Actresses Shang Rong, Deng Jiajia, Ye Xuan, today I want to talk to the three of you about the role positioning in police film and television dramas. Among them, the focus is: first, what to do to stop smearing the police and police families; second, how to stop being the same. I know that with my social status, I may not be able to get three in my life, and I will not have the opportunity to communicate with three face-to-face, but I have to have a deep conversation with the three in this way, because the police film and television dramas in our country are really more and more out of touch with reality. Of course, this is not only related to the three, but also related to the national screenwriters, directors and the majority of actors.
Why should I name and talk to the three of you, because all three have played important roles in police film and television dramas. Ye Xuan once confessed that she loved the police flower sister very much, and must have a certain understanding of the police industry; and Shang Rong played the police flower in "Life and Death Encounter", and Deng Jiajia played the police girlfriend in "Fox Hunting". It just so happens that the roles played are controversial.
I have reason to believe that Deng Jiajia must have been very aggrieved because she played Yu Xiaohui in "Fox Hunting", because Yu Xiaohui, as a police girlfriend, is really too annoying to hit her with a hammer. Deng Jiajia's grievances come from the incomprehension of relatives, friends and the audience, although Deng Jiajia has repeatedly explained that the role is the role and she is her, but the audience still throws anger on Deng Jiajia.
Shang Rong's performance in the "Goddess Catch" series was favored by hundreds of millions of viewers, but in the TV series "Life and Death Encounter", she played Milan, who became a police flower after graduating from college, but the audience has been sick to their stomachs.
The above-mentioned "Fox Hunting" and "Life and Death Encounter", the former has a role that is Yang Jianqiu, the sister of the criminal police captain played by Fu Jing, and the latter has a role that is the police station police officer Su Bingbing played by Zhao Qiang, all of which are unpleasant and extremely disgusting roles for the audience.
In fact, the audience is not stupid, they all know that it is a play, but they are hateful and sometimes grit their teeth. Some people say that it is because the actors have good acting skills, and I, don't see it that way, I think that a large part of the reason why the audience does not dare to agree with similar roles and hates the father and mother is that the writers, directors, and actors are out of touch with reality.
So, let me talk to the three beautiful actresses about how the writers, directors, and actors are out of touch with reality to fabricate roles.
First of all, a prop took 20 years. In the countless police film and television dramas filmed in China, you can often see the police eating instant noodles, although the audience can understand that this is to highlight the busyness, hardship and greatness of the police, but such shots have been too flooded, has exceeded the audience's endurance limit, just imagine, in reality, is the current police really eating instant noodles? Working in the police station, having a canteen, going out to handle cases, having fast food, how can it be that when it comes to the police, it is possible to eat instant noodles? Is this promoting the frugal virtues of the police or degrading the quality of life of the police? As we all know, the police are not a low-income group behind the line, and the current conditions for handling cases are becoming more and more superior, no matter where they are, eating a fast food is always not a problem. Therefore, do the sour and slippery shots of "policemen eating instant noodles", writers, directors, and actors, still need to appear again?
Second, the relatives of police families should be reorganized into vulnerable and mentally handicapped groups. In the past 20 years, I have watched no less than 300 police film and television dramas, and almost every drama has a vulnerable and mentally handicapped police family member. At first, I could understand that this was to highlight the evil of the bandits and the difficulty of the relatives of the policemen to have such a role, but after seeing more, I became numb, and then began to question. Especially in today's world, when the rule of law is being cracked down hard and people's awareness of self-protection is getting stronger and stronger, are the family members and relatives of the police still stupid and persecuted as they were 20 or 30 years ago? Can't do it, right? Is the endless portrayal of the role of relatives of vulnerable and mentally handicapped policemen to win sympathy or discredit the police? In today's society, if the police can't even protect their own families, then how can they talk about ensuring the peace of one side?
✔ Zhao Dongling, chief screenwriter of "Fox Hunting"
Third, silly roles and black sheep roles in the police force are emerging in an endless stream. It is an indisputable fact that no one is perfect, but almost all police film and television dramas have one or two stupid policemen and black sheep policemen, is this in line with reality? It is true that there were many black sheep in the political and legal contingent in the past, but now that they are comparable to the past, they can no longer look at the current police with the eyes of the past, right? In the TV series "Life and Death Encounter", the police station police officer Su Bingbing was commented by the audience as "unworthy of being a policeman" from the moment he appeared, because the screenwriter and director put Su Bingbing, who has been a police officer for several years, into a policeman who has no organizational discipline, does not put work first, and is selfish all day long, and the audience's comments are correct. Of course, it is not the police who are at fault, but the one-sided understanding and nonsense of the screenwriter and director. In other words, does a police force have to have one or two such unbearable cops?
✔ "Fox Hunting" director Liu Xin
Ye Xuan, Shang Rong, Deng Jiajia, three respected beautiful actresses, we talked about the "whole" of screenwriters and directors. Now, let's talk about the role trade-offs of actors. Maybe many actors will say: the role is fixed, we don't have to choose and can't modify the positioning of the role. I think that in the eyes of the director, you as actors may really not have the right to modify the positioning of the role, but the actors can give opinions, suggestions, or stronger actors can refuse to play some roles that are out of touch with reality. Take the "silly policeman" and "the relatives of the families of the weak and mentally handicapped policemen", I believe that the actors all know the police friends, you can ask the police friends, in today's society, "stupid policemen" and "weak mentally handicapped police family relatives" Phenomenon is very common? The answer should be no.
Although the production of film and television dramas is an artistic reproduction project, all script content should be based on reality, unless it is some cross-over dramas and absurd dramas, otherwise if the main theme of film and television dramas is divorced from reality, it will inevitably suffer from the gravity of the audience. From this to the other, our screenwriters and directors will feel more and more pressure, because the production of many film and television dramas cannot be half virtual, not only police film and television dramas, other themes of film and television dramas, do not dare to make up a large margin, but sometimes in order to win eyeballs, they have to go against their hearts, which is the difficulty of screenwriters and directors. However, in any case, film and television dramas can not be too fake, this is crucial, because the level of thinking of today's audiences has been greatly improved.
For my point of view, I don't know if Deng Jiajia, Shang Rong, Ye Xuan, the three excellent actor teachers agree? I don't know how the writers, directors, and actors across the country feel? Of course, this doesn't seem to matter anymore, what matters is that I feel like I'm speaking out about the vast majority of the audience, and that's enough.
✔ Si Xiaodong, screenwriter and director of "Life and Death Encounter"
Finally, I sincerely hope to see more police and police family relatives who are all positive energy police film and television dramas, in other words, can there be more police and police family relatives who have no weaknesses to attack, and even if they have weaknesses, they can be cleverly resolved? After all, it is not appropriate for the audience to hate the bandits and hate the police and the relatives of the policemen's families, and the forced implantation of this kind of movie-watching feeling is very unkind.