Preach in words. - Don Tears
Acting is real.
It will also be intertwined with the characteristics of the actors themselves.
But there are not too many actors who can really enter the room on the road of acting.
This question must not be exaggerated or whitewashed, and anyone who boasts of lies will certainly be disproved.
Fan perspective also doesn't work.
Be sure to speak in the truth and refuse to talk about cannons.
Because works never lie.
Aaron Kwok.
He is not only the king of song and dance in the music world, but even if he talks about his identity as an actor, he can be called the most special one among countless Hong Kong actors.
For example, he only began to have a formal role in 1989, and he was almost absent from the entire golden age of Hong Kong cinema.
The following year, he became popular in the Chinese world, and then returned to Hong Kong from Taiwan to become king.
Throughout the nineties, he made only twenty-two films, but it already accounts for more than a third of the total number of works in his current career.
Seventeen of them were made between 1989 and 1993 alone, and since then they have maintained a very low-density filming rhythm.
In his words, he didn't want to shoot indiscriminately.
Not only is it not indiscriminately filmed, but the film genre is rarely repeated, especially the works of the old Hong Kong-style comedy routine are particularly rare.
These factors have two very immediate consequences.
That is, the box office performance fluctuates, and the number of so-called series of films is almost insufficient, while many other actors with a high proportion of commercial films will win the average box office figure and the number of works.
In addition, when many actors reached their peak state early, he felt that he had not yet started.
For example, in Chen Jiashang's "2000 AD", his rivalry with Wu Zhenyu can be seen as obviously immature, while Wu Zhenyu is mature and old.
But after entering the two thousand years, his catch-up and large-span progress in the film industry have to be impressive.
There is even the potential and trend of winning the chief seat in the Chinese showbiz circle.
But even if you look at the works of the 1990s as an object of observation.
Aaron Kwok is not the state of low acting skills that some impression streamers think of as low.
From the perspective of appreciation, in terms of strict standards, at least six works with high performance standards can be selected among the twenty-two works, and the rate of nearly one-third of the fine works is not low, not to mention the works that test the water and the popular works that consume popularity.
Let's talk about the early three parts.
The first was "91 Condor Heroes", released in 1991.
Previously, there were only five films in the film, and two cameos in three supporting roles.
However, he has released three Chinese albums, all of which have sold over a million copies, and won the Most Promising Newcomer Award for the Top Ten Chinese Golden Songs.
Due to the surge in popularity, he was invited by Tianmu Company to participate in the entrepreneurial work, playing the villain role killer Silver Fox, this absurd action drama film is one of the few supporting roles in his career, and it is also the only money-making movie of Tianmu Company.
As far as this "91 Divine Eagle Hero" is concerned, the plot and character setting are almost childlike, in addition to the villain Eagle, Silver Fox and Square Huixiang, the performance of others is no different from playing, which is also the characteristics and shortcomings of most early Hong Kong films, the plot and performance are too casual, it is not difficult to watch, but it is difficult to become a classic.
But Aaron Kwok nominated for the academy award for best supporting actor the following year with this play, and the nominees that year included Zheng Zeshi of "Lame Hao", Wu Mengda of "Truant Weilong", Jacky Cheung of "Huang Feihong", Guan Haishan of "The Biography of Inspector Leiluo" and Tang Zhenye of "Five Tigers Will Break", and finally Guan Haishan took away the trophy.
Aaron Kwok was twenty-six years old at the time, and his performances had an excellent sense of scale control and proportion.
A silver-haired silver fox exudes a cold atmosphere of "no one is close to", and Aaron Kwok has created this taciturn, unruly, but extremely heavy and promise-making character image.
Looks, styling, movements and performances are impeccable.
Since his work in 1992, Aaron Kwok has officially played the main role on the big screen.
The annual number of works reached five, which is the second most released year in his career.
At this stage, Aaron Kwok is very authentic, playing the role of either a rich family or a young boy, in short, only need to look at the face is enough, such as the screen couple with Yuan Jieying in "Dangerous Lover", both of whom are good-looking and heart-palpitating.
Although he is also serious enough in acting, he is still young, but there is one film exception.
This movie is called "Accompany Me", which can almost be called Aaron Kwok's autobiographical film, directed by Liu Weiqiang, in the movie Aaron Kwok and Lee Xiuxian staged a brotherly love, which can be called a fake love and is worthy of selection.
Speaking of autobiography, the story line of the character is very close to Aaron Kwok himself, such as practicing dance before becoming famous, then becoming famous and becoming a big red singer, and then his brother being killed by bandits, which is completely a copy of his own experience, and the movie makes up for his regret of not being able to see the last side of his brother, so the scene where he finally holds Li Xiuxian and cries is particularly shocking.
The song "Who Can Tell Me" sounded at the right time, like a step back in time, causing people to cry.
I have to say that Aaron Kwok's early Chinese songs are really outstanding, from the arrangement, lyrics to singing and vocal lines, are particularly moving.
In 1993, the number of works released reached six.
This year is almost the final fate of Aaron Kwok and Hong Kong-style comedy films, and the three comedies he participated in were all written by Wang Jing.
In addition, he cooperated with Guan Zhilin in the sister-brother love movie "Summer Love Is Not Over", and cooperated with Chen Musheng in the street action movie "Heavenly Love II. The Heavens are Long and Long", in Chen Musheng's words, because the first part of "Heavenly Love" exploded, resulting in everyone becoming tied when filming the second part, but it was not as expected.
Another martial arts film "Barefoot Kid" cooperated with Du Qifeng is a rare masterpiece.
Aaron Kwok's early classic, which was also the beginning of Du Qifeng's personal style formation, cooperated with Dillon, Maggie Cheung and Wu Qianlian.
Children are long, and the rivers and lakes are far away.
Guan Fengyao appeared on the scene with ignorance and then went astray, and then suddenly woke up and died in anger.
Under Du Qifeng's hands, Aaron Kwok faded the greenness, the role was more accurate, and the emotions could see the obvious level of laying and progressive changes.
This state is important to the actor.
Its progress is visible to the naked eye.
This is the real benefit of working with famous directors and high-level opponents.
The film has two emotional flashpoints, one is the hero played by Dillon, who taught Guan Fengyao's father in the narrow alley at the last moment of his life, and the other is Guan Fengyao's arrogance that he knows the death situation, and finally tries to explore his feet, but he can't reach the blood-stained cloth shoes in any way.
The ending song "The Face That Leaves the End" sings the sad sigh of the jianghu road.
After this year, Aaron Kwok put more than 90% of his energy on the king of the song world.
In terms of energy, he needs to pay more than the other three, and it will take up a lot of energy in terms of dancing and rehearsal of concerts alone.
Of course, these efforts were not in vain.
In the following years, Aaron Kwok achieved great success in the music world, and his singing and dancing skills improved simultaneously.
When its influence in the music industry gradually reached its peak, it also began an eight-year cooperation with PepsiCo and began a mutual achievement.
Frankly speaking, Aaron Kwok is one of the very few artists who can bring real sales to the brand.
His advertisements are also similar to the film road, and they are not indiscriminate.
This may be the reason for its good advertising effect.
So quality may be much more important than quantity.
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Back to the movies.
From this time to the end of the century, he made only five films, but three of them are worth recommending.
In fact, from an actor's point of view, it is not necessary to prove himself with numbers and box offices or even awards.
Because real performance is an extremely painstaking creation.
The key to it is the character's heart, not the shell, of course, many people can't do it at all.
If you have seen enough actors perform, you will find that in fact, the technique of acting is not difficult to master, as long as there are enough opportunities to try, most people can reach above the passing line or skilled state.
But when it comes to the interpretation and expression of the character's heart, it will be high.
And many actors stop at the shallow level and can't make progress for life.