Listen to Dong Da's big bullet Hu Di Lang and send a message room to the matter Cai Nu used to make a Hu Fu sound, one shot ten has eight beats. The Hu people wept and wept the grass, and the Han made the intestines cut off to return to the guests. The ancient heavens were cold and the desolate and gloomy and snow-white. First flick the strings and then the horn feathers, the autumn leaves in the four suburbs are shaken. Dong Fuzi, the theosophical, deep mountain eavesdropping to the goblins. Words are spoken sooner and faster, and the reciprocation will be reciprocating. The empty mountains and birds are scattered, and the clouds are cloudy and sunny. The sour chicks lost their flock at night, cutting off the sound of Hu'er's motherly voice. The river is pure of its waves, and the birds are also singing. The Wuzhu tribe's hometown is far away, and the sand and dust are mournful. The tone of the voice changes suddenly, and the long wind blows the forest rain and falls to the tiles. The spring flutters and the wood is flying, and the wild deer is walking down the hall. Chang'an City is connected to the East Gate, phoenix pond to Qingzhuo Gate. Gao Cai stripped away his fame and profits, and looked forward to holding the piano every day.
[Notes]
(1) Dong Da: Yin Dong Tinglan, good at playing the piano, was once a guest of the fanggong. Hu Di Lang: Dong Tinglan's piano song that uses the sound of the piano to imitate the sound of Hu Jia's music. Room to the matter: Fangguan, once served as a room to the matter. (2) Cai Nu: Cai Yan (Wen Ji). He was once captured by the Hu people and composed the piano song "Hu Di Eighteen Beats". Returnee: Refers to Cai Yan. (3) Ancient Shu: Ancient Shu Shu. (4) Shang string, horn feather: Ancient name for the five-tone scale of gongshang horn zhengyu. Thumbs up: The sound of leaves falling, the sound of Yu Qin. (5) Uzu: Guide to the Huns. Luojiao: The capital of the Tubo state during the Tang Dynasty, that is, present-day Lhasa, Tibet. Cai Wenji was taken captive by Qiang soldiers, and tubo was from the Western Qiang, so it was called. (6) Yo yo: deer chirping. (7) Dongye: Fang Zhen was appointed to shizhong and belonged to Menxia Province. Zhongshu and Menxia are tucked around in the official prohibition. Phoenix Pond: Refers to Zhongshu Province. Qingzuo Gate: A palace gate decorated with a Qingzuo pattern. (8) Detachment: Unrestrained.
[Poetic]
At that time, Cai Yan used Hu Di to compose music and achieved a song "Hu Di Eighteen Beats". Hu people listen to this song, tears wet the side of the wild grass; Han Envoy listened to this song and faced Wen Ji with sadness and broken intestines. Straight bullets, the fire of the shogunate is chilling, and the desert is yin and snow. Playing the shang tune and playing the horn feathers, the autumn leaves in the suburbs are like a wind blowing down. Master Dong, with high skill, not only inspired the gods, but even the old demons of the deep mountains also came to eavesdrop, and the slow and fast bullets were handy, and the back and forth were swirling, and the gentle song was affectionate. The sound of the piano, like the empty mountain and hundreds of birds flying and converging, the floating clouds gathering and floating. As if to hear, the chicks cried out in the darkness of the night, like the cries of the bearded child when he was separated from his mother. The rivers are calm and the birds are no longer chirping. Trapped in the Xiongnu, far away from home, once returned to the Han Dynasty, parted with his children, full of grief like the sand and dust of the Hu land. The mournful tone of resentment suddenly became high and fluttering, like a strong wind blowing the forest and setting off wild waves, like the sound of rapid rain falling on the tiles, like a flowing spring falling on the branches, like a wild deer in the forest singing and chirping under the hall. Chang'an City is connected by high palaces, and the east of the Forbidden City is under the door, and the door is to Zhongshu Province. The main official room under the door gave things, only high temperament and openness were not tired of fame and fortune, and day and night looked forward to the jun holding the piano.
[Appreciation]
This is also a poem about music. In the paragraph, the first six sentences are written about the special background of Cai Wenji's creation of "Hu Di Eighteen Beats", using Cai Wenji's tragic life to make a miserable judgment about Hu Di below
The musical effect of the intestines makes a solid preparation. The last four sentences are an opportunity to express to Fang Zhen their admiration for their knowledge and good deeds, or have the intention of asking for advice. The best part of this poem is the imitation of the musical effect of Hu Di in the middle. The poet uses the gathering of birds and the clutch of clouds to compare the rapid and slow sound of the piano, and uses the mournful song of the lost flock of swallows, the weeping of Hu'er's mother, and the lamentation and sigh of Wen Ji to depict the sadness of the piano tone, and finally uses the wind gushing forest waves, the rain knocking on the roof tiles, the treetops flying springs and the yo yo deer chirping to show the excitement and freedom of the sound of the change. This way of using a variety of sounds from nature and daily life to imitate the sound of the piano is quite similar to Bai Juyi's "Pipa Line" later, so Huang Peifang of the Qing Dynasty commented: "Describing Jia miao, compared with Bai's "Pipa Line" and so on, it also has a kind of strange atmosphere." (Notes on the Collection of Tang Xian Samadhi)
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