"Staten Island King" American Fangshan gangster

Watching The King of Staten Island before watching Trump's Twitter and domestic news for half a year because of the epidemic, I thought that the United States did not understand people anymore. After reading it, I think there are still people in the United States who understand.

Staten Island's location in New York is about The Fangshan or Pinggu in Beijing. The film uses the first 100 minutes to describe the living state of an old native, and thought that life flowed to the end of the film, but did not expect that the last 40 minutes suddenly accelerated, and became the praise of American firefighters. By the way, this waste wood grew.

In recent years, there have also been Chinese movie firefighters, and the day of escape is a lone hero turning to the collectivist group portrait, and the fire hero is more in line with the main theme of the collectivist hero.

It is thought that collectivist group portraits technically divide the SB behavior of lone heroes into collective actions, and then divide the work to deal with bad people and the environment. But the King of Staten Island apparently went a step further, focusing heavily on the state of the characters and underscoring the relationships of the characters, and finally only gave an intentional heroic ending, rather than artificially adding various contradictions to fight monsters.

And there is a subtitle ending at the end of the film, which is more like a medicine god than a fire hero.

Looking at the Douban score, I feel that Chinese audiences still eat this set, and the high score of IMDb also shows that the world also eats this set.

Shouted for decades the movie went to sea, the result is that there is no box office in the country, and the domestic big sellers go out and others can't understand it. Shoot something like this everyone likes.

After all, our current main theme and the rebellious aesthetic fit of the old beauty are still quite high.