Without the "High Face King" fresh meat protection, "Chicken Feathers Fly to the Sky" still borrows the actor's real and strong sense of substitution acting skills "high fever does not go away"; did not commit #Mary Sue ##Jack Sue #orthodonticism, and the plot discussion is enough to make the masses reminisce.
Cai Meizi and their friends have more than once to the mud Meng Amway "Chicken Feathers Fly to the Sky" drama.
The drama shows the hardships and difficulties of entrepreneurs and businessmen in China in the 1980s.
For the inspirational history of his father Zhang Yi from a small trader who "exchanged chicken feathers for sugar" to the chairman of the "Yuzhu Group", his son's actor Hua Kun was quite touched:
"It was really a big change in the context of a special era, the struggle at that time was different from the concept of struggle now, and we are very happy in this environment, no matter what industry we are engaged in."
Although there are some thorns and bumps, compared to the ideas of that era, the relationship between people in the historical context, I think it is a small witch. That generation was not easy, they dared to break through the shackles of old ideas, dared to open up a new world, were capable people with ideas, and were wise people who changed the world. ”
From cowardice to self-improvement: "Chen Jianghe is very strong, as his stepson is actually very cowardly"
In our impression, the so-called rich second generation, profligacy, arrogance must be the most untouched label, and in "Chicken Feathers Fly to the Sky", Wang Xu, played by Hua Kun, is the eldest son of the "Yuzhu Group", which makes people feel that this may be a "fake rich second generation".
There is no drunken gold fan, the university life is red and green, his college life is only work-study; there is no wanton squandering of money for the rich man's brother, fetching water for girls to make money, he will be "calculating" for a dime in the transaction;
Facing the girl Qiu Yan from the young plum bamboo horse, there is no domineering president's #Slice Fish Pond for you to contract #, a typical affordable male.
Because it is divorced from our impression of what the rich second generation should look like, because such a rich second generation is too close to life and close to reality, many people will express their incomprehension, causing many complaints from netizens.
But perhaps, this is what most of the rich second generation should look like, no paper drunk gold fans, no domineering president's arrogance, just like Wang Xu in the play, who lost his father at an early age and depended on his mother for his life.
At a young age, he set up stalls with his mother and ran various markets; when he became Chen Jianghe's stepson, he heard about his parents' difficult struggle history and did not grow up in the greenhouse, which also unconsciously allowed him to develop the ideological concept of thrift and self-reliance.
Of course, he is also under a lot of pressure. In the formation of values, it was his misfortune to be born into such a business family. Because he expects to be affirmed by his father, who he adores, because he wants to prove the value of his existence throughout the family, he will indeed appear lost and his interests are supreme.
In the face of disaster relief, we want to cross the United Nations and establish economic exchanges with the disaster areas in the name of a third party to seek benefits.
As a result, Wang Xu, a "rich second generation" who did not meet the audience's taste at first, caused a lot of #chicken feather powder #commotion.
In fact, such a role, when Hua Kun first received the script, also had entanglements in the handling of the character. How to play such a role that has been extremely unconfident since childhood and has been repeatedly frustrated in the mall.
Until the audience sees a businessman who has begun to be responsible and confident, he may understand that the interpretation of this young Wang Xu seems to be Hua Kun's "deliberate action". What he wants to present to the audience is not a facial character, so that the young Wang Xu and the adult Wang Xu have a distinct growth.
"Distributed" by Chen Jianghe to the disaster area, he discovered tea business opportunities, led the people in the disaster area to find a new way to make a fortune, and gave full play to the wisdom of businessmen.
As a descendant, we know very little about the business history of merchants in the 1980s, including Hua Kun. More often than not, it is only through some books, newspapers, and online materials that we can understand the entrepreneurial history of that generation. Therefore, in the face of such a businessman role who did not know too much, Hua Kun also had difficulties.
To play out a nearly decade-long metamorphosis from boy to man, he needs to repeat the study of the character:
"I need to be particularly in charge of the psychology of young people." In order to better fit the characters in his play, he will also ask others: "I communicated with local entrepreneurs before shooting, and asked him a lot of real-life problems. ”
From a cowardly stepson with low self-esteem to a calm businessman who can give advice, Wang Xu's mature transformation of this role is very rich, and it also makes Hua Kun feel: "The first time I tried this role, I survived the addiction." ”
Friendship is above, love is not enough: "The two are green plum bamboo horses, but it is a sadistic feeling." ”
Wang Xu and Qiu Yan have both lost their fathers since childhood, and the two people who also lack the feelings of fatherly love have sympathy for each other, and Wang Xu has also revealed a warm male airflow to Qiu Yan since childhood.
This intimate relationship came to an abrupt end in Qiu Yan's life with his birth mother in the United States.
Originally thought that the two grew up slowly, after returning to China must be your love and my wishes, the screenwriter obviously made a joke with us.
Wang Xu was full of affection for Qiu Yan, but Qiu Yan was as calm as water to him. Different growth environments have led to huge differences between the two people's business philosophy and consumption concept of the company.
It was found that uncle Chen Daguang was trading privately, disregarding the interests and harms of the company, and took it upon himself to transfer him to other departments, without a mind.
In the face of the company's crisis, when his parents scratched their ears and scratched their cheeks, Wang Xu could not take the initiative to solve problems for the company, but instead tangled in the love of his children all day long, and had no sense of responsibility.
Obviously, such a Wang Xu is not a suitable candidate for Qiu Yan, who has lost his father since he was a child and wants to find a man who can rely on himself and trust him enough. However, the emotional drama between the two will run through to the end, perhaps seeing a little change in Wang Xu, Qiu Yan will make a new choice.
The two are sadomasochistic and entangled in their emotions, and they have suffered a lot in the actual shooting.
In order to catch up with some other scenes, a scene carrying Zhang Jianning can only be filmed until three o'clock in the morning, and this romantic scene, stunned, was filmed for two hours in sub-zero temperatures: "We can wear not many clothes, the air conditioner is directly drilled into the bone slit, while riding, the mouth is squirming." ”
Although the color girls have not yet seen that scene, they can completely make up for the cold weather at that time and their forced appearance in order to shoot.
"Chicken Feathers Fly to the Sky" is only one of Wang Xu's many works, but its significance to him is huge. Because whether it is the change and interpretation of the character role, or the handling of the emotional drama, Wang Xu has his own ideas.
In the opponent scenes with Zhang Yi, Yin Tao and Tao Zeru, he had a new feeling: "I admire the adaptability of the lines and the scene environment. They can quickly make a new plan in a very short time, which is conducive to performance. ”
Because of the encounter with the producer Wu Jiaping, because of the new company, Hua Kun was able to play a wang Xu with a multi-faceted personality in "Chicken Feathers Fly to the Sky".
In the whole interview process, Hua Kun's words were full of gratitude and reluctance to "Chicken Feathers Fly to the Sky": "It is the most important play I have been filming for more than ten years, whether from the role or the operation of the whole play, it is a very important stage in my growth as an actor. ”
Drama to the screen: "I wanted to act in a play more than 100 times, and I did"
With Zhang Yi, Yin Tao, Tao Zeru and other acting strengths to stage opponent plays, Hua Kun is not timid, which is inseparable from his many years of stage drama work.
Before making a TV series, he was a stage play worker. In that field, he achieved his goal of a play tour of more than a hundred shows.
The realization of this goal also allowed him to start a down-to-earth transition from drama to screen.
The first electrocution TV series "Red Memory", with a drama bone like Liu Bei, Hua Kun showed the confidence of "the newborn calf is not afraid of the tiger":
"In fact, when playing with an actor who is already very famous, there is not so much pressure on myself, at that time, I was young and vigorous, and I always felt that I could act in anything, and there should be no problem." Anyway, there is a kind of self-confidence, thinking that I should not be bad. ”
Having self-confidence is good, but there is no guarantee that there won't be problems.
Born in stage drama at the Central Academy of Drama, during his college years, he has been acting in dramas, and suddenly changed to an unfamiliar platform, and problems are inevitable:
"The biggest problem is technically. Do not understand the light position, the machine position is not very understanding, just look for the machine, find the light, pay attention to the position between the opponent, do not block the light of others, this kind of thing does run in for a while. Due to technical problems, sometimes there will be several scenes in a film, but one will cause psychological stress. ”
After slowly becoming familiar with TV dramas, he also began to dabble in movies. From the ancient costume to the revolutionary theme, expand the performance of the drama road, from the gambling-addicted Ma Ming, the qingfeng village owner Ma Xiaohu, and then to the cerebral palsy patient Zhao Legend, no matter what kind of role, he will not be picky, but also has his own set of values: "I like to try a variety of different characters, personality or life, I am not too picky." ”
Cai Meizi has always believed that war dramas can show the very bloody side of boys, and boys should be very domineering when they come to play such a play, so Hua Kun also agrees with this point of view: "The drama of military themes is very enjoyable."
Looking at Hua Kun's acting experience, you will find that the revolutionary themes he participated in accounted for a large part, dabbling in the New Fourth Army, the Eighth Route Army, the People's Liberation Army to the Kuomintang, etc., no wonder even he himself quipped: "I have always acted in war dramas, and the ghosts who have died under my hands have not been less than 10,000." ”
And these characters, there is no lack of interpretations that he himself added: "Each of these characters has a different personality, some cowardly, some brave and decisive... The character itself gives this. Plus my own personality is quite multi-faceted, and I will give each character something they need. ”
He also participated in the filming of the costume drama "From ancient heroes to teenagers": "I played a kind bandit, and I also had a fight with Shi Xiaolong. ”
For costume dramas, he did not shy away from talking about the hardships of shooting: "Costume plays are very bitter, especially these scenes I play, wearing several layers of clothes sweat is soaked," but more importantly, for trying to try costume plays that are very different from modern dramas in terms of style, words and deeds, full of surprises: "I think it is particularly interesting." ”
The most challenging is that Hua Kun played the role of cerebral palsy patient in "Semitone".
A large part of his performance in the play comes from observing the life practice of the characters: "In my freshman year, I observed a brain-dead child, and we spent a semester together. At that time, when he was nine years old, he took a train from Henan to Beijing, and was abandoned by his parents, uncles, and aunts, and these emotional experiences had a deep impact on me. ”
In order to more vividly show the life of cerebral palsy patients, he also took the initiative to contact the archetypal character of the story, Li Chuanjie, a little boy with cerebral palsy.
From the drama stage to the screen, from realizing the dream of 100 drama tours to trying out a variety of roles, Hua Kun's step seems to go smoothly and smoothly, but in fact, it is not. Whether it is a good bandit, a disabled cerebral palsy, or other roles, it is he who unconsciously looks for the most authentic performance from life for the role.
Inside and outside: "I think I'm more of a melancholy sunflower"
Hua Kun likes sunflowers the most because he says, "Sunflowers yearn for the sun, yearn for hope." ”
Cai Meizi feels that unlike the impetuous and quick-to-succeed Wang Xu in the previous play "Chicken Feathers Fly to the Sky", this non-arrogant Hua Kun outside the play is like a "sunflower".
He always has an optimistic view of many things, and he can always feel a different life from life.
In the past year, small fresh meat as the audience chase and even the main object of the producer's favor, coupled with the film and television circle competitiveness is very strong, although Hua Kun is also under great pressure, but he actually looks very open: "I think all walks of life have their own pressure, maintain a normal heart to treat it, as long as you work hard, persistence, everything will be fine." 」 ”
When asked if he was a small fresh meat, he would also laugh and joke to himself: "The small fresh meat is a pain that I can't soothe." Just after graduation, there were many directors and producers who said Kun, don't worry, wait for another ten years, you will grow into a man and have a manly taste. Ten years later, people told me it was the era of small fresh meat. It's not the right time. ”
However, he prefers to describe himself as a "melancholy sunflower", because there are some small melancholy in his inner world, and he always calms himself down by listening to music and photography.
The profession of actor will bring a lot of impossibleness to actors, you can experience people without identity, to experience different states of life, but also than ordinary people will be exposed to more "yin and yang", but most importantly, through these different roles, actors can have a deeper understanding of life and career, just like Hua Kun has always believed: leisurely, casual, casual, casual.
For Hua Kun, becoming a good actor is his next goal: "In addition to being able to experience the bittersweet and bittersweet of life, he has a very good way to reflect it wisely." Whether it is something in the outer form or inside, it is embodied and conveyed to the audience through some means of expression. ”
postscript
He said that he is a very inclusive actor, who has been in the industry for more than a decade and has seen a lot of so-called chaos in this circle, but for him, the world is nothing strange. There is no way to force others to do what is most important, and to do yourself well is the most important.