Since the beginning of the new century, with the development of economy and science and technology, China's Internet users have reached 210 million, and the participants of network culture have maintained a growth rate of more than 20% per year. In 2002, mobile phone text messages became the main way to pray for the New Year, and by 2009, more than 18 billion new year messages were sent. The "thumb economy" has reinvigorated China's Internet after a cold winter. The rise of the Internet has not only meant the emergence of new economic growth points, but also brought about changes in the way public expression and literary and artistic works are written.
The development of the Internet first changed the ecological pattern of music creation. In 2001, "Northeast People Are Living Lei Feng" created by Snow Village was matched by netizens with FLASH animation and fluttered around the Internet. The public quickly embraced online songs, while the music industry was uncomfortable with the mutation of its communication vector and the fast-foodization of its artistic style. After the initial panic, more and more mainstream musicians began to accept online songs. After listening carefully, they found that there is no hole in online music. At the 2005 CCTV Spring Festival Gala, Yang Chengang sang the most popular Internet song of the previous year, "Mice Love Rice". This marks that the Internet song, which has always been regarded as a grassroots culture, has entered the most mainstream stage in China. Online music has broken the pattern of record music dominating the world, and other literary and artistic forms have also hitched a ride on the express train of the Internet, improving the efficiency of dissemination.
In the winter of 2005, cross-talk actor Guo Degang became a grassroots idol with great appeal. Since the beginning of this year, grassroots culture has flourished with the power of the Internet, which has triggered changes in the aesthetic tastes of the audience.
At the beginning of 2006, actress Xu Jinglei's blog was just opened for 112 days, and the click rate exceeded 10 million. Shortly thereafter, her blog became the most viewed blog in the world. A film and television star, in the blink of an eye, has become the writer with the most readers, which can only be a miracle of the Internet age. In fact, the Internet not only brings stars the possibility of changing their posture and continuing to become popular, but also brings the public infinitely closer to their artistic dreams. As long as the songs you write, the DV you shoot, and the novels you write are interesting, you don't have to worry about finding a confidant.
At the same time, the Internet has become an important base for film and television dissemination, and network criticism has become a weather vane for determining the quality of works. In January 2006, a grassroots sitcom "Wulin WaiChuan" was broadcast on CCTV. Initially, its ratings were not good, but its crazy performances and hilarious lines resonated among young netizens, which in turn drove the ratings up.
Director Ning Hao's film "Crazy Stone" is another successful case of network communication. In the summer of 2006, the World Cup in Germany was in full swing. Just when the eyes of urbanites were attracted by football, "Crazy Stone" created a box office of 24 million yuan at a cost of 3 million yuan. The Film, which speaks the Chongqing dialect, did not have overwhelming publicity, nor did it have big-name stars to join, and it was only released on a small scale at first, but the fans' praise surged on the Internet like a tidal wave, and the distributor had to add copies. In contrast to this, the luxurious martial arts blockbusters "Wearing Golden Armor in the City" and "Night Feast", which are popular at the box office, have been attacked by netizens.
The vigorous development of the Internet has made grassroots culture infinitely vibrant, and it has also made civilian expression extremely active. Blogs and forums have sprung up online, and there are new channels for public participation in public affairs. The conclusion of the reputation of literary and artistic works depends not only on the evaluation of traditional media, but also on the rejection of online public opinion. Internet songs with simple melodies are widely popular, lightweight books are selling well in the book market, Guo Degang's cross-talk with entertainment as the primary function has become popular, and the story-based history of "Hundred Pulpits" has achieved high ratings, all of which show that China has entered the carnival era of civilians.
In the midst of the clamor, a cultural phenomenon that cannot be ignored emerged. In the autumn and winter of 2006, a TV series was not broadcast on any of the TV stations, but it was quickly circulated among the disc watchers and spread by word of mouth among netizens. It is a bunch of "hooligans" fighting, cheating, and doing the flowing account of the "hooligans" in the 70s and 80s, it is a group of people who dream of getting rich all day long but have little practical action, and it is a work that seems to be nothing serious but more affectionate than most romance dramas. This is Ye Jing's "Days Related to Youth".
1
Love, nerve knife
"Days Related to Youth" is a pristine record of the crazy youth of a group of people born in the sixties. Some people say that it is "good in neuroticism, relationship confusion, illogical, mouth unobstructed.".
The play staged the love that the players coaxed you not to sing. Li Bailing's foreign language is love for no reason, a love that gives up everything, nine deaths without remorse, and loses the love of money, chastity and personality. Dialect is indifferent to Li Bailing for no reason, iron-hearted rejection, and remorseful. Li Bailing hugged The dialect from behind again and again, and each time the dialect broke away from her like a robe full of lice, and Li Bailing chased hysterically: Dialect You will not regret it when you leave! In the harmonious society at the beginning, Fang Yu is obviously in love with Li Bailing, and his eyes betray him again and again, but he suddenly changes when good things are approaching. It is not difficult for a person to wolf heart dog lung once, it is rare to have a wolf heart dog lung. In the final episode of Moving Towards a Harmonious Society Again, Dialect reveals the correct answer: I'm a coward, and I don't believe I can make you live well (to the effect)! So, he hides, he hides, he hides.
Gao Yang's love for Li Bailing is also unfounded, which goes back to the love when stealing kindergarten sunflowers. He never skimped on his daily movements, but when the bayonet was red, he never refused to bow to Li Bailing.com. The historic moment when the prodigal son Gao Yang and Li Bailing went to bed was actually delayed to the last few episodes, which shows that everyone has an awe-inspiring and inviolable boundaries when facing true love. Li Bailing was frustrated in front of the dialect, found her self-esteem in front of Gao Yang, and then frustrated again, and so on three thousand times. This is just like "Gone with the Wind", Li Bailing is a capable and stubborn Scarlett, the dialect is a cowardly but somewhat charming, the broken nobleman Ashley, and Gao Yang is a long-sleeved and good dancer. Scarlett insisted that what she couldn't get was the best, Ashley didn't dare to face Scarlett, and Brad tried her best not to capture the beauty and went away disappointed. To say that the difference is the ending, Li Bailing did not change her mind until her death, and Gao Yang had long regarded money as more important than love in the later period.
As the leader of the "Seven Wolves" in the play, Gao Yang is by no means an eternal gas bag, he is the bitter lord of Jin Yan. A fool like Jin Yan, like Xu Xun in Wang Shuo's novel "The Fool". I don't know if it is a deal or not, I can't see the eyebrows high and the eyes are low, just put your heart to the bright moon, but the bright moon shines elsewhere. Ren'er's east, west, south, and north winds, Lang Yi is not a concubine. In Gao Yang's eyes, she was garbage, rags, and medicine residue, plaster that could not be removed when stained. He insulted her, hurt her, destroyed her, oppressed her, and he finally obeyed her, not knowing how to face her. Love comes to an end, and it is difficult to harvest the water. At the Guangzhou railway station, Gao Yang silently turned his face into a bitter melon, and Jin Yan covered the blood marks left by suicide in her neck with a silk scarf, and she drifted away. More than ten years later, Xia Hong mentioned Gao Yang, and Jin Yan first made a nostalgic gesture and sang affectionately: I don't know, are you okay now? After hearing that Gao Yang was dead, he gritted his teeth and cursed happily. I look stupid, even Andy Lau's master Peng Denghuai does not have such a speed of changing faces, right? It turned out that she was scared of loving demons in Guangzhou, and she was still nervous today.
Another reason for Fang Yu to reject Li Bailing is the presence of Qiao Qiao. Li Bailing is not a beautiful woman, and she is especially scary when she stares. Jojo is not a beautiful woman, but the temperament is good, the soft and boneless voice and the expression of eternal innocence are really lovely. Dialect came out of Li Bailing's house and ran to Qiao Qiao's house, and the lonely man and widow looked at each other at each other for one night. Since then, Plato's love has been deeply rooted, and the ambiguous floating clouds have drifted in his heart. She will look at the dialect and look at Xu Xun for a while. She looked far away when she looked at the dialect, and very close when she looked at Xu Xun. Her people share the same bed with Xu Xun, her heart and dialect are in the same breath, and she dreams of a daughter and a second husband, living a life without dispute with the world in a long, far away place. Life is not poetry, nor is it a song, and when the dream always wakes up, when the dialect steps on the Tropic of Cancer with a pocket of loss, she and Xu Xun stay in Guangzhou to "reclaim the virgin land that has been raped by countless people."
The dialect of fraternity had slammed into each other's hearts with Bai Shan in a split second, and HuaXin's Qiao Qiao had also had a "non-lun" love affair with Wang Ruohai - when Xu Xun was imprisoned for fighting because of Qiao Qiao, she and Wang Ruohai walked in the North Sea. Xia Hong was originally Feng Pants's girlfriend, but soon changed hands. Gao Jin loves Xia Hong, thinking that she can't sleep, thinking that she wants to be angry. Xia Hong loves Excellence, and she lures him to her home, and like Li Bailing, she also rings Excellence from behind. This is in line with the unprovoked mood of human beings, this is in line with the free and self-interested human nature, and the logical social norms are vulnerable here, even if it seems to be the righteousness of the brothers who seem to be running in blood. Perhaps, this unexplained betrayal and inexplicable liking is the truest youth.
2
Tragedy, there are laws
The character of "Excellence" is not very lifelike, he is too technical.
His love represents another type of love, unrequited love, he pretends to seduce the pure love angel Bai Shan, and on a night when he eats noodles, he suddenly flashes his big eyes and releases the winner and loser, and when the mystery is revealed, he gets a sister. He always loved his sister as a lover, but her sister was always just a sister. This is actually more common, full of technical content is his brother's righteousness. When Xia Hong blatantly showed him love, he refused for the sake of Gao Jin. When Xia Hong and Gao Jin broke the mirror and were difficult to round, he forced the hands of the two together. When Feng Pants took them deep into the bandits' dens, and the business was not in the presence of Ren Yi, he was left alone to resist the surging pursuing soldiers. When all the comrades had escaped from danger, he leapt from the high attic to a dark earth, and he had no regrets about breaking his bones and tendons. Gao Yang betrayed his brothers and prepared to abscond, but he was ambushed by his opponents, and Excellence rushed to heroically kill the enemy bushes. The ruthless Gao Yang ran away with the stone, and the excellence was like the hero of the world, and he single-handedly picked the rotten boys. It was like a fierce fly on the Dangyang Bridge, and a roar caused the enemy to retreat. In the pouring of the storm, Excellence staggered away, reciting the lines he practiced with his life: "There is struggle and sacrifice, and the things of the dead happen frequently." To die for the interests of the people is heavier than Tarzan; to die for the fascists, to die for those who exploit and oppress the people, is lighter than the feathers... Where I am, there is a position, and for the sake of victory, fire at me! ”
His sudden death brought tears to the corners of countless viewers' eyes. He fits too well with the basic laws of tragedy. Tragedy is tearing up something of value to show people. It was a young and handsome face, and the sun was constantly hitting his smile. He is incomparably simple and beautiful, passionate and righteous, and the most undisputed obedience of the people. He has almost all the advantages of a human being, he does not go to hell, who goes to hell? Thinking that year, Zhao Baogang prepared "Never Look Away", looking for the actor of the tragic king Xiao Tong, everyone favored Chen Kun, who debuted earlier, and Zhao Baogang tried to finalize the newcomer Lu Yi. The reason is that Chen Kun's face is dark, his temperament is decadent, he looks like a drug boy in cold eyes, such a role is dead, the audience said "deserved", that Lu Yimei Qingmei Show, Fei Fei teenager, he is going to die, or afraid that the teachers and grandmothers will not cry? As a result, Zhao Dao's wisdom was confirmed, and Lu Yi was indeed a powerful sad little arrow. This excellence is also the product of this mold, and many scheming people do not believe in people who shine with idealism, even if he is just a phantom in film and television, but they are also eclipsed by excellence.
The role of excellence is the director's selfish favorite, and there is no gray element in his body, if this play can be broadcast normally, the actor's article will definitely be a big fire, just like Lu Yi at that time. However, because the theme of this play is "gray", the lines are foul-mouthed, and the mood is "unhealthy", it has been pressed for two years. Investors lost patience, slashed 52 episodes into 30 episodes, the film became "positive" a lot, and the taste and appeal were almost ruined, so much so that director Ye Jing refused to admit that the 30-episode version was his own work. The full-page film is like a fire, and excellence is only loved by female audiences on a small scale, and the article misses an opportunity to quickly become popular. Later, he starred in "Struggle", which was popular through half the sky, and he was well known to the public for his calculative little man at home "to the south".
3
Gossip, please number
Ye Jing was a geek, like Wang Shuo, a disciple of the army compound, and worked as a tank soldier in the 1970s. In 1979, Ye Jing retired from the army to prepare for the college entrance examination, and was admitted to capital normal university the following year, but he did not adapt to university life and retired from school a year. After that, Ye Jing entered the Haidian District Government as a cadre. In 1983, Ye Jing resigned and opened a restaurant called Tianfu Restaurant, and Wang Shuo also became the owner of this restaurant, "because at that time, there were three legal representatives to open a restaurant, and they were all unemployed, and Wang Shuo was very consistent." Nine out of ten people who grew up in the 1980s were once literary youths, and Ye Jing was no exception. The literary and artistic dreams of a brain, the brilliant talent of a belly, the inopportune one-sidedness of not spitting out unhappiness, and the inability to gallop the heart without creation.
In the mid-1990s, when Wang Shuo and Feng Xiaogang tossed the Good Dream Film and Television Company, Ye Jing was also one of the enthusiastic participants. Director Wang Shuo and Feng Xiaogang starred in "I Am Your Father", and Ye Jing appeared in the film to play a rogue who beat Feng Xiaogang to a blue nose and swollen face. Later, Wang Shuo left the United States, Feng Xiaogang's "The Back of the Moon" and "Living a Terrible Life" were continuously frustrated, the road of critical realism fell into a desperate situation, turning to the New Year comedy "Party A and Party B", Ye Jing not only relied on his own connections to help Feng Xiaogang transfer tanks in preparation for the use of "bookstore owner dream of General Patton", but also played the "tour boss" who slapped people's thighs when he spoke. The boss of the tour is tired of eating raw seafood, and the Central People put themselves in a small mountain village to enjoy coarse tea and light rice, and after a few days of starvation, they become "weasels" whose eyes shine when they see meat. This paragraph is the day when Ye Jing learned about film and television production and practiced internal skills. Later, Wang Shuo, Ye Jing and Feng Xiaogang gradually became estranged, Wang Shuo no longer showed his face full-time as a master behind the scenes, Ye Jing wrote and directed three TV series "Where Dreams Begin", "Laughter and Generosity", and "Days Related to Youth", and dumped one into one. His passion was surging and he could write a million words of scripts a year. His memory is amazing, so many old words have been written.
The completely naturalistic Feng pants (Tong Lei) in the play are mean, dirty, chicken thief, and cowardly. He is an unbridled desire, and he uses his hands and feet on all the young women around him, in the name of love, but without exception is spurned. He was deeply inferior, and liu bei cried jingzhou at every turn. What is even more gimmicky is that his appearance and experience have a wonderful subject-object projection relationship with Feng Xiaogang. Feng Dao Xiaogang is from a working people's background, and once did not trim the edges in life, and Mr. Feng Pants also sat and stood very casually. Feng Xiaogang became a well-known director in China after many years of working as an artist, and Feng Pants was already a famous director representing China's "Chong Ao" when he met again with dialect farewell. But Feng pants are clearly different from Feng Xiaogang, the real Feng Dao in his youth is not at all Ye Jing, Wang Shuo in their circle of people, Feng Dao also has no experience of underground directing, but came from the Beijing Television Art Center of the famous and upright. However, the reporters' profession is to catch the wind and catch the shadow, rather than paying attention to the tight seams of the evidence chain like the court, and with three points of similarity, Feng Pants and Feng Xiaogang are seated. And Ye Jing also contributed to the situation, talking about the similarity between the two. Because of this gossip, Feng Dao's wife Xu Fan deliberately came out to fight a war of words: If Feng Xiaogang could only cry, could he have today?
In addition to Feng Dao's public case, some people also said that the dialect in the play was Wang Shuo. Dialect is the protagonist of many of Wang Shuo's novels, and these novels are mostly written in the first person, and Wang Shuo has repeatedly claimed that he is the kind of writer who writes about himself, so even if the dialect and Wang Shuo are not exactly the same in life, at least they are of the same spiritual origin and blood. More importantly, the basic structure of "Days Related to Youth" comes from Wang Shuo's novel "Playing is a Heartbeat". In fact, the story content of the TV series has far exceeded the novel, and Ye Jing's language pouring kung fu even exceeds Wang Shuo, but he is reluctant to lose this structure, nor is he willing to let go of a few witty words in the novel, and he still uses it. Although dialect cannot be said to be a moral pacesetter, he is at least no worse than Wang Shuo's own public image, so Wang Shuo does not deny that he is a dialect, saying that Ye Jing's TV series reminds him of who he is.
As for saying that Wang Ruohai is a sea rock, it is simply a raw pull. It is nothing more than Wang Ruohai who served as a soldier, and later became the boss of a hotel, writing romance novels in his spare time, crazy demons of thousands of boys and girls, and Haiyan also served as a soldier, not only a writer, but also runs a five-star hotel. However, Haiyan had nothing to do with Ye Jing when he was young, and his appearance was not similar to Zhang Hao, who played Wang Ruohai. Wang Ruohai is a fleeting character in the play, the head and tail and the middle show a few faces, and there is no excessive performance, Ye Jing arranged for him a profession similar to Haiyan, but if there is a similarity, it is purely coincidental.
4
Behind the scenes, it's turbulent
The drama is 52 episodes long and experienced unimaginable difficulties during filming. Director Ye Jing has repeatedly fought with the staff because various departments cannot meet the requirements, the most serious one is that he single-handedly "singled out" hundreds of extras, and finally caused the extras to unite to boycott "Days Related to Youth". After 15 days of booting, the three main actors who played Gao Yang, Li Bailing and Bai Shan could not enter the role, and Ye Jing decisively changed the role after the long examination! Ye Jing wants to ensure that the expression is accurate and in place, so he will not hesitate to make a big move again and again.
Dialect is played by Tong Dawei. Tong Dawei has filmed three representative youth dramas in recent years, "Days Related to Youth" after the 60s, "The Youth We Have Nowhere to Put" after the 70s and "Struggle" after the 80s, and he is already the number one student of the youth drama. Tong Dawei made his debut in Zhang Yuan's "I Love You", which was adapted from Wang Shuo's novel "Addiction", and the "With" drama can be called his best work so far, and it is still inextricably linked to Wang Shuo's works.
Guo Jinglin, who plays Gao Yang, is an actor at the National Drama Theatre, and he came to the rescue on the recommendation of Huang Meng, who played Gao Jin. He was noticeably older than the others and spoke with a slight accent, but his temperament was in line with Gao Yang, the leader. When he first arrived on the set, Guo Jinglin was once dizzy by a large section of lines, and he had the idea of quitting, and insisted on it for a while under the persuasion of the director to find the feeling.
Chen Yufan, who plays Xu Xun, was electrocuted in the head. Xu Xun is the most simple in the group, and Chen Yufan's performance is not so fragmentary, but it is also right. His greater contribution is to the soundtrack of the whole play, "Listen to Mother Tell the Story of the Past" has become deep and sad after he reinterpreted it, and the songs together seem to open the door of the time tunnel, and the past has slipped through the eyes. In addition to the ticket play in this play, the musician Chen Yufan also met and fell in love with Bai Xue (Bai Baihe), who played Jojo, and later married.
Qi Huan, who played Li Bailing, was originally a candidate for Jin Yan, and the female number one came up in time after the situation. For the actor, the first difficulty of this play must be the line, the long talk is not said, the speed of speech, those words, are no longer familiar to today's people, and they are not allowed to move, and the fewer "" words have to be repeated. Those who can pass this level must be the awakened people, and those who react slowly are waiting to be eliminated. Qi Huan is not beautiful enough, lacks a little bit of persuasiveness, but she plays Li Bailing's stubbornness and unwillingness all over the seat.
A virtuous woman like Bai Shan (Chang Jingru) is probably extinct now. Her belly can tolerate all disrespect and unseemly. Jin Yan (Gao Lu) such a seed of infatuation, is in any era will have, moths to the fire to throw themselves into love, crocodiles into the gecko out, big rush in and small noodles out, olympic games into the Paralympic Games will come out, for love wounds for life. Xia Hong (Li Yue) such a heroic and heroic woman, there are many martial arts worlds, rare in the world, without her, the group of Beijing would have long been living on the streets drinking the northwest wind. Tan Li (Chen Yijia) is simply Du Shiniang with a small white face upside down, and the temperament of this "miss" is not windy and dusty, but cold.
Beijing Kanye Wang Kuanglin's mouth is always racing with a maglev train, and it can really be said. What's even more cute is that the donkey can't fall down, watching the beaten down, and shouting in his mouth: "I made you want to cry without tears!" Playing Wang Kuanglin is Wang Xiaozhu, whose main business is production and is good at cameos in particularly unobtrusive rogue roles. In addition, Wu Fatzi (Banzan) is also cute, he is different from Wang Kuanglin, poor and poor, but Lai Han does not eat the immediate loss, as soon as he smells the dangerous breath, he will automatically find steps. He introduced the system of sub-coupons in the family video hall, and people who did not take the coupons did not want to come in, even if they were his father. He and Liu Huiyuan (Yu Haolei) had a protracted debate over the position of "Zhuang Lord".
Two actors who have collaborated with Ye Jing in "Where Dreams Begin" make cameo appearances in the play, Su Yan plays a female policeman who tortures the origin of dialect sabers, Zhang Hanyu plays a policeman who waits in dialects at home in the first episode, producer Zhou Jing makes a cameo appearance as Bai Shan's husband Ge Nanzheng, and director Ye Jing makes a cameo appearance as Ma Hanyu, a policeman in plain clothes.
5
Thin hair, rely on thick accumulation
Before "Days Related to Youth", Ye Jing also choreographed and directed two works. Filmed in 1998, "Where Dreams Begin" is a debut film, which was loved by audiences at that time and has occasionally been broadcast on television to this day. The story begins in the 1970s, Song Jianjun (Zhang Hanyu), Song Jingsheng (Ding Zhicheng), Luo Donna (Liu Bei), Wen Xiaoya (Su Yan) and a group of young boys and girls chased after the Shichahai Ice Rink in Beijing, checking and pulling out the shelves, fighting for the wind and jealousy. Later, as they grew older, they went to society, became soldiers, employed, promoted, and disabled, and went to different paths and began their own sorrows and joys. The story ends in the first winter after The return of Hong Kong, and they meet at the Shichahai Ice Rink, where the dream began. This TV series with ye Jing's autobiographical nature is not low in shooting, and it makes people who have come through that era look up and down.
In 2000, Ye Jing also wrote and directed "Laughter and Generosity", a black humor drama that revealed many shady scenes in the entertainment industry. The main story line is like this: businessman Wu Liwei (Fu Biao), screenwriter Fei Xiaodi (Ye Jing), mixed jiang li (Zhang Hanyu), player Xu Ning (Feng Lei) four people together set up Weige Film and Television Communication Company, in order to shoot TV series to launch a money offensive to men and women. When it aired on BTV-4 the following year, the ratings of "Laughter and Generosity" were inferior to those of "Black Hole" in the same period, and the response was not very enthusiastic. The biggest feature of this play is parody, which can also be said to be a spoof. Spoofs are the patents of young people, and the mainstream audience of TV dramas is housewives, and only when online video dissemination rises and young people have a platform for gathering, such films can form a word of mouth. "The Tale of Wulin" is popular in the rivers and lakes, and it is precisely to catch up with this trend. Obviously, "Laughter and Generosity" was born a little early.
Look at the ubiquitous parody in the play: Duan Ziyi, the film and television company foursome went to the township entrepreneur's uncle to tie money, the country girl Xiaofeng fell in love with Jiang Li, the music, the shape, Xiaofeng's running and twisting body, all see "My Father and Mother". Duan Zi two, Fei Xiaodi filmed a TV series, dark room conspiracy, toilet gun hiding, café killing, refuge in the countryside, directly cloned from "The Godfather", Jiang Li even glued a mole on the cheek, to Robert De Niro in all directions. Duan Zi three, Fei Xiaodi filmed a New Year film, Jiang Li went to a mansion to borrow land to shoot a scene, and as soon as he entered the door: "My name is Howard, welcome to the United States, your Chinese food is very delicious!" "This is clearly "No See, No Dispersion." In addition to the misappropriation of these large sections, there are many small tricks, such as Xiao Feng lying on the cave and waiting for Jiang Li, which is taken from the part where Ye Jing himself plays the boss of The Tour in "Party A and Party B" is waiting for people to come to the city at the mouth of the village; Feng Xiaogang is once again used to amuse himself, and his classic quote of "I don't make a New Year film what the people see" is copied into the play, and the "Hollywood Warner Global 20th Century Huayi Brothers and Sisters Production Company China Department" is ready to shoot the New Year film called "See Good and Not Receive".
The Hollywood film Series Screams is dedicated to teasing hits to please audiences. Hong Kong's Wang Jing, Zhou Xingchi and Liu Zhenwei all stole the bridge section and reloaded to win laughter. In movies, parody is already a science of manifestation. But in TV dramas, this situation is rare. Because of the long plot of the TV series, whether it is suspense or bitterness, it is generally serious about telling stories, even if it is Stephen Chow's "Gestapo", it only shoots the duel between the two masters into a shrew fight in the last episode. Ye Jing's film is pieced together to fill a gap in the TV series, which can be called CULT drama. He went out of the painting and into the painting, jumped around, did not jump in thinking, did not accumulate watching the film, and really could not keep up.
"Laughter and Generosity" is like a sharp knife, inserted into the heart of this monster in the entertainment industry, and stirred up a few stirs. In this picture of abduction and deception, there are those who pretend to be Wenjing (Zhuang Wenjing), those who pretend to be handsome (Zhuang Yating), the directors who are rich in women, the actresses who cry and shout to send the star villa, the actresses who turn to the arms of the boss, the investors who do not speak English, the three escorts who participate in the draft, and the underworld boss who directs the movie. In this strange world, there are always two people coming and going: one is called The Name, and the Other is called Li.
The most interesting thing is President Wang, a belly full of flowers and intestines, a mouth of decent theory. He staged a super-good play of "ask the girl to bathe", which cannot be repeated in words. The actor is Zhang Xinyuan, who played the henan old Jiang in "Days Related to Youth". The bald policeman with the Shandong accent in "With Youth" pimped President Wang read the interpretation as "bolt release". These two people can be called Ye Jing's royal green leaves, just like Lin Xue and Xu Shaoxiong to Du Qifeng, who only wanted to praise: too talented.
While vigorously "abusing" the entertainment industry, there is also a dark line of true feelings, not obvious, but never overlooked. Fei Xiaodi spent a lot of effort to get TV series investment from Wang Shuxian, but he gave up for the sake of dignity. Xiao Qing has a deep affection for her little brother, just like Jin Yan in "With Youth" is obsessed with Gao Yang and does not hesitate to commit a crime. Zhuang Wen pretended to return to simplicity to the end, and went to marriage with Jiang Li, who had a temperament. Fei Xiaodi's sullen love for Wu Liping (Dong Xiaoyan) finally fell by the side, and only then did he issue a call that did not help. His confession is the same as the dialect's farewell line to Li Bailing in "Youth": I dare not face you because of the cowardice and incompetence in my heart. This once again confirmed one of my judgments about Ye Jing: he must come more than twice about any idea. Perhaps, this is a sad area that he himself cannot calm down.
In general, "Laughing Generously" is not as passionate and chaotic as "Days Related to Youth", which is roughly a state of no-self, cold eyes, and ridicule. It's not very impressive, but fun and has a smart content.
At that time, when Wang Xiaobo had just emerged, critics exclaimed: the real masters are outside the literary world. Ye Jing once again confirmed this sentence with his three works. So far, only "Where Dreams Begin", which is accommodating to the public, has a good reputation, while "Laughter and Generousness" and "Days Related to Youth" have not been properly evaluated in society due to their sensitive themes and niche techniques. If a balance can be found between personality expression and conformity, Ye Jing will become a big director at the public level. However, even if his sharpness and variety still cannot be recognized by the mainstream society, I believe that one day, after the flashy bubble is gone, Ye Jing will eventually occupy an important place in the history of Chinese television dramas.
【Text/Li Xingwen】
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