When the ink color wanders on the rice paper, the scenery of the south of the Yangtze River slowly unfolds under the painter's brush. It is a dreamlike water town, with rivers crisscrossing rivers, stone bridges and boats. The shade of dry and wet ink is just right to express the sunny weather and rain and snow in the south of the Yangtze River, and show the change of the four seasons in the south of the Yangtze River.
Jiangnan in spring is a fresh and graceful picture. The weeping willows on the shore are clinging, and the tender green willow branches flutter in the wind, as if they are the lines outlined by nature with the softest brushstrokes. Peach blossoms and apricot blossoms bloom, and pink and white petals scatter dotted on the inky streets. The painter renders the misty sky with light ink, and paints the dew drops on the petals with wet brushes, making people seem to be able to smell the fragrance of spring and feel the warmth and vitality of spring in the south of the Yangtze River.
In summer, Jiangnan is a little more warm and lush. The lotus leaves are in full bloom, the ink-colored lotus leaves are overlapping, and the pink lotus flowers are slim. The lake sparkles in the sunlight, and the painter uses a blank space to express the reflection of the water surface, making people feel the warmth and brightness of summer. In the alleys, children frolic and laugh echo among the inky houses. The joy and vitality of summer, infiltrated by ink, appear more vivid and real.
Jiangnan in autumn is a quiet and deep poem. Maple Leaf Chinese Restaurant leaves turn red, ginkgo leaves are golden, and fallen leaves fall on the bluestone pavement with the autumn wind. Inky mountains stretch in the distance, and the trees on the mountains are dyed in autumn colors, red or yellow, orange or purple. The painter depicts the vigor of the branches with a dry brush, and sets off the haze of the autumn mist with light ink, which makes people feel the flow of time and the cycle of life in this quiet picture.
Jiangnan in winter has a unique elegance and silence. Snowflakes are falling one after another, covering the ancient town in the south of the Yangtze River with a layer of white gauze. The rooftops, stone bridges, and boats were covered in snow, and the whole world seemed to be quiet. The painter outlines the building with thick ink, and expresses the thickness of the snow with white space, creating an ethereal and pure atmosphere. In this cold winter, the ink paintings of Jiangnan make people's hearts swell with warmth and tranquility.
The water in Jiangnan is the most dynamic element in Jiangnan ink painting. The river meanders and flows through the entire Gangnam. The water of the river is crystal clear, reflecting the houses and trees on the shore. The painter expresses the flow of water with smooth lines, and paints the texture of water with a faint ink color, which makes people seem to be able to hear the sound of gurgling water and feel the tenderness and agility of water. The boats swayed on the water, the boatman at the bow paddled leisurely, and the cormorant at the stern went into the water to catch fish, and sometimes flapped its wings. This vivid scene, rendered in ink, adds a sense of poetry and romance.
The bridge in the south of the Yangtze River is the most charming existence in the south of the Yangtze River. The stone bridge spans the river and connects the homes on both sides. The stone slabs of the bridge have been polished smooth and round by the years, and the stone railings are carved with exquisite patterns. The painter depicts the structure of the bridge with delicate brushstrokes, and expresses the vicissitudes and simplicity of the bridge with shades of ink. With the gurgling water under the bridge and the hurried pedestrians on the bridge, this bridge is not only a passage connecting the two sides of the river, but also a witness to the history and culture of Jiangnan.
The architecture of Jiangnan is the most distinctive landscape in the south of the Yangtze River. Houses with white walls and black tiles are arranged in a staggered manner on both sides of the river, and the horse-head wall stands tall, and the cornices and corners are light and flexible. The doors and windows are carved with exquisite patterns, revealing the delicacy and elegance of the Jiangnan people. The painter outlines the shape of the house with simple lines, and renders the texture of the wall with light ink, making people feel as if they can touch the ancient wall and feel the unique charm of Jiangnan architecture.
In the painting scroll of Jiangnan ink painting, people are also an indispensable part. The woman strolling in the rainy alley with an oil-paper umbrella has a graceful posture and a light gait; The girl who was playing the yarn by the river, with a crisp laugh and skillful movements; The old man who was drinking tea and chatting in the teahouse looked leisurely and contented. The presence of these characters adds a breath of life to the ink Jiangnan and makes this scenery more vivid and vivid.
Ink painting in the south of the Yangtze River is so beautiful that it is drunk, drunk in its elegant colors, drunk in its smart lines, drunk in its far-reaching artistic conception, and drunk in its strong cultural heritage. It is the poetic expression of the painter's pen and the spiritual home of the soul. Whenever we appreciate this ink painting scroll of Jiangnan, it seems that we can travel through time and space, enter that poetic and romantic world, and feel the tranquility and beauty.