There was Qi Baishi in the world, and the remaining ink still exists in the world.
If you ask Yu Mo where to ask, Baishi Mountain Hall is less white!
Baishi Shantang is a wholly-owned subsidiary of Qi Baishi Painting and Calligraphy Institute in China: it is currently the painting and calligraphy institute with the largest collection of Qi Baishi's works, and is fully responsible for the establishment and development of Qi Baishi cultural and creative brands, Qi Baishi fashion and other brands, and is committed to the content mining, system combing, industry promotion, business innovation, value reproduction and other assets such as Qi Baishi calligraphy and painting, art, seal carving, appraisal and auction, etc., which is an important part of building a product innovation platform based on Qi Baishi culture and art.
Hello Tibetan friends, today we have invited Mr. Tang Fazhou, then the successor of Qi Baishi, the disciple of Qi Liangzhi, the president of the China Qi Baishi Painting and Calligraphy Academy, the visiting professor of the Tsinghua Academy of Fine Arts, the official image spokesperson of NetEase Group, the specially invited teaching and research director, the contracted painter of Beijing Fine Art Academy and Rong Bao Zhai, the national registered first-class cultural relics and artwork appraisal appraiser, the expert of Qi Baishi's calligraphy and painting big data appraisal, the president of the Shanghai Qi Baishi Art Research Association, and the chief operating officer of Baishi Shantang Culture Media, to talk about a painting that has been exhibited in the China Qi Baishi Painting and Calligraphy Academy. This painting is Qi Baishi's Wisteria Flower Vertical Scroll, ink on paper, size 151×40.5cm.
Seal: White stone, the most sorrowful
Title: Baishi, an old citizen of Xingziwu, is eighty-eight years old.
Publication:
1. Qiao Min Hua Yuan Collection, pp. 126-127, Hongxi Art and Cultural Foundation (Taipei), 1994 edition.
2. "Qi Baishi's Collected Works", pp. 256-257, Beijing Rong Bao Zhai Publishing House, 2014 edition, this painting will appear in the auction market in the near future, and collectors who like to collect Qi Baishi's calligraphy and painting can continue to follow up, and I believe that collectors with strength and vision may collect this painting if they have fate in the future.
▲ Qi Baishi Wisteria Flower Vertical Scroll · (Selected from: Qi Baishi Heirloom Calligraphy and Painting Network) · China Qi Baishi Calligraphy and Painting Academy Exhibition (Qi Baishi copyright owner) · Shaobai Gongzi Tang Fa Zhou Courtesy of the picture
When identifying Qi Baishi's wisteria flower works submitted for auction, Tang Fazhou, the successor of Qi Baishi, proposed the "wisteria flower painting method" is a very important entry point. The following are the key points of identification based on this point of view, combined with the characteristics of Qi Baishi's artistic style and wisteria flower painting:
1. Characteristics of wisteria flowers
Combination of outline and pointing:
In the depiction of wisteria flowers, Qi Baishi often uses the outline method to outline the outline of the wisteria, and the lines are smooth and natural, both strong and soft.
At the same time, he also used the dotting method to point out the wisteria flowers, which are colorful and richly layered. The combination of these two painting methods makes the wisteria flower not only have the charm of traditional Chinese painting, but also have a modern sense.
Use of color:
Qi Baishi is good at using the contrast and harmony of colors to make the wisteria flowers present a gorgeous and vulgar beauty. He may use a variety of colors such as purple, blue, pink, etc., to represent the flowers of wisteria, which complement each other and complement each other.
Details:
He is very particular about the details of wisteria flowers, such as the texture of the petals and the embellishment of the stamens, all of which strive to be vivid and realistic.
▲Qi Baishi Wisteria Flower Vertical Axis Partial Appreciation · (Selected from: Qi Baishi Inheritance Calligraphy and Painting Network) · China Qi Baishi Calligraphy and Painting Academy Exhibition (Qi Baishi copyright owner) · Shaobai Gongzi Tang Fa Zhou Courtesy of the picture
2. Overall composition and style
The composition is exquisite:
The composition of Qi Baishi's wisteria works is sparse and dense, and the virtual and the real are born together. He is adept at using blank space and blank space to give the picture an ethereal beauty.
In his wisteria paintings, he may place wisteria on one side of the picture and leave a large blank space on the other side, creating a strong contrast and enhancing the visual impact of the picture.
Unique Style:
Qi Baishi's wisteria works have a distinctly personal style, with concise and powerful brushwork, bright colors and harmony. When appraising, you can pay attention to whether the work has these stylistic characteristics.
3. Seal and inscription
Seal Identification:
Qi Baishi's works are usually stamped with his seal. In the identification, you can carefully observe the seal carving style, font characteristics and the color of the ink to see whether it is consistent with the authenticity of Qi Baishi.
Title content:
The inscription of the work is also an important basis for identifying the authenticity. Qi Baishi's inscriptions are usually concise and poetic, consistent with his calligraphic style. When appraising, you can pay attention to checking whether the content, font and style of the inscription are consistent with Qi Baishi's authentic handwriting.
▲Qi Baishi Wisteria Flower Vertical Axis Partial Appreciation · (Selected from: Qi Baishi Inheritance Calligraphy and Painting Network) · China Qi Baishi Calligraphy and Painting Academy Exhibition (Qi Baishi copyright owner) · Shaobai Gongzi Tang Fa Zhou Courtesy of the picture
4. Refer to market information and expert opinions
Market:
Understanding the trading situation, price range and common counterfeiting methods of Qi Baishi Wisteria works in the current market will help to judge the authenticity and value of the works more accurately in the identification process.
Expert opinion:
If conditions permit, you can ask a professional art appraisal agency or expert to conduct an appraisal. They have a wealth of experience and professional knowledge, and are able to judge the authenticity and value of the work more accurately.
To sum up, the appraisal of Qi Baishi's wisteria works needs to be comprehensively analyzed and judged from many aspects, such as the characteristics of wisteria flowers, the overall composition and style, the seal and inscription, as well as market information and expert opinions. Only in this way can we more accurately distinguish the authenticity and value of the work. (To be continued, · selected from: Qi Baishi Heir Calligraphy and Painting Network) collection of calligraphy and painting, just find the Qi Baishi Calligraphy and Painting Institute of "Baishi Heir", all rights reserved, on-site creation, Qi Baishi painting school, a hundred years of inheritance, one line, only do authentic calligraphy and painting, gather the strengths of all families, on-site creation, can customize calligraphy and painting according to the requirements of collectors, can take a group photo! Perennial sales of high-end paintings and calligraphy, looking for cooperation with high-end painting and calligraphy brokers, partners, regional leaders, mainly operating Qi Baishi's painting brush before his death, Qi Baishi's special rice paper for painting shrimp, Qi Baishi's graphite block, Qi Baishi's self-made pigment formula, Qi Baishi's painting brush grass insect secret method, Qi Baishi's little daughter Qi Liangzhi's father Qi Baishi's calligraphy and painting relics exhibition and Qi Baishi's little daughter Qi Liangzhi's self-collection of calligraphy and painting special auction, Qi Baishi's heirs, Tang Fazhou, president of the China Qi Baishi Academy of Painting and Calligraphy, paid tribute to the 160th anniversary of Qi Baishi's birth and recreated the microcosm of the world calligraphy and painting exhibition written by Qi Baishi, as well as the operation of Qi Baishi, Zhang Daqian, Wu Changshuo, Xu Beihong, Qi Liangzhi, Qi Liangchi, Qi Liangmo, Qi Bingyi, Qi Jingshan, Qi Bingzheng, Qi Zhanyi, Qi Huijuan, Qi Shouyu, Qi Yuwen, Qi Lixia, Qi Yuanlai, Qi Folai, Qi Shuilian, Qi Yanjun, Qi Fu, Qi Yanfang, Qi Yanxi, Li Keran, Li Kuchan, Lou Shibai, Guo Xiuyi, Wang Senran, Wang Xuetao, Lu Guangguang, Wang Shushi, Wang Tianchi, Wang Wennong, Yang Xiuzhen, Tang Fazhou and other Qi Baishi heirs worth more than 100 million of calligraphy, paintings, seals and authentic works, can also accept NFT, digital collections, metaverse, cross-border brand combination, cultural empowerment resource integration and other operations, welcome powerful network companies to bid. (Pictures and texts are selected from: Qi Baishi's Descendants Calligraphy and Painting Network) (The pictures in this article are selected from: Qi Baishi in the eyes of Qi Liangzhi, Qi Baishi Painting and Calligraphy Academy, Qi Baishi's Descendants Calligraphy and Painting Network)
Note: The above pictures and texts are excerpted from the lecture "Shaobai Gongzi Fun Talks about Qi Baishi" Speaker: Tang Fazhou
Jia Chennian [Year of the Dragon] compiled in East China Shanghai Qi Baishi Painting and Calligraphy Institute (Shanghai Pudong General Institute)