Second rhyme and Uncle Jin's two songs in Zhongrong West Garden One of the Northern Song Dynasty · Su Xun
Spring into the forbidden city nostalgic hidden, occasionally come to the garden like home.
Fanfan green vines are wrapped around the pine, and the plum is into the bamboo flowers.
The guest is slow and empty, and the wine is useless and becomes a snake early.
Xianggong still has a suicide note, and wants to ask Lang Jun to borrow five cars.
Su Xun's poem "Second Rhyme and Uncle Jin's Tour of Zhongrong West Garden" is set in the background of the garden, incorporating the description of the beautiful scenery of spring, nostalgia for the past and yearning for learning, showing the poet's rich emotional world and profound cultural heritage.
The first couplet "enters the forbidden city in the spring and is nostalgic and hidden, and occasionally comes to Fangpu like returning home." The scenery in the forbidden city of spring is used as an introduction, which triggers the poet's nostalgia for the secluded life of the past. The spring in the forbidden city made him feel as if he had returned to that quiet and free home, expressing his deep nostalgia for his past life.
"Fanfan green vines are wrapped around the pine, and the plum is into the bamboo flowers. It is a delicate depiction of the scenery of the West Garden. Emerald green vines entwined around the pine trees, full of life; The bright red plum and the flowers in the bamboo forest complement each other and are colorful. These two poems create a fresh and vibrant atmosphere through the depiction of natural scenes, and also reflect the poet's love and appreciation for the beauty of nature.
The neck couplet "is slow and empty, and the wine is useless and becomes a snake early." There seems to be a philosophical overtone to it. The first half of the sentence may be saying that even if the distinguished guest is arrogant, he is only putting on a majestic posture in vain (兕, a fierce beast such as the ancient rhinoceros, often used to symbolize majesty); The second half of the sentence may be an allusion to "too much wine becomes a snake" (from "The New Words of the World", which describes a person's blurred vision after being drunk and mistaking the shadow of the lamp for a snake), which is a metaphor for excessive drinking is not beneficial, but may be misleading. These two poems are integrated into the poet's deep thinking on the philosophy of life in a relaxed and pleasant garden atmosphere.
The tail couplet, "Xianggong still has a suicide note, and he wants to ask Lang Jun to borrow five cars." It expresses the poet's desire and pursuit of learning. The suicide note left by the Xianggong (which may refer to a senior or teacher) is a valuable intellectual treasure; The poet hoped to enrich his knowledge by borrowing the Wucha Book (in ancient times, the term "learned rich five chariots" to describe his knowledge) from Lang Jun (perhaps referring to a person with a rich or knowledgeable library). This is not only an admiration for the wisdom of predecessors, but also an endless pursuit of self-learning.
Second rhyme and Uncle Jin's two songs in Zhongrong West Garden Second Northern Song Dynasty · Su Xun
The pine is planted into a diameter of more than 100 feet, and the hall is like two in the distance.
Tired of things invite to drink all day long, thirsty spring first appreciate and then bloom.
The guest garden tree sings the cold magpie, and the wine enters the skin to remember the cold snake.
Sickness is more than a glass of wine, drunk and dumped to take a ride.
The first joint "planting pine into a diameter of more than 100 feet, the opening of the hall like two trees. It depicts a path made of pine trees in the West Garden, which is more than 100 feet long, and on both sides of the path are halls separated by paths, as if they were two different worlds. This layout not only reflects the exquisite design of the garden, but also implies a state of mind that is isolated from the hustle and bustle and seeks tranquility.
"Tired of things invite to drink all day long, thirsty spring first appreciates and then flowers." It expresses the poet's leisurely mood of gathering and drinking together because he is tired of the world, as well as his longing and appreciation for spring. They admired the flowers that had not yet bloomed in advance, enjoyed the breath of spring, and showed an attitude of life that was detached from the world and pursued the beauty of nature.
Neck couplet: "The guest comes to the garden tree to sing the cold magpie, and the wine enters the skin to remember the cold snake." The "cold magpie" here may symbolize the arrival of guests and add a bit of vitality and liveliness to the courtyard, while the "wine into the skin and the cold snake" may be a subtle physiological and psychological reaction of the poet after drinking. The metaphor of the wine penetrating the skin and evoking the touch of a cold snake is both strange and imaginative, and perhaps also alludes to the poet's memories of a certain experience or feeling in the past.
The tail couplet "decay is not more than a glass of wine, drunk and dumped to take the car." It directly reveals the poet's physical condition. Although he enjoyed the pleasure of visiting the garden and the pleasure of drinking, his sick body could no longer bear the excessive amount of alcohol. In a drunken haze, he even wanted to go back by car, which not only showed his helplessness and worry about his health, but also reflected his nostalgia and reluctance to visit the garden.
Through the description of the scenery of the West Garden and the narration of the garden activities, the whole poem shows the poet's rich emotional world and complex life experience. While enjoying the beauty of nature and the joy of friendship, he also did not forget to pay attention to his physical condition and inner world, which makes this poem contain deep thoughts and emotions in a relaxed and happy atmosphere.
Send Shu monks to dust Northern Song Dynasty · Su Xun
Ten years of reading is easy to spend on anointing fire, and chanting poetry all day long.
I don't understand that Danqing is chasing the world, and wants to recommend Qin Zhi to Junpan.
Whoever is good should be too thin, and then there is a bosom friend who can be wasted.
The cane hangs on the warp and must be doubled, so the mountain spring fern has dried up.
Su Xun's poem "Sending Shu Monks to the Dust" expresses his deep friendship and good wishes to his friend Quchen (a monk from Sichuan), and also embodies the poet's own life ideals and pursuits.
The first couplet "Ten years of reading is easy to spend on the fire, and the lungs and liver are sad all day long." By describing his years of hard work in studying the Book of Changes and chanting poetry day and night, he shows the poet's persistent pursuit of knowledge and deep feelings for poetry creation. The "anointing fire" here refers to the consumption of time, energy and even life, while the "sorrow of the lungs and liver" vividly expresses the poet's state of exhaustion due to creation.
"I don't understand that Danqing is chasing the world, and I want to recommend Qin Zhi to Junpan." It turned to the evaluation and expectation of friends to go to dust. The poet said that he does not pursue the art of painting (Danqing), which is favored by the world, but hopes to dedicate his noble character and sincere emotions to his friends, just like the ancient gentlemen who used vanilla (Qin Zhi) to describe themselves. This not only expresses the appreciation of the character of dust removal, but also expresses the poet's own feelings of not being in the same stream as the world and sticking to the noble aspirations.
Neck couplet: "Whoever is good should be too thin, and then there is a bosom friend who can be wasted." It further elaborates on the poet's beliefs and expectations. He believes that true good words and good deeds should not be abandoned because they are not appreciated by the people of the time, because there will be soulmates who will understand and cherish them in future generations. This is not only the confidence in one's insistence on the truth, but also the expectation that in the future, he can meet his soulmate and inherit the noble ambition.
The tail couplet "cane hanging through the warp must be doubled, so the mountain spring fern has been dry. "Love with the scenery, love in the scene. The poet imagines the sight of Dusty hurrying with a cane in his hand and a scroll on his back, reminding him to hurry up, because the spring bracken (a symbol of time and opportunity) in his hometown is almost out of season. This is not only a concern and urging for the way home, but also an implicit feeling that time is fleeting, and that we should cherish the present and seize the opportunity.
Nine Days and Han Wei Gong Northern Song · Su Xun
In his later years, he was the least talented, and Xiao Xiaohua made a golden gift.
It is unbearable for the prime minister to extend the East Pavilion, and accompany the Confucian old Qutai.
The festival has been in sorrow for a long time, and the strong heart is drunk.
At dusk, he rushed to the rain and cold without sleep, and opened the new poem a hundred times.
Su Xun's "Nine Days and Han Wei Gong" is a poem in which the poet expresses his feelings and respect to Han Wei Gong (i.e., Han Qi, a famous minister of the Northern Song Dynasty) on the occasion of the Double Ninth Festival. The poem shows the poet's complex and deep state of mind through the interweaving of emotions such as self-humility, nostalgia, unfulfilled ambition, and late-night solitude.
The first couplet "is the least talented in his later years, and Xiao Xiaohua is the most talented. Beginning with self-humility, the poet said that he was able to pay homage to Han Wei in his later years, but he felt that he was shallow in his studies and did not deserve such glory. At the same time, the contrast between "Xiao Xiao Huafa" and "Jin Wei" (exquisite utensils for holding wine) not only expresses the passage of time, but also hints at the poet's inner emotion and self-injury.
"The joint is unbearable for the prime minister to extend the East Pavilion, and accompany the Confucian old Qutai." It further expresses the poet's humility and helplessness about his current situation. He felt that he was not worthy of being invited in the Prime Minister's East Pavilion, so he could only live in Taichang Temple (Qutai is another name for Taichang Temple) and spend his old age with scholars. There is not only admiration for Han Weigong's high style and bright festival, but also regret that he failed to fully display his talents.
The "Neck Couplet" festival has passed from sorrow for a long time, and the strong heart is drunk. Instead, it expresses the poet's lament about the passage of time and the unpaid ambition. The Chung Yeung Festival is supposed to be a festival, but the poet often spends it in sorrow; However, in the occasional drunkenness, he can feel the unquenched ambition. These two poems have complex emotions, both helplessness about reality and persistence in ideals.
The tail couplet "Returning to the rain and cold at dusk has no sleep, and I have opened the new poem a hundred times." It depicts the poet returning home late at night and braving the rain. In the cold and lonely nights, he could not sleep, and could only recite his new poems over and over again. This is not only an affirmation of one's own talents, but also a search for solace in the soul. Through this detail, we can feel the loneliness and tenacity of the poet's heart.
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