hear the flute of Huang Laoevil. And the silly boy Guo Jing does not understand the rhythm of the sound, so he is not afraid of the flute sound of Huang Laoevil. Huang Laoevil has a kind of "paranoid profundity", but this sense of profundity does not work for ordinary people. The same is true of "Tianmu Crisis". Ordinary viewers may feel that the premiere of two episodes of the plot will not see a four or five or six, and then will deny the show. Audiences with "paranoid profundity" may be amazed at the creator's ability to control the entire narrative and achieve resonance with the plot. (Text/Ma Qingyun)