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In the busy film and television crew, a silver-haired old man is engrossed in his role. Sometimes confused, sometimes sober, she vividly portrays an old grandmother with Alzheimer's disease.
This old man is the 76-year-old Li Wenling, who is known as the "mother professional", despite the poor condition of her knee joint, she still insists on contributing her strength in her acting career.
played Grandma Peng in "Mr. Good" and Aunt Qi in "A Big Family", Li Wenling used vivid characters to interpret the meaning of "virtue and art".
Her professionalism and love for acting have made her a well-deserved "mother of screen". Even after her old age, Li Wenling is still active on the big screen, telling her unswerving pursuit of art in her own way.
In 1960, a 15-year-old girl full of dreams stepped into the door of Beijing Film Academy. This girl named Li Wenling, with her love for performance and a solid foundation in sports, successfully passed the junior high school graduate examination specially recruited by the college for teaching experiments.
The young Li Wenling is full of expectations and looks forward to a brilliant acting career in the future.
In the study and life of Beijing Film Academy, Li Wenling is like a fish in water. She is diligent and hardworking, working hard to study acting skills, and has laid a solid foundation for her future acting career.
However, fate played a cruel joke on this hopeful girl.
In 1966, 22-year-old Li Wenling graduated from Beijing Film Academy with great expectations. It was supposed to be a beautiful moment for her to step into the showbiz and show her talents, but unfortunately suffered a "ten-year catastrophe".
This sudden turmoil forced Li Wenling's acting dream to be shelved. Her heart is full of confusion and helplessness, but her love for acting has always burned in her heart.
During these difficult years, Li Wenling did not give up on her dream. She always believes that as long as she perseveres, she will eventually return to the stage one day. Finally, in 1973, the opportunity came.
Li Wenling joined the drama department of the China Railway Art Troupe and began her drama career.
On stage, Li Wenling found an outlet to express herself and rekindled her passion for acting. Every time she takes the stage, she puts herself into the role and shapes each character with her heart.
This experience not only honed her acting skills, but also cultivated her tenacious character.
Li Wenling knows that only after experiencing wind and rain can she see the rainbow. These years full of hardships have become the nutrients for her future growth. Her dedication and love for art supported her through the trough of her life and laid a solid foundation for her future acting career.
This experience made Li Wenling understand that no matter what difficulties she encounters, she must stick to her dreams. It is this indomitable spirit that made her continue to break through herself in her subsequent acting career and become a "mother professional" loved by the audience.
Li Wenling's story tells us that as long as we have a dream in our hearts, we will never be defeated by difficulties.
1983 was a new beginning for 39-year-old Li Wenling. This year, she joined Beijing TV Studio and ushered in an important turning point in her acting career.
Li Wenling participated in the film "Alternate" for the first time, and this work directed by the new director Wu Ziniu lived up to expectations and won special awards at the Moscow International Film Festival and the Golden Rooster Awards.
This successful attempt opened the door to the film world for Li Wenling.
However, what really gave Li Wenling a firm foothold in the entertainment industry was her wonderful performance in the TV series "Four Worlds in the Same Hall". At that time, the crew of "Four Worlds in the Same Hall" was looking for suitable actors, and they took a fancy to Li Wenling at a glance.
But as a film major, she is hesitant to appear in a TV series.
Just when Li Wenling was hesitating, her husband Zou Hewei gave her crucial encouragement. He reminded Li Wenling that this is an adaptation of Lao She's famous work, which is a rare opportunity.
With the support of her husband, Li Wenling plucked up the courage to accept the challenge.
During the filming of "Four Worlds in the Same Hall", Li Wenling devoted herself to the role of "Fat Juzi". She meticulously figured out the psychological state of the character, carefully designing every detail of the expressions and movements.
Li Wenling's professionalism and outstanding performance won the appreciation of the director, and she was even entrusted with the important task of assistant director.
When "Four Worlds in the Same Hall" was broadcast, it immediately aroused a warm response from audiences across the country. Li Wenling's image of "Fat Chrysanthemum" is deeply rooted in the hearts of the people, and she vividly interprets the joys, sorrows and sorrows of an ordinary housewife, making the audience empathize.
This role not only made Li Wenling gain the love of the audience, but also established her status in the entertainment industry.
However, behind the success is a huge effort. When "Four Worlds in the Same Hall" was completed, Li Wenling felt physically and mentally exhausted. In order to adjust her status, she decided to make a temporary transition and try her hand at voice acting.
During this period, Li Wenling contributed her voice to many well-known works, such as dubbing Mrs. Gao Lao Zhuang Gao in "Journey to the West", and even dubbing the boy character Jia Huan in "Dream of Red Mansions".
When asked why she chose dubbing, Li Wenling replied with a smile: "I just like it." This simple answer expresses her pure love for art.
It is this dedication to art that allows Li Wenling to continue to break through herself in her acting career, and it has also become the secret of her long-term prosperity in the entertainment industry.
The success of "Four Generations in the Same Hall" is not only a milestone in Li Wenling's acting career, but also a new starting point for her artistic life. Since then, she has faced each role with a more mature attitude, interpreting different life situations in her own way, and has become a well-deserved "mother of the screen" in the hearts of the audience.
Behind Li Wenling's brilliant acting career, there is a little-known romantic love story. The protagonist of this story is her husband Zou Hewei, a talented man who also loves art.
The story goes back to Beijing in the 1960s, when art school students often organized social activities and built a simple dance floor in the cafeteria. It was on such an occasion that the young Li Wenling met Zou Hewei.
At that time, Zou Hewei was a sophomore at the Central Academy of Drama, talented and personable. And Li Wenling is a beautiful and moving dancer, who can attract the attention of the audience every time she dances.
The two fell in love at first sight and quickly fell in love. They often watch each other's exam performances and are full of praise for each other's talents. Every time the dance is over, Zou Hewei will escort Li Wenling home, and the two are reluctant, always going back and forth many times to really separate.
They also developed the habit of exchanging diaries, and those eight diaries became their precious testimonies of love.
Soon after her marriage, Li Wenling was transferred to Tianjin due to work needs. Zou Hewei worked tirelessly and personally took the train to deliver food stamps to Tianjin, fully supporting his wife's work. They work together to overcome difficulties, support each other, and face life's challenges together.
Zou Hewei is not only Li Wenling's partner in life, but also a strong backing in her career. When Li Wenling was hesitant to star in "Four Generations in the Same Hall", it was Zou Hewei's encouragement that made her accept this career-changing role.
Today, Li Wenling and Zou Hewei have gone through 51 spring and autumn together, and their relationship is still the same. Their daughter Zou Xue (now renamed Zou Yan) has also become an excellent director, bringing infinite pride to her parents.
This love, which spanned half a century, not only nourished Li Wenling's artistic life, but also became the most precious wealth of her life.
The story of Li Wenling and Zou Hewei illustrates how sincere love becomes more mellow under the baptism of time. Their feelings are like a well-crafted work of art, shining in the long river of time.
In the late 80s and early 90s of the last century, Li Wenling and her husband Zou Hewei took their children to a foreign land. Although she is overseas, Li Wenling's heart has always been concerned about the motherland.
Once, she was busy preparing dinner in the kitchen when she suddenly received an urgent call from a domestic factory informing her that if she did not return soon, she would be at risk of being delisted.
Li Wenling put down the spatula in her hand without hesitation and immediately ordered a return ticket, just to return to China to see the situation.
In 2003, there was a sudden outbreak of SARS in the world. Li Wenling and his wife, who are in the United States, are in a mood like a roller coaster. When the epidemic gradually subsided, they were finally able to return to Beijing after a long absence.
They bought a new house here and settled down again. The experience of returning to China this time made Li Wenling cherish every day in the motherland even more.
After returning to the screen, Li Wenling conquered the audience with a new attitude. In "Under the Zhengyang Gate", she played the impressive Grandma Su; In "Love in the Courtyard", she played a low-level old lady who racked her brains to prevent her daughter-in-law from remarrying; In "What a Big Home", she cooperated with Chen Peisi to create a lifelike image of Qi Xiu'e.
For every role, Li Wenling has poured all her heart and soul into it. Even when her knee is in poor condition and often requires acupuncture or injections to relieve her pain, she continues to perform.
This dedication and love for acting left a deep impression on Li Wenling in the hearts of the audience, and also won her the reputation of "the mother of the screen".
Li Wenling's overseas experience and the story of her return to the screen show her deep feelings for the motherland and her persistent pursuit of acting career. This experience not only enriched her life experience, but also injected new vitality into her acting career, allowing her to impress the audience with more mature and profound acting skills after returning to the screen.
The years are like songs, and now Li Wenling has entered the old age, but her enthusiasm for acting has not diminished at all. In her most recent work, Mr. Good, at the age of 76, she challenged the role of a grandmother with Alzheimer's disease.
Li Wenling vividly interprets the complex psychology of the role, once again proving her superb acting skills and persistent pursuit of art.
Li Wenling's professionalism has also influenced the next generation. Her daughter Zou Xue (now renamed Zou Yan) inherited her parents' artistic genes and became a talented director.
The film "One Life" directed by Zou Tong lived up to expectations and won the "Best New Female Director" award at the 2014 London Chinese Film Festival. This undoubtedly gave Li Wenling great relief and pride.
Even if her knee joint is in poor condition and needs to be relieved by acupuncture or injections, Li Wenling still insists on swaying freely in front of the screen. She interprets her unswerving love for art in her own way, showing the style and charm of an old artist.
Li Wenling's story tells us that as long as there is a dream in our hearts, age is never a limit. As she puts it, "I just like it." This pure love has made Li Wenling go further and further on the road of acting, and has also made her a role model for countless future generations of artists to learn.
Her persistence and love not only enriched the "mother" image of the Chinese film and television industry, but also injected lasting vitality into the entire entertainment industry.
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