Zheng Min, "Reading in the Autumn Forest", on paper, vertical scroll, ink and color, 135x112.5 cm, style: a volume of ice and snow literature, avoiding customs, and bringing it by itself. Thirty years ago, Wu Men handed over Wei Zi Yongshu appreciated the analysis of the text and righteousness, and the descendants of Song Wei Wenjie met his bed, the book of the house, the imperial pen of the Emperor Lizong, the wedge was still in the selection of ice and snow, and the second edition of Zhu Xianda was said to be a pseudo-Mr. 61, and his later body was a friend who lost the sun, and his people were because of the writing of this to enter the party to the Taoist brother, and his twilight encounter. Zheng Min.
Zheng Min, the word Mu Qian, the number catechumen, the descendants of snow marks, Mengxiang, etc. A native of She County, Anhui Province. Beginner in the late Ming and Qing dynasties, painter. Erudite poetry, philosophic, like to collect books, calligraphy and painting seal carving, taste the handbook "Du Shi Note", especially good at landscape. He inherited the Yuan people Ni Zan and Huang Gongwang, and recently succeeded the "Xin'an School" in the early Chunchu River, and was one of the famous masters of the "Xin'an School", and wrote "Worship Sutra Zhai Collection", "Zhidaotang Collection", "Zhengji Ju Collection" and so on.
Zheng Min's landscape paintings, painted in ancient times, are purely vivid and vivid, with far-reaching interests and infinite meanings. In addition to painting, writing poetry is also very famous, in the seal carving also has a small achievement, it has been mainly based on the Qin and Han dynasties, and then add their own new ideas, manufacturing - some very distinctive things, he often shows his own style of life in his paintings, so as to show us their own temperament.
In this painting, a strange pine tree leans out from the lower left corner to the upper right, occupying the main picture in the middle, and the three autumn trees cover each other, enriching the picture and visually balancing the sloping pine trunk. The steep and towering peaks on the back side set off the upright pine trees. In the lower left corner, a small rock scene and pine trees form a blank space, a Coats holds a staff in his right hand, and a book in his left hand stands under the pine, and Lang Lang recites poetry endlessly. The style of painting inherits the Hongren lineage, scattered and quiet, and the outline line of the mountain and stone is closer to Huang Gongwang; The dry brush is rubbed, simple and deep, the color is light and elegant, and the appearance of the family is clear and sparse.
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