Chen Banding's flowers, with their unique artistic style and profound cultural heritage, show the variety and vitality of flowers.
Chen Banding's floral themes cover a wide range of flowers, including plum, orchid, bamboo, chrysanthemum, pine, cypress, peony, peony, begonia, yueji, lotus, wisteria, peach blossom, apricot blossom, grape, gourd and other flowers. These flowers are not only available in all seasons, but also have their own characteristics, making Chen Banding's flower paintings rich and colorful, and the audience can appreciate the feast of flowers in the four seasons, the flowers are in full bloom, and the scene of competing for beauty is endless.
In the creation of flower paintings, Chen Banding focuses on freehand, and at the same time uses a variety of techniques such as large brushstrokes without bones, double hook coloring, and white drawing to enhance the contrast and change of the picture. His brushwork is vigorous and powerful, with a strong sense of power, and his composition is stable and dangerous, and he is good at unifying poetry, calligraphy and painting in the frame. On the basis of inheriting the tradition, Chen Banding also pays attention to innovation, integrating personal emotions and the spirit of the times into his paintings, forming his own unique artistic style.
Chen Banding's flower paintings are fresh and lively in style, and have a lot of elegance. His floral works are far from the white sun and green vines, and they are beautiful and vivid; At the same time, it also has the majestic atmosphere and simplicity of his teacher Wu Changshuo; It also has to be the vivid and charm of the flowers. In the swaying of pen and ink, Chen Banding is a little less handsome and more elegant, a little less clumsy and a little more smart, a little less beautiful and a little more beautiful. This unique artistic style makes his flower paintings unique in the art world.
Representative works include: "Every Happiness Comes to the Spirit Hair", a lotus work outlined with light ink and color, the lotus is slightly heavy with a pen, and dried dyed with white pink eosin. The lotus stem is outlined with a light green center, and then the stem needle is carefully added with dark green, which has a sense of virtual reality. A few reeds in the upper right are free, showing the artist's superb brush and ink skills. "Orchid", "Plum Blossom", "Chrysanthemum Gourd" and other works are light and elegant, pay attention to the creation of artistic conception, the layout is empty and simple, relaxed and flexible, and quite "leisurely". In particular, in "Chrysanthemum Gourd", the representation of gourds and chrysanthemum vines is Chen Banding's perception of calligraphy lines, and the straight pulls, turns and pauses are full of rhythm. The work "Pushing Through the Old and Bringing Out the New" is a masterpiece of calligraphy and painting created by Chen Banding close to life and combined with the main theme. To highlight the background of the period, a bullock cart with huge sunflowers is shown to show the harvest scene.
As a typical representative of the Beijing-Tianjin School, Chen Banding's flower paintings not only enjoy a high reputation in China, but also have a profound impact on later generations.
begonia
Tianzhu
Lamei
hibiscus
peony
wisteria
calabash
rose
White Lotus
cabbage
Bergamot
Wild chrysanthemum