In the ninth episode of the TV series "Do You Know If It Should Be Green Fat Red Skinny", it was compressed into a plot of less than 26 minutes, just like every weekend you have to be injured once, the plot is either re-edited or the episode group changes. The plot of the ninth episode is short, but it is extremely comfortable to watch, and even full of excitement. 26 minutes of plot, directly brushed twice. The reason is that Grandma Kong's words are both domineering and educational, wonderful!
Because the fourth girl, Mo Lan, was at the top of the line and quarreled with the fifth girl in class, Grandma Kong summoned the Lord of the Sheng Family, the Eldest Lady, and Lin Xiaoniang to the hall to face the three girls for training. This sermon is definitely the first small climax since nine episodes, combining ornamentation, education and comfort.
On the surface, Grandma Kong seemed to be a lecture to the three girls, but in fact she taught the Sheng family a lesson of great significance. And see that she first gave a futon to the three kneeling girls, and then pointed out the shortcomings of Mo Lan and Ru Lan one by one, and finally was impartial, and punished Minglan who had not made a mistake, in order to let the girls understand that the sisters were originally in the same breath, common prosperity and common loss. Let them know that there are brothers and sisters, and they must not watch the fire from the other side. This principle is still the same even in modern enterprise management, which is joint insurance and mutual insurance, and team spirit.
The most relieved to see must be Grandma Kong's reprimand to Lin Xiaoniang. A sentence is expensive in self-knowledge, and it is said with a loud voice. Listing ignorance makes Lin Xiaoniang even more self-conscious. In fact, to say this is undoubtedly to let the lord of the Sheng family know the way to govern the family and remind him of his attitude towards his wives and concubines and children.
This plot tests an actor's ability. Grandma Kong is extraordinary, not angry and arrogant, her words are as powerful as gold stones, and her philosophy is placed in them. The look is like autumn water in the heart of the lake, deep and consistent to the bottom. It not only shook Lin Xiaoniang's prestige, but also awakened Sheng Hong's foolishness. He finally woke up to the fact that for so many years, his bowl of water had never been smoothed, which made Minglan suffer a lot of grievances.
The real effect of this lesson was achieved.
Stills from the public welfare micro-film "Mother Water Cellar"
Grandma Kong is played by She Nannan, an actress from the National Drama Theatre who graduated from Chinese opera and received a bachelor's degree in arts. For more than 20 years since her debut, she has always been unknown, mainly dedicated to drama performance. Many audiences are not exposed to dramas as frequently as film and television dramas, so there is not much understanding of She Nannan. But in the "Know It or Not" in this one-shot to the end, in one go, it can be fully seen that an actor's acting skills, here there is a solid line skills, and there are many years of precipitation and understanding of performance, it can be said that She Nannan has been amazing in the few scenes in this play.
Dramatic appearances
In recent years, She Nannan has not been deeply involved in film and television, and has played roles in film and television dramas such as "A Letter to Daddy", "Rendezvous", "Kunlun Goddess", "Sister-in-law" and so on, and in recent years, he has also performed in "Strange Doctor Wen San" and "Bao Qingtian's Kaifeng Strange Case", but compared to the focus of performance, She Nannan has been busy on the drama stage. In the early years, the drama "Si Fan" won the International Theatre Symposium Performance Award, and in recent years, the drama "Richard III" won the Outstanding Performance Award of the National Academy of Arts Troupe's Outstanding Repertoire Exhibition and Commendation Meeting. In "Fusheng", which has a high degree of influence and promotion, She Nannan not only participates in the performance, but also serves as an assistant director. Its performance strength and comprehensive ability should not be underestimated.
I have always felt that the drama is niche, marginal, and more artistic, and I have always felt that most of the drama actors are calm, and can quietly face the repeated drama performances of the audience in the impetuous interpretation circle, which is itself a kind of persistence. This persistence has become increasingly precious. Relatively speaking, the drama of the National Drama Theatre, its social benefits are more important than the economic benefits, settling in the Mandarin and insisting on drama performance, is not only the embodiment of ability, but also the persistence of niche art, which is worthy of respect.