At 22:00 on August 7, 2021, the Calligraphy and Painting Channel launched the "Golden Wind Fading - Chinese Painting Masterpieces Fidelity Auction Special", this special session selects the fidelity masterpieces of contemporary calligraphy and painting masters, so that the elegant art of calligraphy and painting can bring a pleasant feeling to the lives of collectors.
Since its launch in September 2020, the calligraphy and painting channel online auction platform has received extensive support and attention from outstanding artists and collectors across the country! In the face of the chaotic art market, the calligraphy and painting channel shoulders social responsibility and the responsibility of the times, holds high the banner of art fidelity in the industry, in line with the principle of integrity of lifelong responsibility for collectors, based on academics, to create a high-end art collection platform, wholeheartedly serve users, completely solve the trust crisis from art circulation for users, and play a leading role in standardizing the order of the industry.
The Calligraphy and Painting Channel joined hands with Nima Zeren, advisor of the China Artists Association, Li Baolin, honorary president of the Heshan Painting Association of the China Artists Association, Ji Yanfu, professor of the Academy of Fine Arts of Capital Normal University, Xu Fushan, vice president of the Academy of Literature and Art of the China Academy of Arts, Cai Chao, honorary chairman of the Jiangxi Provincial Artists Association, Qi Haifeng, chairman of the Hebei Provincial Artists Association, Hao Ping, honorary chairman of the Yunnan Provincial Artists Association, Zhu Quanzeng, director of the China Artists Association, Duan Tie, director of the China Artists Association, and Wang Fumin, honorary director and researcher of the Character Painting Institute of the National Academy of Painting of China. Shu Jianxin, researcher of the National Academy of Painting of China, Jiang Shiguo, vice chairman of the Hebei Provincial Artists Association, Gu Yang, honorary president of the Yangzhou Academy of Chinese Painting, Liang Baomin, visiting professor of Henan University, and Sun Chenggang, vice chairman of the Shandong Provincial Artists Association, jointly launched the "Golden Wind And Fading - Chinese Painting Famous Artists Fine Fidelity Auction Special Session". 15 famous Chinese painting artists wrote and swiped 20 fine Chinese paintings.
Nima Zeren
Nima Zeren is currently an advisor to the Chinese Artists Association and the general advisor of the art steering committee of the 2012 Olympic Art Congress in London.
He has held large-scale exhibitions and group exhibitions in museums and art galleries in the United States, Britain, France, Switzerland, Germany, Spain, Austria, Luxembourg, Italy, Belgium, India, Japan, South Korea, Mexico, Chile, Hong Kong, Macao, Taiwan and other countries and regions. His works have participated in many national exhibitions, such as the "Centennial Chinese Painting Exhibition", the "Open Era" large-scale painting exhibition, the second and third China "Beijing International Art Biennale" and the "One World - Chinese Painters Painting the United Nations Family" art exhibition, and won the gold and silver medals of the National Fine Arts Exhibition. He was awarded the title of "Honorary Mayor" by the Batruch Municipal Government of the United States, the title of "International Outstanding Artist" by the Liverpool Municipal Government of the United Kingdom, the medal of "National Outstanding Artist" issued by the China Artists Association, and the title of "Virtue and Art Double Xin" artist awarded by the Sichuan Provincial Federation of Literature and Literature. CCTV's "Everyone", "Children of the Orient", "Face to Face" and many other media and newspapers and magazines have personal features. His personal deeds are recorded in a variety of biographies and talent pools. It is considered to be one of the painters with great influence and outstanding achievements in China at present.
Nima Zeren's works are set against the backdrop of colorful traditional Tibetan art, his works dive into the inner world of people, deeply ponder the human spirit, and present a profound understanding of the integration of man and nature in the picture, express the reverence for nature and the praise of life, and create an infectious, Tibetan-rich artistic style that combines tradition and innovation.
Nima Zeren "Autumn Moon Can Dye Wanling Gold" 69cm× 68.5cm, about 4.25 square feet
Texture: Paper
Form: Soft sheet
Seal: Bai Wen: Panchen Painter Zhu Wen: Nima Zeren
Key: Nima Zeren
Lot Link: (Click to enter)
Li Baolin
Li Baolin is a member of the Council of the National Academy of Painting of China, the honorary president of the Heshan Painting Society of the China Artists Association, the vice president of the Chinese Painting Society, the honorary president of the Li Keyan Painting Academy, and the honorary vice chairman of the Li Keyan Art Foundation.
Born in 1936 in Siping, Jilin Province;
He graduated from the Chinese Painting Department of the Central Academy of Fine Arts in 1963 and served as vice chairman of the Beijing Municipal Federation of Students during his time at the school.
From 1963 to 1990, he was a full-time painter in the Navy.
In 1990, he was appointed as a full-time painter and head of the creative research department of the Chinese Painting Research Institute;
He has attended the 4th National Congress of Literary Artists, the 3rd and 4th National Artists Congress, and his works have been selected for the 6th-10th National Art Exhibition, serving as a judge of the Beijing Exhibition Area of the 8th National Art Exhibition, and a judge of the 9th and 10th National Art Exhibitions;
Selected for the Centennial Chinese Painting Exhibition and the "Beijing Contemporary Chinese Painting Excellent Works Exhibition"; his works have been widely collected by Chinese and foreign collectors;
He has published "Li Baolin Painting Collection", "Li Baolin Character Painting Collection 1958-1988", "Beijing Contemporary Chinese Painting Excellent Works Collection - Li Baolin", "Chinese Modern and Contemporary Famous Artists Painting Collection - Li Baolin", "Mountain Echoes - Li Baolin Painting Collection", etc., and included in the compilation of "Complete Collection of Chinese Modern Art" Chinese painting figures and landscape volumes;
curriculum vitae:
In 1958, he was admitted to Lu Xun Academy of Fine Arts and Central Academy of Fine Arts.
In 1958, he entered the Chinese Painting Department of the Central Academy of Fine Arts.
In 1991, he was rated as a national first-class artist.
In 1997, he was elected president of the River Mountain Painting Society.
In 1999, he was appointed deputy director of the Chinese Painting Art Committee of the China Artists Association and vice chairman of the Li Kejian Art Foundation.
collection:
The National Art Museum of China, the Chinese Artists Association, the History Museum and the collections of collectors from Britain, the United States, Japan and other countries.
publication:
"Collection of Paintings of Modern and Contemporary Chinese Masters - Li Baolin" (People's Fine Arts Publishing House).
Li Baolin's Character Paintings (China Literature and Art Publishing House).
"Collection of Painters of the National Academy of Painting of China - Li Baolin" (Hebei Education Publishing House), etc.
Li Baolin's works are rigid and clumsy, straight and square, adhere to the pen and ink standard, cite western composition, its simple and thick freehand painting style has exemplary significance in the field of contemporary landscape painting, the landscape form under his pen has a sense of decoration, the texture effect is mixed into the pen and ink language, and the visual impact of the vast and thick shows a tense natural picture.
Li Baolin's "Mountain Qutu" 46cm×45cm about 1.86 square feet
Form: Mirror heart
Plutonium Seal: Bai Wen: Bao Lin Zhu Wen: Li, Yun Hanzhou
Key: Pauline
Trail Rock Man
Ji Yanfu, born in 1937, is a native of Pei County, Jiangsu Province. He is a member of the China Artists Association and the vice president of the Chinese Calligraphy and Painting Research Institute of the Chinese Celebrity Association. After graduating in 1960, he stayed on as a teacher, and in 1964, he was transferred to the Fine Arts Department of Beijing Normal University (now Capital Normal University), where he successively served as lecturer, associate professor, deputy director of the Department of Fine Arts, acting director, and master tutor of landscapes, flowers and birds. He has held group exhibitions and solo exhibitions at the National Art Museum of China, the Chinese Painting Research Institute, the Rongbaozhai Painting Institute, and the Jiangsu Xuzhou Art Museum. He has published "Chinese Modern and Contemporary Famous Artists Painting Collection , Trace Rock Fu "Collection of Chinese Contemporary Artists • Trace Rock Man", "Trace Rock Man Large Freehand Flower and Bird Painting" and a variety of professional teaching materials.
The flowers and birds of The Rock Man are majestic, rich and mellow, and have a strong visual impact. The pen and ink are full of flowing, the paintings are rich in color, the pen and ink are fierce, and the creation is full of enthusiasm. His typical characteristics are "thick and elegant", the ink line and the color block blend, the ink and color are randomly generated, the ink and color are alternate, gorgeous and elegant and stable, and it is "gorgeous and not vulgar". The spirit of the pen and ink conveys the pride of stretching the heart.
138cm×69cm, 8.57 square feet
Year: 2020
Seal: Bai Wen: Letter of Iwafu Zhu Wen: Trace
Style: Gengzi Nian Iwafu painting
Xu Fushan
Xu Fushan, Zi Bojun, a native of Pingdu, Shandong, was born in 1970. Doctor of Literature, he is currently the vice president of the Academy of Literature and Art of the China Academy of Arts, the director of the Art Training Center of the China Academy of Arts, the national first-class artist, the graduate tutor, the member of the Chinese Artists Association, and the member of the Chinese Poetry Society. His main research directions are calligraphy, Chinese painting and poetry creation. His works have participated in dozens of domestic and international exhibitions and won awards. He has been invited to hold solo exhibitions in Australia, Canada, South Korea, Italy and other countries. He has published more than 200 papers, poems and art reviews. He has published "Wenxin Ink Rhyme - Appreciation of Xu Fushan's Poetry", "Xu Fushan Calligraphy and Painting Collection", "Freehand Literary Heart - Xu Fushan Calligraphy and Painting Collection", "Gong Wangfu Art Series Exhibition - Xu Fushan Calligraphy and Painting Collection", "Xu Fushan Calligraphy and Painting", "Xu Fushan Flower and Bird Works Collection" and so on.
Xu Fushan's freehand flowers and birds take objects in the natural space, clear and natural, clear and healthy, frank and handsome. Xu Fushan's depictions of flowers and birds, artistic vision is full of open-minded and optimistic humanistic feelings, the painting language is concise and crisp, the writing has the meaning of sincerity, and the inner harmony of the simple spirit of life and the beauty of form is pursued in the creation.
Xu Fushan", "Untitled", 39cm×53cm, about 1.86 square feet
Form: Jammed paper
Plutonium Seal: Bai Wen: Xu Fushan
Style: Gengzi Chunyue wrote in Chengming Xuan Nanzhao Yunshan people Fushan
Xu Fushan's "Early Autumn" 39cm×58cm about 2.04 square feet
Plutonium Seal: Bai Wen: Fukuyama Zhu Wen: Xu
Style: Gengzi Xia Fushan wrote the question
Cai Chao
Cai Chao, a national first-class artist, is currently a member and researcher of the National Academy of Painting of China, a researcher of the Chinese Academy of Painting of the China Academy of Arts, a member and researcher of the Academy of Chinese Painting Creation, the president of the China Friendship Painting Academy, the executive director of the Chinese Painting Society, the president of the Jiangxi Provincial Chinese Painting Society, the dean of the Institute of Calligraphy and Painting Art of Nanchang University, the honorary dean of the School of Humanities and Arts of Nanchang Institute of Technology, the honorary chairman of the Jiangxi Artists Association, the honorary president of the Jiangxi Academy of Painting, and the honorary president of the Nanchang Academy of Painting.
He once served as the vice chairman of the Jiangxi Provincial Federation of Literary and Art Circles, the chairman of the Jiangxi Provincial Artists Association, the president of the Jiangxi Academy of Calligraphy and Painting, and the director of the Jiangxi Provincial Museum. He was formerly a director of the China Artists Association, a member of the Chinese Painting Art Committee of the China Artists Association, the director of the Jiangxi Creation Center of the China Artists Association, the honorary president of many painting academies inside and outside the province, a judge of the 8th, 9th and 10th National Art Exhibitions, and a judge of many national art exhibitions every year. He has been awarded the outstanding young and middle-aged experts with outstanding contributions to the country, the winner of the national "May Day" labor medal, and the advanced worker of the national cultural system.
Cai Chao's works can keenly grasp the details of life, when exploring the use of water, Cai Chao has studied the ink breaking method full of water and dryness, widely applied to its creation, retaining the dry traces in the broken ink, sketching and blending in one go, making it full of interest and poetry. It expresses the charm and interest of Chinese painting, and embodies the temperament of the cultural people of Jiangxi.
Cai Chao's "Far Eye" 68cm× 69.5cm, about 4.25 square feet
Year: 2018
Seal: Bai Wen: Cai Chao's Seal Zhu Wen: Mo Jia
Style: The time is the age of the pentagram
Qi Haifeng
Qi Haifeng, born in 1964 in Wu'an, Hebei Province, graduated from the Oil Painting Department of Zhejiang Academy of Fine Arts (now China Academy of Art) in 1988. He is currently a director of the China Artists Association, a researcher of the Calligraphy and Painting Institute of the Central Museum of Literature and History, a librarian of the Hebei Provincial Research Museum of Literature and History, a national first-class artist, a member and vice chairman of the party group of the Hebei Provincial Federation of Literature and Literature, and the chairman of the Hebei Provincial Artists Association.
His works have participated in the 7th, 8th, 9th and 12th National Fine Arts Exhibitions and other large-scale art exhibitions at home and abroad. He has held solo exhibitions in Paris, Sydney, Italy, Beijing (National Art Museum of China, etc.), Hebei, Guangdong and other places, and his works have been published in large-scale albums and professional publications at home and abroad. Many of his works have been collected by art institutions and friends at home and abroad, such as the National Art Museum of China, the Palace Museum, the Tianjin Art Museum, the California Museum, and the Taiwan Mountain Art Foundation.
He has published monographs such as "The Landscape of Survival - Today's Chinese Artist Qi Haifeng", "Selected Oil Paintings of Qi Haifeng", "Tibetan Style - Contemporary Art Master Qi Haifeng Chinese Painting", "Ink Extension - Contemporary Art Master Qi Haifeng", "Wind Sound - Haifeng Ink Painting", "Landscape Pastoral Song - Qi Haifeng Works Collection", "China Youlian Painting Academy Fine Art Calligraphy Compilation Volume 14 - Qi Haifeng Chinese Painting", "The Fifteenth Series of Chinese Artists - Qi Haifeng Volume", "Qi Haifeng Chinese Painting Collection" and other monographs.
Qi Haifeng integrates a large number of oil painting creation techniques and elements in Chinese painting freehand techniques, with changeable brush and ink and clear tones, and uses the creation techniques of oil painting to show the aesthetic taste of Chinese painting. Qi Haifeng pays attention to the thinking and perception of creation, according to the use of things, there are feelings into pictures, the picture shows the feeling of natural creation, emotionally derived poetic expressiveness, and his works convey the wind and bone of standing tough and majestic.
Qi Haifeng", "Lotus Fun", 34cm× 138.5cm, about 4.24 square feet
Plutonium Seal: White Text: Haifeng Zhu Wen: There is a true meaning in this
Knowledge: Gengzi Chun Haifeng
Hao Ping
Hao Ping, working in the Yunnan Provincial Artists Association, is a first-class artist (Zhenggao grade ii), once served as the vice chairman of the Yunnan Provincial Federation of Literary and Art Circles, the chairman of the Yunnan Provincial Artists Association, the sixth, seventh and eighth directors of the China Artists Association, and is now the deputy director of the Printmaking Art Committee of the China Artists Association, a researcher of the National Academy of Painting of China, and the honorary chairman of the Yunnan Provincial Artists Association.
Solo exhibitions
1994 Hao Ping solo exhibition Neuum, Germany
2001 Hao Ping Printmaking Exhibition, Suzhou Exhibition Center of China Artists Association
2014 Hao Ping Chinese Painting Exhibition, Shenzhen Hou Baozhai Art Museum
2016 Tuimen - Realm Hao Ping Printmaking Exhibition Shenzhen China Printmaking Museum
2016 Tuimen - Realm Hao Ping Prints Exhibition Nanjing Xinhua All Media Art Museum
2016 Tuimen - Realm Hao Ping Printmaking Exhibition, National Art Museum of China, Beijing
2017 Tuimen - Realm Hao Ping Printmaking Exhibition, Yunnan Art Museum, Kunming
Exhibition
Since the 1980s, he has participated in more than 30 national art exhibitions, national single-item exhibitions and special exhibitions, and several international exhibitions.
Winning
He has won 9 gold, silver, bronze and excellence awards in the National Printmaking Exhibition, 1 International Award, and won the "Lu Xun Printmaking Award for Outstanding Printmakers in China in the 1980s and 1990s" by the China Printmakers Association
collection
A large number of works have been published at the National Art Museum of China, the Shanghai Art Museum, the Guangdong Museum of Art, the Zhejiang Art Museum, the Jiangsu Art Museum, the China Printmaking Museum, the Shenzhou Printmaking Museum, the Lu Xun Museum, the Heilongjiang Art Museum, the Yunnan Art Museum, the Shenzhen Art Museum, the Qingdao Art Museum, the Guiyang Art Museum, the Harbin Printmaking Museum, the Taipei Municipal Art Museum, the General Office of the National Committee of the Chinese People's Political Consultative Conference, the Ministry of Public Security of China, the China Federation of Literary and Art Circles, the Asia-Pacific Art Museum, the British Museum, the British Library, the European Woodblock Foundation, Collection of the Shoseo Forest Museum of Art, Japan, Korea Woodblock Culture Research Institute.
Hao Ping's ink landscape is clear and concise, quiet and simple, the painting style is free and beautiful, stretching and beautiful, with the help of the experience of sketching, directly expressing the chest, the pen is vivid, bold and spicy, a slope and a stone, from the temperament, casual lyricism, so that the viewer can truly feel the great beauty of heaven and earth and the spirit of the mountains and rivers.
Hao Ping's "Alpine Pasture Wangjiang Peak" 68cm×34cm about 2.08 square feet
Year: 2021
Plutonium: Zhu Wen: Hao Ping
Style: Xin Ugly Xia Yue Hao Ping wrote
Hao Ping's "Doubt that the Milky Way Fell for Nine Days" 68cm×34cm about 2.08 square feet
Style: Written by Xin Ugly Hao Ping
Zhu Quanzeng
Zhu Quanzeng, born in 1956, is a native of Juxian County, Shandong Province.
He is a director of the China Artists Association and the former executive vice chairman of the Shandong Artists Association. He is currently the vice president of the Central Academy of Ethnic Painting, the president of the Shandong Provincial Academy of Chinese Painting, the director of the Shandong Provincial Flower and Bird Painting Art Committee, and a national first-class artist.
His works have won more than a dozen grand prizes, gold medals, silver medals, bronze awards, etc. in large-scale art exhibitions held in China and internationally, and from 1990 to 2006, he successfully held solo art exhibitions at the National Art Museum of China, Shandong Art Museum, Guangdong Museum of Art, Zhejiang Museum, Shenzhen, Zhuhai, Dongguan, Hong Kong, Japan, South Korea, France and other places.
Biographies have been included in dozens of professional dictionaries, and their works and thematic introductions have been reported by dozens of media outlets. The "Collection of Chinese Paintings" and "Zhu Quanzeng Painting Collection" published by Shandong Fine Arts Publishing House, the "Zhu Quanzeng Painting Collection" published by Liaoning Fine Arts Publishing House, the "Zhu Quanzeng Chinese Painting New Works Collection" published by Xiyuan Publishing House, the "Zhu Quanzeng Flower and Bird Painting Collection" published by the People's Fine Arts Publishing House, and the "Zhu Quanzeng Chinese Painting Collection" published by Shandong Fine Arts Publishing House have aroused great attention and evaluation from people from all walks of life.
Zhu Quanzeng's flower and bird sketches are plain and gentle, full of artistic conception, pay attention to the form and composition of the picture, pursue the modernization of pen and ink, inherit the context, enter the ancient and the new, and permeate the style and sentiment of the literati. Zhu Quanzeng's kung fu is profound, his pen and ink are skilled, and he explores the spirit of the times of flower and bird painting with mental image nature, and sublimates the academic height of flower and bird painting.
Zhu Quanzeng 'Purple Dyed Spring Wind》 68.5cm× 68.5cm, about 4.22 square feet
Year: 2019
Seal: Zhu Wen: Zhu, Quan Zeng, Blossom rich, there is true meaning in this, and there is no divine wandering
Style: When in the summer of The Emperor in Beijing, Zhu Quanzeng was on CCTV
Duan Tie
Duan Tie is a director of the China Artists Association, a researcher at the Calligraphy and Painting Institute of the Central Research Museum of Literature and History, and the vice president of the China Landscape Painting Research Institute. Born in Beijing in 1960, he learned the basics of painting from his father at an early age, and later studied landscape painting under the famous painter Zhang Renzhi of the Beijing Academy, and graduated from the Fine Arts Department of Beijing University of Mining and Technology. He has been invited to hold solo exhibitions and lectures at home and abroad for many times. He has participated in various large-scale art exhibitions across the country and participated in four consecutive national fine art exhibitions. "Array of Peaks" was selected for the 7th National Art Exhibition; "I Love My Homeland" was selected for the 9th National Art Exhibition; "Yanshan Map" was selected for the 10th National Art Exhibition; "Living in Green Mountains and Green Waters" was selected for the 2nd National Chinese Painting Exhibition; "Dalinggou Mountain Color" was selected for the 2nd Landscape Painting and Oil Painting Double Exhibition. He has published "Duan Yi Landscape Painting Collection", "Famous Fan of Famous Artists", and "Yanshan Jixing". "Yanshan Tu" was published in 2004 in 6 issues of fine art magazines, and his works and papers were scattered in various comprehensive albums, newspapers and periodicals at home and abroad.
Duan Tie loves painting, immerses himself in reading the painting theories of the past dynasties, sometimes has unique views, and is involved in literary history, poetry and song. He combines Chinese and Western techniques to write about the famous mountains and rivers of Shenzhou. In the long-term practice of editing and artistic creation, he has experienced the north and south of the great river, the peaks of the Five Peaks, the Gobi Desert, and the Ancient Silk Road; he has persistently pursued photorealism and innovation and change in traditional brush and ink. His freehand landscapes are uniquely majestic, thick and beautiful, not only vivid in rhyme, but also simple and ingenious. His painting style is rigorous, delicate, concise and bright, and it is self-written and self-contained. Sending Huaxia with thick ink and heavy color, with thousands of rocks and valleys, famous rivers and beautiful waters, with its full creative passion and rich artistic vocabulary with rich connotations, the pen and ink are smooth, and the water potential and mountain soul are vividly painted, which is pleasant and pleasant. In recent years, many of his works have won awards in domestic and foreign art exhibitions and have been collected.
Duan Tie's landscape paintings are rich and beautiful, the weather is just large, through the flexible and changeable pen and ink language to express a variety of mountain spring trees and stones, refining objects, the natural landscape of the charm of the charm of the Chinese landscape painting integration, with pen and ink interest. From a distance, it is majestic and reckless, and the close-up observation is delicate and delicate, with unique and rich vitality, exuding a unique and timeless atmosphere.
Duan Tie "Deep in Yanshan Mountain" 70cm×69cm about 4.35 square feet
Plutonium Seal: White Text: Duan Tie Seal Letter
Style: Gengzi early summer section iron writing
Wang Fumin
Wang Fumin, born in 1961 in Qingyang, Gansu Province, graduated from the Fine Arts Department of Northwest Normal University with a bachelor's degree in 1982, and is now the honorary director and researcher of the Institute of Figure Painting of the National Academy of Painting of China, and a national first-class artist. He was the president of Lanzhou Academy of Painting and the vice chairman of Lanzhou Literary Association.
Wang Fumin's brush and ink not only pursue the elegance of traditional literati painting, but also integrate modern painting with Western painting, so that the picture forms a strong contrast between extensive and subtle. He attaches great importance to sketching, integrates his feelings in the picture, pays attention to the psychological experience obtained in the process of sketching, and realizes the release and breakthrough of modernity painting.
Wang Fumin's "The Thing of Renshou" 34.5cm×46cm about 1.43 square feet
Seal: Bai Wen: Auxiliary Min Zhu Wen: Wang
Knowledge: Wang Fumin in The Mingde Building in Jingxi in 2020 AD
Wang Fumin's "Fruit and Vegetable Diagram" 34.5cm×45cm about 1.4 square feet
Plutonium seal: Bai Wen: Auxiliary People Zhu Wen: Wang, three-sided jin bamboo, auspicious
Knowledge: Wang Fumin in 2020
Shu Jianxin
Shu Jianxin, currently a researcher at the National Academy of Painting of China and a first-class artist, served as the assistant to the president of the Academy of Chinese Painting in 1995; in 2005, he became the director of the art museum of the National Academy of Painting of China and a member of the academic committee of the academy; and in 2010, he held the "Danqing Yunnan Shen Yun Chuxiong Shu Jian New Chinese Painting Exhibition" at the National Art Museum of China. In 2015, the "Silk Road Danqing Tea Horse Ancient Rhyme Shu Jian New Chinese Painting Exhibition" was held at the National Art Museum of China.
Shu Jianxin's paintings present a beautiful and quiet, harmonious and distant artistic beauty, a modern literati consciousness that is very different from the ancients. He uses books into paintings, calligraphy lines are simplified, the quality of the lines is more vigorous and flexible, in the interpenetration and transformation of pen and ink language involved in the "Shu-style method", boldly and skillfully "counting white as black", sometimes "cherishing ink like gold", "not realizing that the pen is not enough", "the pen is broken", dashing and affirmative, simple and appropriate, and the momentum is shocking.
Shu Jianxin's "Tao Yuanming Drinking Poetry" 69cm× 34.5cm, about 2.14 square feet
Plutonium: Bai Wen: Jianxin Zhu Wen: Shu, calligraphy and painting are of the same origin
Knowledge: Xin Ugly jian new painting and book
Shu Jianxin's "Bai Juyi Poetic Intention" 69cm× 34.5cm about 2.14 square feet
Jiang Shiguo
Jiang Shiguo, a member of the China Artists Association, the deputy director of the Rock Painting Society of the Ministry of Culture, the vice chairman of the Hebei Provincial Artists Association, an outstanding provincial management expert of Hebei Province, the dean, professor and master tutor of the School of Fine Arts and Design of Hebei Normal University.
His works have been signed to the "Blue Monsters" gallery in Italy, and many works have participated in major exhibitions at home and abroad and won awards. Many of his works have been collected by professional institutions in Italy, France, Australia, Japan and other professional institutions, as well as the National Art Museum of China, the Shanghai Art Museum, the Shenzhen Art Museum, the Hubei Art Museum and so on. He has published many personal monographs and has a unique artistic style.
The composition of Jiang Shiguo's works is loose but not scattered, wrong but not chaotic, the coloring is pure and elegant, the image is integrated in the composition, and the overall effect is harmonious.
Jiang Shiguo's "Beautiful Life Series No. 3" 81cm× 54.5cm, about 3.97 square feet
Plutonium: Jiang
Style: 2018
Gu Yang
Gu Yang, born in 1956, a national first-class artist, honorary president of Yangzhou Chinese Painting Academy, member of China Artists Association, entered Yangzhou Chinese Painting Institute in 1978 to engage in professional creation, in the long-term creative practice, strive to explore the traditions of predecessors, and pursue a simple and innocent humanistic atmosphere. At the same time, he is committed to the thinking and practice of the modernization process of Gongbi flower and bird painting. It strives to reflect the truth in modern human consciousness with its works. Thus ultimately achieving emotional fullness and balance.
Gu Yang's flower and bird works are deep and thick, dignified and rich, but also fresh and elegant, and strive to explore the Tradition of the Song People and pursue the simple and innocent humanistic atmosphere. In Gu Yang's works, you can feel the clear context and exuberant creative spirit, he is committed to the thinking and practice of the modernization process of gongbi painting bird painting, expressing the fullness and balance of emotions.
Gu Yang's "Spring Mountain New Rain" 69cm× 68.5cm about 4.25 square feet
Plutonium seal: Bai Wen: Gu Yang, gradually enlightened Zhu Wen: Gu, small window snow moon plum blossom
Style: Painting by Gu Yang on the Xia Yue Han of Peng Shu
Gu Yang's "Purple Jade" 69cm×69cm is about 4.28 square feet
Plutonium seal: Bai Wen: Gu Yang Zhu Wen: small window snow moon plum blossom
Knowledge: Han Shang Gu Yang
Liang Baomin
Liang Baomin, born in 1971, a native of Beijing, is from Luyi County, Henan Province. Graduated from the Central Academy of Arts and Crafts in 1994, he is a professional painter, a national first-class artist, and a visiting professor of Henan University, a visiting professor of Chongqing University, and a visiting professor of Henan University of Economics and Law. Shanghai Zhang Daqian Dafengtang Art Center contracted painter.
Liang Baomin has been influenced by his family since childhood and loves painting, and when he was a teenager, he studied under Mr. Hu Shuang'an, a disciple of Zhang Daqian, to learn traditional Chinese painting, and to learn the essence of Chinese painting throughout the works of the masters of the Song, Yuan, Ming and Qing dynasties. Expand your own techniques and artistic styles. Liang Baomin sought the pleasure of creation in pen and ink, expressed his lyricism, and passed on the torch with Mr. Zhang Daqian's art. Liang Baomin was approved by Mr. Zhang Daqian's family and re-passed on as a disciple of Zhang Daqian Dafeng Hall.
In 2013, Liang Baomin created "Ten Thousand Miles of Rivers and Mountains" and "Chibi HuaiguTu" which were collected by important institutions. His works have been interviewed and reported by guangming daily, consumption daily, Hong Kong's china today, world art weekly, CCTV news channel, calligraphy and painting channel, Henan Satellite TV, and many other news media. Rong Baozhai has published a variety of solo albums such as "Watching Tradition - Liang Baomin Painting Collection".
Liang Baomin's green landscape is full of idealistic colors, majestic and thick, flowing and unrestrained, and its unique decorative meaning excavates the poetry of ordinary life; his literati and gentlemen are light and detached; pouring old plums has the beauty of washing away the lead and not staining the world. The scenery is all based on imagination, there is no limitation of real scenes, and there is a freehand way. The mountains and rivers he has made are thick, the grass and trees are beautiful, and the scenery is simple and intimate, and there is a kind of perception that is direct to the heart.
Liang Baomin's "Clouds Rise from a Thousand Rocks" 141.5cm×69cm, about 8.79 square feet
Seal: White Text: Seal of the Treasure People Zhu Wen: Book for Heart Painting, Passing Eyes cloud smoke, Lying Grass Hall
Style: Years in xin ugly treasure people painted in the Wolu Caotang
Sun Chenggang
Sun Chenggang, also spelled Haoran, was born in 1960 in Rizhao, Shandong. Mr. Guo Shifu entered the room as a disciple. He is currently a member of the China Beauty Association, vice chairman of the Shandong Provincial Artists Association, vice chairman of the China Financial Artists Association, vice president of the Shandong Provincial Academy of Chinese Painting, and chairman of the Tai'an Artists Association. He is a researcher of Chinese painting at the Communication University of China, an adjunct professor of Shandong University, and a visiting professor of Liaocheng University. He successively studied flower and bird painting from the famous Chinese painters Guo Shifu and Mr. Qin Tianzhu, and was personally taught by Tang Wenxuan, Jiang Baolin, Lang Sen, Zhao Ning'an, Zhu Tao, Wang Peidong and others.
Sun Chenggang's pen and ink language is rigorous and concise, the picture pays attention to the chapter, the composition atmosphere, the black and white of the picture, the virtual reality, the weight and twist of the pen line, the thickness and lightness of the ink color, all have their own unique charm, pay attention to artistic expression in tranquility and harmony, and show his artistic understanding and inspiration.
Sun Chenggang's "Autumn Rhyme" 137cm× 68.5cm, about 8.45 square feet
Seal: Bai Wen: Xi Zhai People, Elephant Invisible Zhu Wen: Sun Chenggang
Knowledge: Years in the year of Gengzi Summer Moon Xi Zhai master Cheng Gang wrote in Jinghua Ten years is the time of the flower armor