Bao Gong, in the northern commentary, is also known as the three heroes and five righteousness, the dragon map chivalrous righteousness, etc., while the southern commentary is also known as the seven heroes and five righteousness. As for the "three heroes" or "seven heroes", there is a division between qualified and unqualified.
The main trunk of the commentary on the book bag and its sequels is the three parts of the Great Five Righteousness, the Small Five Righteousness, and the Continuation of the Small Five Righteousness, the above books are mainly derived from the ancient texts, each of which is generally similar, and the continuations are all newly compiled books, which are very different.
The book is mainly composed of two axes, one is the public case, the other is chivalry: the public case is more concentrated in the early experience of Bao Gong, such as the period from birth to the appointment of Dingyuan County, and the early stage of the second inauguration to Kaifeng Province, the arrangement for the change of the tanuki cat for the prince has before and after, and at the latest can be returned to ChenZhou three times to release grain; chivalry is mainly concentrated in the middle and late period, in fact, the early Zhan Zhao appeared, but the real drama was to start from the five rats in Tokyo, and then the main trunk of the story became a counter-rebellion in Xiangyang, and a large number of jianghu enmity was inserted between them, which was already a pure short way of fighting chivalry.
It can be seen from the collation that although the storytellers are mostly public cases and chivalrous miscellaneous lectures, there are also those who specialize in public cases or chivalrous (more obvious in later sequels).
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Book review
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Among the published commentaries, Shan Tianfang's is the most complete
"Bao Gong Case", 85 times, Oral Narration by Shan Tianfang, Arranged by Fang Dian, Yellow River Literature and Art Publishing House, January 1987, printed 111,400, word count 569,000 (Chen Zhou released grain to Dingjun Mountain in the Great Wuyi Dynasty)
Republish: "Three Heroes and Five Righteousness", divided into two volumes, Mass Publishing House, January 1999, included in the "Essence of Shan Tianfang's Commentaries" series
"Seven Jie Xiao Wuyi", 50 times, divided into two volumes, Shan TianFang dictated, Fang Dian finished, Heilongjiang People's Publishing House, April 1987, print volume 200,517, word count 398,000 (Xiao Wuyi plus continuation of Xiao Wuyi, the upper part from Yan Chasan was robbed to capture the King of Xiangyang, the lower part from the theft of imperial relics to the Golden Palace officials. However, many of the scenes of the old and young heroes in the original book are installed on Xu Liang's head, which fully shows Mr. Shan's love for him, which can be called the prequel to the white-browed hero)
Excerpts from the period: "Xu Liang was born", dictated by Shan Tianfang, arranged by Fang Dian, collected in "The Groom Died at the Ball" ("Chinese and Foreign Legend Series"), April 1987, Heilongjiang People's Publishing House (a total of 12 times, similar to the relevant reviews in the book)
"Three Heroes and Five Righteousnesses", 111 times, divided into two volumes, Shan Tianfang, Shan Ruilin, China Workers Publishing House, January 2012, the print volume is unknown, the word count is 1,150,000, included in the "Shan Tian Fang Commentary Book Collection" (the collation is different from the previous book, the content is part of the Big Wuyi plus the Small Wuyi and the Continuation of the Xiao Wuyi, from Chen Zhou to the capture of the Xiangyang King, perhaps in order to make it more convenient for the later book to access the Baimei Hero, deliberately the Xiao Wuyi and the Continuation of the Xiao Wuyi part was greatly simplified)
Republish: "Three Heroes and Five Righteousness", divided into two volumes, China Workers Publishing House, July 2014, included in the "Shan Tian Fang Self-Selected Collection"
"The Great Hero with White Eyebrows", 100 times, divided into two volumes, Shan Tianfang, Inner Mongolia People's Publishing House, August 1988, print volume 103,500, word count 860,000 (a kind of continuation of the small five righteousness, is a self-created bibliography of Shan, telling the story of the small five righteousness with Xu Liang as the main line, from Xu Liang's noisy Hou Mansion to the small sword and mo duel golden lantern swordsman)
"The Great Hero with the White Eyebrows", 50 times, divided into three volumes, Full Quan, Quan Yong, Zhongyuan Peasant Publishing House, January 1991, print volume 8,484, word count 566,000 (for the continuation of the book, from the second exploration of the three churches to the suicide of the martial saints, although the author has no clear evidence, but because of his own approval to collect the single collection, so let's list it as a single work)
Revised Edition: "The Great Man with the White Eyebrow", 145 times, divided into three volumes, Mass Publishing House, January 1999, print volume 5,000, word count 1,273,000, included in the "Shan Tian Fang Commentary" series (the first two books are one, the middle is omitted 5 times, and the reception office is adjusted)
Revised Edition: "The Man with the White Eyebrows", 145 times, in four volumes, China Workers Publishing House, July 2017, unknown print volume, word count 1,510,000 (content slightly more than the previous book)
Chivalrous books written by others
"Three Eating Fish", dictated by Wang Jiekui and recorded by Zhao Dingfang, collected in Quyi Magazine, No. 1, 1957
other:
"Three Eating Fish", dictated by Wang Jiekui, recorded by Zhao Dingfang, collected in Selected Traditional Works of Commentary, January 1958, Writers Publishing House (ibid.)
"Three Eating Fish", dictated by Wang Jiekui, recorded by Zhao Dingfang, collected in "Collection of Traditional Literature of modern Chinese Literature 1", December 1992, Shanghai Bookstore (ibid.)
"Great Five Righteousness", 74 times, divided into two volumes, Liu Jieqian's biography, Liu Lin and Wang Yan's collation, Chunfeng Literature and Art Publishing House, October 1991, print volume 11,590, word count 606,000 (from the birth of Bao Gong to the sacrifice of the copper net array, is the first part of the Great Wuyi book is more complete)
Excerpts from the period:
"Lower Chen Zhou (I)", Biography of Liu Jieqian, compiled by Huo Liang, collected in the October 1980 issue of Tianjin Singing (different from the relevant review and arrangement in the book)
"Lower Chen Zhou (II)", Liu Jieqian's biography, compiled by Huo Liang, collected in the November 1980 issue of Tianjin Singing (different from the relevant review and arrangement in the book)
"Lower Chen Zhou (III)", Liu Jieqian's biography, compiled by Huo Liang, collected in the December 1980 issue of Tianjin Singing (different from the relevant review and arrangement in the book)
"Lower Chen Zhou (IV)", Liu Jieqian's biography, compiled by Huo Liang, collected in the January 1981 issue of Tianjin Singing (different from the relevant review and arrangement in the book)
"Lower Chen Zhou (5)", Liu Jieqian's biography, compiled by Huo Liang, collected in the February 1981 issue of Tianjin Singing (different from the relevant review and arrangement in the book)
"Lower Chen Zhou (VI)", Liu Jieqian's biography, compiled by Huo Liang, collected in the March 1981 issue of Tianjin Singing (different from the relevant review and arrangement in the book)
"Lower Chen Zhou (VII)", Liu Jieqian's biography, compiled by Huo Liang, collected in the April 1981 issue of Tianjin Singing (different from the relevant review in the book)
"Lower Chen Zhou (VIII)", Biography by Liu Jieqian, compiled by Huo Liang, collected in the May 1981 issue of Tianjin Singing (different from the relevant review and arrangement in the book)
"Lower Chen Zhou (9)", Liu Jieqian's biography, compiled by Huo Liang, collected in the June 1981 issue of Tianjin Singing (different from the relevant review in the book)
"Lower Chen Zhou (Ten)", Liu Jieqian's biography, compiled by Huo Liang, collected in the July 1981 issue of Tianjin Singing (different from the relevant review and arrangement in the book)
"The Biography of Long Tuqi", 250 times, divided into two volumes, Ma Qi dictation, Qi Wenxiu transcript, Unity Publishing House, February 2015, the print volume is unknown, the word count is 1,170,000 (the big 16 folio, is the most magnificent of the published texts of the commentaries seen today, the content is about the big five righteousness, from Bao Gong's entry into Beijing to apply for a job to Yan Chashan's robbery, the commentary is delicate, that is, the proofreading is sloppy, and there are too many typos)
"Five Rats In Tokyo", 20 times, compiled by Ma Guoliang, Heilongjiang People's Publishing House, October 1987, 109,010, word count 90,000 (from sealing the royal cat to the noisy Tokyo section)
"Little Five Righteousness", 102 times, divided into three volumes, Cheng Bingquan, Cheng Shuqin, Li Wei, Chunfeng Literature and Art Publishing House, October 1991, print volume 9,400-9,500, word count 630,500 (the content is about Xiao Wuyi plus continuation of Xiao Wuyi, from Yan Chashan was robbed to catch white chrysanthemums, the names of the albums are: the Great Breaking of the Tower, the Burning of the Treasure Building, the Recapture of the Empty Island)
Also: "Burning the Treasure House", Chunfeng Literature and Art Publishing House, June 1988, print volume 59,100, word count 222,500 (the first edition of the booklet above)
"Moth Peak Fort", Cui Liansheng, collected in "Selected Stories of Tianjin Commentaries", July 1988, Tianjin Branch of Qu Association
"Re-continuation of Xiao Wuyi", 81 times, divided into two volumes, Liu Haopeng, Northern Literature and Art Publishing House, August 1988, print volume 100,000, word count 515,000 (self-edited exclusive book, telling the story of Xiao Wuyi, the descendants of Xiao Wuyi)
Public case books written by other families
"Xiao Bao Gong Ren Yi", 15 times, Zhu Lianqing et al. provided information, Edited by Geng Ying, Liaoning Children's Publishing House, July 1986, print volume 9,000, word count 60,000 (describing early public cases)
"The Case of the Imperial Palace", dictated by Zhu Lianqing and compiled by Zhu Wei, collected in the "Chinese Commentary on the Essence of Chivalrous Righteousness", December 1991, Chunfeng Literature and Art Publishing House
"Bao Gongqiao Cut Crab Three" (1), Liu Lanfang, Yan Chuntian, Wang Yinquan, collected in Northern Quyi, No. 1, 1981
"Bao Gongqiao Cut Crab III" (II), Liu Lanfang, Yan Chuntian, Wang Yinquan, collected in Northern Quyi, No. 2, 1981
"Bao Gong Qiao Cut Crab III" (III), Liu Lanfang, Yan Chuntian, Wang Yinquan, collected in Northern Quyi, No. 3, 1981
"Bao Gongqiao Cut Crab III" (IV), Liu Lanfang, Yan Chuntian, Wang Yinquan, collected in Northern Quyi, No. 4, 1981
"Bao Gongqiao Cut Crab III" (5), Liu Lanfang, Yan Chuntian, Wang Yinquan, collected in Northern Quyi, No. 5, 1981
"Bao Gongqiao Cut Crab Three", Liu Lanfang, Yan Chuntian, Wang Yinquan, collected in Selected Ancient and Modern Commentaries, September 1982, Chunfeng Literature and Art Publishing House (6 times, similar to the above)
"Bao Gong Qiao Break Crab Three", Liu Lanfang, Yan Chuntian, Wang Yinquan, collected in "Bao Gong Qiao Cut Crab Three" ("Rural Singing Materials"), November 1983, Henan People's Publishing House (ibid.)
"Dragon Pattern", 24 times, Sun Kuoying, Anhui Literature and Art Publishing House, July 1987, print volume 160,000, word count 240,000 (the most complete of the texts of the Bao Gong case)
Excerpt from the period: "The Case of Honesty and Honesty", Sun Kuoying, collected in the 3rd issue of "Popular Bookstore", Anhui Literature and Art Publishing House (the first 12 times in the excerpt book)
"Bao Gong Gift", Fu Kuozeng, collected in Quyi Magazine, No. 1, 1961
"Lady Bao's Wisdom Beheading the King of Luoyang", Guo Jingxing and Chu Xin, collected in the "Legends of The Ancient and Modern Times", No. 1 (Commentary, 3 times in total)
Bao Gong was an important figure in folk tales during the Northern Song Dynasty, and appeared in the opera and opera art a lot, and basically "there is a play and a share" with the Yang family, the Hu family, the Gao family, the Zheng family, the Cao family, etc. In addition to the Three Heroes and Five Righteousnesses, there are many independent books related to Bao Gong, and only two bao gong plays the core role are selected here as appendices
The Legend of the Dragon (Wang Huamai's Father)
The Adventures of the Eight Kings of Jiangnan, Wang Lanlan and Zhang Mingde, Huashan Literature and Art Publishing House, July 1988, 70,000 printed, 137,000 words
The Biography of Hui Long, Liu Linxian and Huang Fang, Beiyue Literature and Art Publishing House, April 1992, 8,000 printed, 236,000 words
Reprint: The Legend of Huilong, Beiyue Literature and Art Publishing House, August 1994
The Great Song Dynasty Golden Dove (Wang Baotong usurped the imperial title), originated from Henan Quyi
The Golden Dove of the Great Song Dynasty, Wu Wentang, Henan People's Publishing House, June 1993, 2,600 printed, 243,000 words
"The Golden Dove of the Great Song Dynasty", Li Yuantong, collected in The Popular Bookstore, No. 5, Anhui Literature and Art Publishing House
Comments
Southern commentators generally divide the story of Bao Gong into two large books: one Bao Gong, which talks about Kaifeng Fu and Di Qing Five Tigers Pingxi, Gong Case/Robe Belt Road; and one Seven Heroes and Five Righteousness, about five rats until the breaking of Xiangyang, Chivalrous Road. The most accomplished of the various books is the Suzhou Commentary.
Su commented on Bao Gong, including two different clues before and after
With the package publicly sealed as the core
Including the selection of Fu Yin, Chen Zhou's grain release, Tanuki cat for prince and other plots, the main texts are:
Kaifeng Fu, Jin Shengbo and Qin Luzhi, Shanghai Literature and Art Publishing House, August 1996, 3,000 printed, 356,000 words (from Xuanfu Yin to Dalongpao, adapted into a serial novel form, serialized in newspapers)
"Bao Gong", Gu Hongbo, Hua Jueping, Popular Literature and Art Publishing House, August 2013, the print volume is unknown, the word count is unknown (mainly about the case of tanuki cat changing princes, included in the "Suzhou Commentary Bibliography Library" series of books)
"Broken Kiln Complaint", collected in the "Selected Bibliography of Suzhou Commentaries". Episode 3 (Part 2), January 2000, Jiangsu Literature and Art Publishing House (different from the relevant chapters of Bao Gong)
"Crying and Playing the Southern Qing Palace", collected in the "Selected Bibliography of Suzhou Commentaries" Episode 3 (Part 2), January 2000, Jiangsu Literature and Art Publishing House (different from the relevant chapters of Bao Gong)
"Yin Trial Guo Huai", collected in the "Selected Bibliography of Suzhou Commentaries. Episode 4 (Part 1), August 2000, Jiangsu Literature and Art Publishing House (different from the relevant chapters of Bao Gong)
"Fighting the Dragon Robe", collected in the "Selected Bibliography of Suzhou Commentaries". Episode 5 (Part 2), December 2004, Yuanfang Publishing House (different from the relevant chapters of Bao Gong)
With Di Qing Five Tigers Pingxi as the core
Including The Birth of Di Qing, the Snow Night Seizure of The Suit to Di Qing's Worship of Shuai (a conquest of Liao), the mistaken walking of Shan Shan to the Great War of the Nine Palaces Mountain (the second conquest of Liao), the flying dragon line to the capture of Pang Thief (three conquests of Liao) and other plots, the main texts are:
"Di Qing Harvests the Dragon Pony", performed by Jin Shengbo and Xia Yucai, collected in the "Selected Bibliographies of Suzhou Commentaries" Episode 3 (Part 1), January 2000, Jiangsu Literature and Art Publishing House
"Tianbo Fu Competition", compiled by Zhu Yibo, collected in the Shanghai Ten Years Literary Anthology. Qu Yixuan.1949-1959", March 1960, Shanghai Literature and Art Publishing House (sub-note character confession, because this section is an independent side branch book, there is Yang Jiajian in the book, and it is actually noted that "Yang Jiajian" was selected back)
"Tianbo Province Competition", collected in the "Commentary Series. Episode 7, November 1962, Shanghai Literature and Art Publishing House (ibid.)
"TianboFu Competition", collected in "Chinese Commentary (Commentary)", June 1982, The Commercial Press (ibid.)
"Tianbo Province Competition", collected in the "Suzhou Commentary Bibliography. Episode 2 (Medium), December 1998, Jiangsu Literature and Art Publishing House (ibid., slightly adjusted)
"Shan Shan Guo Recruits Relatives", Gu Hongbo's performance book, Wen Yan's compilation, collected in the "Suzhou Commentary Bibliography. Episode 5 (Part 1), December 2004, Faraway Press
"Two Haunting Golden Temple", jin shengbo performance book, Xia Yucai finished, collected in the "Suzhou Commentary Bibliography Selection. Episode 3 (Part 2), January 2000, Jiangsu Literature and Art Publishing House
"Night Exploration of Dongyue Temple", Jin Shengbo's performance book, Si Xuan's collation, collected in the "Suzhou Commentary Bibliography. Episode 5 (Part 2), December 2004, Faraway Press
"Five Elders Judge Pang Concubine", Gu Hongbo's performance book, Sun Ti's collation, collected in the "Suzhou Commentary Bibliography. Episode 4 (Part 1), August 2000, Jiangsu Literature and Art Publishing House
As for the Seven Heroes and Five Righteousnesses of Su Ping, most of the book paths can be covered by Jin Shengbo's "White Jade Hall", but the part after Bai Yutang's death is not involved. According to the material, the seven heroes of the Su review have a total of nearly one million words, and Jin's two books have 750,000 words, considering the necessary deletions in text processing, at least we should be able to see 80% of the original content, compared to other large books, it is already the highest text preservation rate. Nevertheless, several other selections are also worth reading, all from the separate arrangement of the performance book, some of which are richer in detail than the whole book. Xu Jianheng is the master of Jin Shengbo, the most original; and Hu Tianru's "Flower Temple" versions are not even the same, and it is also interesting to read by reference. The published text is as follows
"White Jade Hall", dictated by Jin Shengbo and arranged by Jin Shaobo, divided into two volumes, Beiyue Literature and Art Publishing House, August 1988, print volume 150,000, word count 751,000 (from the Second Hero Tour to the West Lake to the Shipwrecked Copper Net Array, there is a hardcover version)
Reprint: "Jinmao Rat Baiyutang", divided into two volumes, Beiyue Literature and Art Publishing House, August 1992
"Two Heroes Touring the West Lake", collected in the "Suzhou Commentary Bibliography. Episode 1 (Part 1), July 1997, Jiangsu Literature and Art Publishing House (different from the relevant chapters of "Bai Yutang")
"Two Heroes Touring the West Lake", collected in "50 Years of Jiangsu Literature Quyi Volume", September 1999, Jiangsu Literature and Art Publishing House (ibid.)
"Marriage with Swords", collected in the "Selected Bibliographies of Suzhou Commentaries". Episode 1 (Part 1), July 1997, Jiangsu Literature and Art Publishing House (different from the relevant chapters of "Bai Yutang")
"Three Trials of Yan Renmin", collected in the magazine "Pingtan Art" (different from the relevant chapters of "Bai Yutang")
"Three Trials of Yan Renmin", collected in the "Selected Bibliography of Suzhou Commentaries" Episode 1 (Part 1), July 1997, Jiangsu Literature and Art Publishing House (ibid.)
"The Copper Net Array of The Victims", collected in the "Chinese Commentaries On the Essence of Chivalry", December 1991, Chunfeng Literature and Art Publishing House (the same as the relevant chapters of "Bai Yutang")
"Flower Temple", compiled by Hu Tianru, collected in the "Commentary Series. Episode 7, November 1962, Shanghai Literature and Art Publishing House (Character Confessions)
"Flower Temple", collected in East Sea magazine (ibid.)
"Flower Temple", collected in Zhejiang Quyi Series. The first series", February 1981, Zhejiang Ququ Association (the content is the same as above, the finishing has been adjusted)
"Flower Temple", collected in the "Selected Bibliography of Suzhou Commentaries" Episode 2 (Part 1), December 1998, Jiangsu Literature and Art Publishing House (ibid., with slight adjustments)
"The Great Breaking of the Bawangzhuang", Xu Jianheng, Xu Xiaoheng performance book, Du Zhengguo finished, collected in the "Suzhou Commentary Bibliography. Episode 3 (Medium), January 2000, Jiangsu Literature and Art Publishing House
"Jiang Ping Hantan Stealing Gold Seal", Xu Jianheng's performance book, Du Zhengguo's collation, collected in the "Suzhou Commentary Bibliography. Episode 3 (Medium), January 2000, Jiangsu Literature and Art Publishing House (only this section remains after Bai Yutang's death)
Some of the other commentaries are part of the book
"Bao Gong He Shou", compiled by Zhu Jianping, collected in Hangzhou Commentary Research, June 2009, Zhejiang Photography Publishing House (Hangzhou Commentary)
"Tianqi Temple Bao GongJuan Empress", written by Yu Youchunshu and Zhu Lei, collected in "Yangzhou Commentary Selected 1", October 1962, Shanghai Literature and Art Publishing House (Yangzhou Commentary)
There is a famous piece of the world love book in the Yangzhou commentary- Qingfeng Gate, also known as The Five Spicys of Pi, which has the plot of Bao Gong running through it, and the book is Bao Gong's initial appointment to Dingyuan County (interestingly, in the Yang Commentary, the Bao Gong case actually appears as the identity of the Qing Feng Gate sequel).
"Five Spicy Seeds in the Skin", dictated by Yu Youchun, arranged by Wang Cheng, Wang Fuchang, Chen Wulou, and Li Zhen, Jiangsu Literature and Art Publishing House, September 1985, print volume 92,800, word count 379,800
"Pi Wu Spicy Zi As a 'Living Treasure'", collected in the 3rd series of "Saying New Books", July 1981, Shanghai Literature and Art Publishing House (different from the relevant chapters of "Pi Wu Spicy Zi")
"Pi Wu Spicy Zi As 'Living Treasure'", collected in "Modern Chinese Literature Series and Customs Literature Volume 2", December 1993, Shanghai Bookstore (ibid.)
"Pi Wu Spicy Zi As 'Living Treasure'", collected in "Jiangsu Literature 50 Years of QuYi Volume", September 1999, Jiangsu Literature and Art Publishing House (ibid.)
"Pi Wu Pretending to Be Five Uncles", Yu Youchun, collected in "Yangzhou Commentary Selected 1", October 1962, Shanghai Literature and Art Publishing House (different from the relevant chapters of "Pi Wu Spicy Zi")
"Pi Wu Zi Beat Meat", collected in "Selected Books of Yangzhou (Traditional Works)", September 1981, China Quyi Publishing House (different from the relevant chapters of "Pi Wu Spicy Zi")
"Night Cellar Gold", Yu Youchun, collected in "Chinese Commentary Essence Divine Monster Volume", December 1991, Chunfeng Literature and Art Publishing House (the same as the relevant chapters of "Pi Wu Spicy Zi")
"Beating Meat", dictated by Zhang Jiesan, Wu Shijie, and Yang Chuang, collected in the 3rd series of "Saying New Books", July 1981, Shanghai Literature and Art Publishing House
"Beating Meat", collected in "Modern Chinese Literature Series and Customs Literature Volume 2", December 1993, Shanghai Bookstore (ibid., mistakenly noted as Yu Youchun' narrative)
"Five Spicy Seeds of Pi", dictated by Yang Mingkun, compiled by Yin Boda, etc., divided into two volumes, Jiangsu Phoenix Literature and Art Publishing House, September 2015, the print volume is unknown, the word count is 1,200,000 (with a collection of commentaries)
Revised Edition: "Skin Five Spicy Seeds", changed to rice paper vertical line binding, divided into ten volumes, Jiangsu Phoenix Literature and Art Publishing House, October 2015
In addition, there are a large number of public themes in other rap music categories, especially in medium and short stories, and there are many texts published, which are not listed here.
The text and images are all from the @nodancing Hidden No Dance blog