Yoshinori Tsukioka, known as the "Ukiyo-e Artist Representing the Meiji Era" or "The Last Ukiyo-e Artist", was born in 1839 and died in 1892, when photographs and lithographs began to be popularized in Japan during his creative period, ukiyo-e gradually declined, and there was no ukiyo-e master of the same size as him after Tsukioka Yoshinori.
Tsukioka Yoshinori has many works and a wide range of areas, and many people are most impressed by "bloody ukiyo-e".
Too bloody, I think it will limit the publicity, these two are used as the cover of the publication, it should be no problem.
Both are folklore stories, and we will talk about them in detail when we have the opportunity.
Yoshinori Tsukioka's tone gradually became milder, and by the time of the "Moon Hundred Styles" series, it was already a very soft feeling.
Some pictures of "Moon Hundred Flowers"
And my favorite is his meat stroke "Fujiwara Hosumasa Under the Moon Flute Diagram".
Fujiwara Hosho's frankness and fearlessness, the sneaky obscenities of thieves are clear at a glance, and the dark wind of the moon and the reeds of the moon seem to make the viewer feel.
Compare the other images of the same story,
Tsukioka Yoshinori's "Moon Hundred Postures" looked at the two people from behind,
The angle of the unknown author (to be examined) is different.
You say yes or no?
"Fujiwara Hosumasa Under the Moon Flute Diagram" is very much in line with the aesthetic habits of our Chinese.
This is a historical subject commonly used by painters. Fujiwara Hoshō blows a flute and walks on the reeds, where there are reeds, the water is not far away, there should be the sound of water wafting, the sound of the flute borrowing water, the sound of the water lining the flute, the wind blowing grass low, the insects singing frog noise, Fujiwara Hoshō out of the elegant style, but also gave the painting a high taste of style.
Hakama is a thief, he followed Baochang all the way, he looked at Baochang's clothes, but he has not been able to find the opportunity to start.
Fujiwara Homasa was a samurai, and it was hard to imagine that he was being followed all the way unconscious, and it was more likely that he was bold and disdainful of communication from beginning to end. Bao chang led Hakabu all the way to his home, expressing condescending care and wanting to give hakama drape clothes. Hakama was either ashamed of his inferiority in art, or he was not accustomed to the sudden warmth of the world, and he ran away.
Judging from this story, Fujiwara Hosei is an outstanding character, courageous, knowledgeable, and a good man. He was not from a low birth, and was a nobleman of the Heian period, but just such a character, who fell in love with Izumi Shibu (note that our heroine came out) at first sight, and made a small ambush to express his love. Hequan Shibu didn't care about Baochang's marriage proposal, and casually sent it, "I will promise you to go and fold the plum blossoms of the Zihuan Hall." "The Purple Hall is the main hall of the Emperor's inner court, where ceremonies such as the ceremony of the crown prince are held. Bao Chang also picked plum blossoms in the face of the danger of being shot by the guards. At this time, Izumi Shibu was 35 years old, and it was the downward period of fortune after the prince who cheated on him during marriage was separated from his first husband and his parents were insulated.
At that time, the real name of the woman was "boudoir" (boudoir secret), and the women who held public office used the so-called "female room name" (women's common name). The first two characters of "Izumi Shibu" are the place of appointment of the first husband, and the style is the official name of his father Oe. When he was 19 years old, he married Watazumi Mori (Wasizumi is a place name, relatively close to Kyoto, so Izumi Mori should be hichigo) Tachibana Michima, and there was a female minor shibu between the two. After the couple's relationship was cold, Hequan Shibu left her husband rendi to return to Beijing, and was pursued by the third prince of Emperor Lengquan, Prince Weizun, and fell into an extramarital affair, which became a major scandal at that time.
But that's not all.
Prince Weizun died prematurely at the age of 23. Shortly after his lover's departure, Prince Dundao, the half-brother of Prince Zun, followed in the footsteps of his brother, and after a successful courtship, he took he and Izumi to live with the prince's residence. Princess Dundao was thus forced to return to her mother's house. The two men openly challenged the eyes of the world, and joined hands to enjoy the flowers and ride on the ox cart to appear at the Aoi Festival. Four years later, the 27-year-old Prince Tun Dao died of illness, and the Izumi Shibu recorded the bits and pieces with the Prince of Dun Dao in a narrative style, recording the harmony songs that the two people had sung and lived, which was the famous "Izumi Shibu Diary".
It is said that he had a son with Prince Tun dao, who later became a mage and was named Yongjue.
About the end of this shocking love affair, Fujiwara Hosumasa offered plum blossom branches. Fujiwara Hosemasa was the head of the family of The Head of the Fujiwara Province, the father of Akiko Nakadō, who controlled the affairs of the country and was greatly trusted by the Governor. The governor actually approved of this marriage (the values of that era could not be understood)!
The Gion Festival, one of Kyoto's three major festivals, was designed to "Hokaga-san" (やまほこ) in which a red lantern is uniquely displayed among the white lanterns.
The child with her first husband, Tachibana Michimasa, is known as the "Little Style Ministry Servant", and is also a young and talented name, and people do not believe it, thinking that his mother is a pen catcher. Shijo Nakanaga (Fujiwara Noriyoshi) once laughed at her to her face, "The messenger sent to your mother to retrieve the sword and the song has not returned, has it?" ”
The small style of the ministry stood in the local area and immediately sang a poem (a song), leaving Fujiwara Akira dumbfounded, no song to be right.
The road across the dajiangshan and to Danhou is too far away, where there is the handwriting of the mother-in-law and the sky bridge
If it is far from the road of Mt. Oe, Fumimomimi Amanohashidate
(Wazumi-style division was in Tango at the time, and Amanohashi was a famous scenery of Tango.) ）
This japanese song is included in "One Hundred People in Kokura".
The Little Ministry of Servants died in childbirth at the age of 25. Izumi was grieving, and she groaned,
Since you left, what you have been most worried about is your children
I'm also the one who left me behind...
The child who thinks who to wake up is Masariko is Masari
A very famous mourning poem.
The Purple Style Department, a contemporary of Watazumi, commented on the Izumi Style Department in this way,
Izumi shibu wrote some very wonderful love articles, but there are some things I can't agree with... Her was very beautiful, although I can't say how exquisite the study of wastage was, but listening to her chant, it always made people sigh. But to say "a poet full of respect", I don't think so. (to the effect)
To sum up in today's terms, Izumi shibu is not good at research and does not pursue the essence, but is very good at expression, and her expression is enthusiastic, extremely seductive, and easy to evoke resonance. "Born I am" is used in love, invincible, and the flames burn everywhere I go.
Whether or not he is diligent in research, Izumi Shibu expresses his feelings in his own language, which is much more sincere than copying lyrics as a love letter today.
The story of the Izumi-style department, the story of the small-style department of the inner servant, look for it in ukiyo-e,
Mother and daughter in "One Hundred and One Song"
Mother and daughter in ukiyo-e
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Author: Jiang Jie
Kyo Night Chat Jingyeliao