Bald? Handsome!
Bald? Cool!
When I woke up one night, I thought Liu Haoran was bald......
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Take a closer look and realize: Oh! It turned out to be the shape in the summer movie "Revealed", and in the face of the "baldness" that was "ruthless" this time, the comments basically showed a polarizing trend. Some people think that it is a performance to break themselves and serve the role; Others said that the headgear was a little unnatural, so it was better not to do it.
In fact, every time a male artist challenges the image of death baldness, it can cause quite a stir. In addition to Liu Haoran's controversial appearance this time, there are also many classic bald characters in internal entertainment-
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Male Artists:
It's too "bald......
Young and old: Liu Haoran
Regardless of whether M baldness is done naturally, many people complain about Liu Haoran because there is a feeling of "makeup is very old but very young".
In fact, Rong Jinzhen played by Liu Haoran is such an image of a young man.
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According to the description in "Mr. Rong's Interview Record": After ten years of not seeing him, he has become thinner than before, and he wears a pair of old-fashioned glasses thicker than the bottom of the bottle, like a little old man.
So in order to get close to this weird-looking, big-headed, thin-skinned mathematical genius, Liu Haoran not only shaved his hairline, but also plucked his eyebrows and lost weight like crazy......
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Do you climb the mountain together: Qin Hao
Qin Hao's bald appearance must be recorded as a horror theme: a bald man who has failed in his relationship, can't chase back my princess, and can't get my camera.
It is said that this bald shape did not appear in the original work of "The Hidden Corner", and was added after Qin Hao and the director discussed together, and I have to say that it is indeed the finishing touch.
On the one hand, the bald shape explains the reason why the sex life of the husband and wife is not harmonious, and on the other hand, it can give a glimpse of the character: Zhang Dongsheng has always been a "pretender" in life, and under the gentle image, he is a person with low self-esteem and sensitivity to a little perverted, and baldness deepens his inferiority complex in reverse.
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No. 1 artist: Huang Zitao
From a first-line artist to a first-line artist, Huang Zitao only needs a hood.
Even so, the agent can still take the birthday notice of the star-chasing lady in the second carriage for him at the end of the world.
Huang Zitao, who speaks with an unharmonious Shandong accent and completely lets himself go, also gained a lot of fans in "Walking on the Moon Alone", and many viewers commented that this is one of the funniest scenes in the film.
However, it is true that Huang Zicheng is hallucinated, and the director can save some money next time.
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I would really like to thank you: Wang Yaoqing
also comes with a funny filter, is Wang Yaoqing, one of the eternal bosses.
In "Her City", in order to catch Wang Yaoqing's tryst with his sister, the ex-wife pretended to be a cleaner and went to the hotel to catch the rapist, but she didn't catch her sister, but caught her bald ex-husband......
Double the funniness!
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Grenin Trafficker: Wang Chuanjun
If the above characters are bald due to physiological reasons, Lu Yingying, played by Wang Chuanjun in "I Am Not the God of Medicine", is pathological baldness.
As a patient with chronic myelogenous leukemia, he collapsed due to the hopelessness of insufficient drug treatment in the midst of a difficult step in his life, and finally committed suicide.
In fact, Wang Chuanjun's original "too tall and handsome" screen image did not conform to the director's concept, and in the end, in order to fit the image of this pale and stiff little person, Wang Chuanjun jumped rope 4000~8000 times a day and lost more than 20 pounds.
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It's too rolly
There's also a track overhead!
Because the bald shape is too realistic, several of the above male artists have also had rumors of "real baldness".
In a live broadcast between Qin Hao and Yi Nengjing, Yi Nengjing tried on various wigs for her husband, because Qin Hao's mood was too stable, and he was also the one with the most suspicions.
Because the current makeup technology has become more mature, the bald shape is becoming more and more seamless. Those bald looks that look very realistic are usually achieved in the following ways:
The most common method is to use specially made bald wigs, which are usually made of thin, transparent silicone or latex, and are most common because they are easy to wear and do not require shaving, striking a good balance between cost, convenience and effectiveness.
In addition, some makeup artists use special makeup and tools to simulate baldness, such as using hair covering products, flattening and hiding the hair, and then applying a special layer of makeup on top to make it look like a smooth scalp.
In the end, there is a simple and rough shaving of the head, which is the most natural, but it does test the determination of the actor himself.
Each method has its pros and cons, and which one to choose often depends on the needs of the character, budget, and shooting conditions.
I have to say that this kind of bald makeup does have a special sense of humor, like breaking a wall of strict self-management and delicate artist image, a few stubborn hairs are a little funny, and before the actor can speak, the dramatic effect is there.
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Acting well
Start with the "head".
So, is this kind of behavior of "dedicating oneself" to the character and "playing ugly" more gimmick, or is it more effective?
In fact, image management is indeed a part of the performance. In the book "The Self-cultivation of Actors", Stanley wrote that when he performed "Othello", he would use the bone broadsword used to cut the book as a dagger, a towel as a turban, and then tear off the fabric from the curtain as a strap......
After dressing up, he became more convinced of his character and mission.
This is because, with well-designed costumes, hairstyles, and overall appearance, it is easier for actors to understand the character's identity, social status, and inner world. A proper image design can make the character three-dimensional from the inside out.
Similarly, close makeup is not only conducive to the actor's sense of substitution and grasp the character's internal motivation and behavior, but also helps to improve the audience's convincing, after all, the audience's first impression of the character is still the appearance.
It is most appropriate to use Qin Hao's summary: The profession of an actor really serves the role from hair to face.
In recent years, more and more artists have kept their makeup exquisite in film and television dramas, and it may be easier to play than bald, perhaps worrying about the cramped feeling of beauty downgrading.
However, whether it is stinky or deliberately ugly, whether the work is seriously polished or publicity is greater than the content, it has become more and more easily recognized by the audience.
In the current era when the burden of actors' images is getting heavier and heavier, sincerely facing the childishness of the characters may be closer to the essence of performance.