Zhang Yichi: When starring in the drama "Si Teng", a scene ate a small ten buckets of instant noodles

Video loading...

Q: Hello Teacher Zhang Yichi, I am Huang Shiyi of China Net Entertainment, I am very glad that you can accept our interview, we will first say hello to everyone.

A: Hello friends of China Net Entertainment, hello host, I am actor Zhang Yichi, it is a pleasure to meet you.

Q: You've played many different roles before, which one is your favorite?

A: I like each one, indeed because of the actor line, each of your characters is relatively like your child, right? They are all shaped with heart, so they all like it.

Q: You have worked with many different directors, what do you think are the commonalities and differences among these directors?

A: I think the biggest commonality is persistence, really because of this line you think it may sound like everyone may sound like who directed a play may be a very easy thing, but you will encounter all kinds of problems from the early script to the planning to the entire shooting process, the director's perseverance is very strong and persistent, otherwise there will often be various problems, it will make you busy, you can be broken.

Q: Are there any actors or directors who want to work with in the future?

A: I especially like Teacher Fan Wei in the actor piece, and then I like Teacher Yu Qian, and then I may be able to discuss in comedy and learn something from others, and the director can only follow fate, because the director has to pick the right actor for him according to the script according to the role.

Q: What do you think are some of your biggest charms?

A: I'm definitely more grounded, you buddy friends talk and chat like I am like that, and the characters in the play are almost all this kind of nature.

Q: As far as we know, you studied directing before, why did you choose this major?

A: I was because I was not admitted to the acting department, yes, it is the Chinese drama Nortel, because I went to ordinary high school, the acting department it needs your vocal music, physical training, and then the appearance will be more outstanding, so it fell off the list at that time, but the second test of the director department is film criticism, and there are more literary things that allow you to express your understanding, so this piece can also be left.

Q: Have you ever thought about becoming a director yourself in the future?

A: Not at the moment, this amount of work is too large, I feel that my current knowledge reserves and abilities are not enough, and acting has brought me enough happiness.

Q: How did you evaluate this character in the play "Si Teng"? Your character?

A: Yan Furui, he is one, because when you watch "Si Teng", he first has the Clan and the Hanging Gate, including like Qin Fang, which reflects his lineage from the plot, and he is also a rich and handsome man, and these people are almost all people in the air, whether it is a special ability or a special background. But Yan Furui is a down-to-earth person, just like the people around you, so you say that he is responsible for the atmosphere, in fact, because of some funny things, but in fact, he is such a person who pulls the plot of the whole play to realism. The place where he appears is the person who is short in the parents, close to you and me, and can make you have this sense of substitution.

Q: Do you think there are any similarities between you and Yan Furui?

A: I think it's all a bit like the way it is. There is nothing to shape, and it is almost the same as usual.

Q: What interesting things happened during filming? Can you share it with us?

A: Anyway, the shooting time is indeed more enjoyable, really. But it is because we shot a lot of places, the first in Shangri-La is a matter of high reaction, and then the whole group of staff are carrying oxygen cylinders to work, like me, for example, the scene is Miss Sun got off, I carried the box and walked all the way with her, at the beginning the word is not down, you have it in your head, your anger has not come down. Then the director was even more amused, when shooting the inn, we monitored upstairs, he ran upstairs and downstairs to talk about a scene, talk about a set of oxygen inhalation. There is also a lot of pleasure in suffering.

Q: Then we also prepared a prop for you on the spot, do you feel particularly familiar with these?

A: When are you going to start shooting, the director is really brewing and soaking.

Q: I know there's a scene where you eat three bowls of instant noodles in one go, do you still want to eat them when you see them?

A: Anyway, there was a time when I really saw this thing and didn't want to eat it, because you said that it was better to eat two bowls and three bowls, but you actually shot you different NG in different camera positions, and then you had to eat a lot, basically that day from the lunch before the shooting, you didn't eat it first, and then after eating dinner, you saved it.

Q: How many buckets of instant noodles did you eat in the show?

A: There were at least seven or eight barrels on the train, and ten barrels small. This end of the scene is very good, knowing that I did not eat lunch indeed. Thanks, I'll do it. So will it be disrespectful, I should say something, I ate, I came to take a bite, I really have to pad. I'm sorry, I really haven't eaten.

Q: When you received the play "Si Teng", did you think that this drama would explode?

A: No, it doesn't seem to be a category I'm thinking about. Take one thing, you think it should still be from the actor itself, that is, you artist, you must still want to how to get this thing right, and generally I take over the role are very nervous first, to see if I can take this role down, basically in the middle of the shooting, probably after finding this character context, it will be said that I have the heart to think about other things.

Q: In the original drama, Yan Furui is a middle-aged man, and you are an authentic post-90s generation, which is where there is a conflict between the original and the characters. Do you worry that fans will not like or think about how to play this role?

A: I thought about it a lot at the time, and you are sure that you will say that the original fan is a drastic change in the whole person, how do you see this thing? But then I thought that each of you's understanding of the character may present something different through your portrayal. Including you like "The Godfather", you see "The Godfather" his second brother Fredo Corleone, he is a big fat man in the original novel, but John Keizer plays the top, that is very thin, you say that this is completely different, different from your original book, but your core is the same, you are very cowardly, the kind of thing that wants to release, the core that wants to escape the oppression of his brother and brother to go out is the same. I feel like grasping the core of these things.

Q: There are many netizens who jokingly call you a "Sitō comedian", and many netizens call you a "fugitive disciple of Deyun Society", and there are many funny and funny golden sentences in the play. Are you playing by yourself?

A: There are some who are also after the director and the screenwriter will be emotionally there, because the creative atmosphere is very free, the director and screenwriter are enthusiastic all the time, and as everyone acts together, after the continuous proficiency of the run-in, every day is creating. Then there are some of them that they add, and many of them come from life. You're like teaching tile houses to count, how many six plus seven? That can't be counted as sixty-seven-three two grab dry, just play mahjong on your own, you think of you throw it in, and then the director thinks it is appropriate not to hurt this character to use it.

Q: Most of your previous works were supporting characters, but they left a deep impression on the audience. When you get the character setting, how do you interpret and think about it?

A: Getting the role must be to enrich the character history after reading the script. You have to think about it in addition to what you provide for that script. In fact, this is a lot of performance studios, including some things of the method school, the more detailed you describe a thing will help your performance. For example, if you love to eat instant noodles, this is written in the script, you want to think: what kind of instant noodles do I love to eat, what flavor, when is its temperature to eat, you are the best noodles to pick the mouth of the kind of taste, why do you like to eat? And then do you prefer to add ingredients or do you prefer to add sausages and add something? The richer you think about it, the more credible it will be when you perform I love instant noodles. These ways of working have a lot of acting skills that can be used in school.

Q: Are there any new works to present to you next?

A: It was filmed before, but it's also in the secret stage, but there will be a comedy, and I'll meet you in the second half of this year, and then there's a historical drama. There is also a military-themed movie to meet with everyone.

Copyright Notice:

All works indicated on this website as "Source: China Net Entertainment" are works that are legally owned by this website or have the right to use.

Reprint with "Source and Author".