Fortunately, there is also Pan Qianqian and "Three Glasses of Wine in the Grassland"

The years were quiet, but it never went as people wished. If anything can survive for a long time, I am afraid it is only music. Shanghai old songs, or grassland songs from 40 years ago, although the melody is still circulating, but those singers have faded out of the long river of history. Fortunately, the new generation still has singers who are walking in their hearts.

Fortunately, there is also Pan Qianqian and her "Three Glasses of Wine on the Grassland".

dark horse. There is no other word that can summarize Pan Qianqian's debut. For example, "Borrow another Five Hundred Years from Heaven". Because of the limitations of the vocal range, very few female singers dare to challenge this kind of hatred of heaven and earth, and Pan Qianqian's heroic voice has conquered the discerning judges and the audience, but under the details, you will find that she is very precise in the handling of details. For example, the cover singer Tong Ange, she dared to integrate heavy metal elements without a trace in the mellow and clean solidity of the original song, and reinterpreted the song with a little rock. For example, she sang "Later", which seemed to be careless and flat talk, and Pan Qianqian did not hide her thick tone at all, but that delicacy was really unintentional and could not be done.

But she doesn't just rely on her uniquely generous voice to attract attention. In all the cover versions of "Legend", Faye Wong is as untouchable as a white colt in the gap, Li Jian is like a wise man in hiding, and Pan Qianqian is the fireworks in the world, not far from you and me.

In fact, cover singing is no longer a flattering thing for singers. If you are not out of touch and decent, there is nothing new. Cover songs by talented singers are always secondary creations. This answer sheet Pan Qianqian is excellent.

As a kind of just need, the new work represents the singer's ability to innovate, and even introduce the vitality of the old. Among all the experimental works, the more groundbreaking one is "Hohhot Lovers". This song did not show Pan Qianqian's voice to the end as before, and her voice had a more depressing feeling. It is this repression that brings out the feeling of irresistible pain. It seems to be rough and rugged tone, and there is no lack of exquisite details. This is Pan Qianqian's technique, which is a kind of ingenuity of musicians. The same ingenuity is reflected in the handling of producer Bauhurcha: he strikes lightly with a few notes at the beginning, the horsehead opens silently, and in an instant, the female voice's low-pitched narration firmly grasps the obsessive hearts.

If Pan Qianqian's first ten years were a southern flying goose in the music industry — she sang Hong Kong and Taiwan pop, and even R&B — then the newly released "Three Glasses of Wine on the Prairie" can be said to be her return to the north. As mentioned above, the Mongolian songs that began to be sung 40 years ago carry too many memories of the Chinese music scene. If you've listened to the 1983 version of Dedemar's "Beautiful Prairie My Home," you'll know how the simplest voice has become a cherished memory for generations.

"Three Glasses of Wine on the Prairie" is a living memory from those simple times.

If it were not for stepping through the northern grasslands, it would not be difficult to abandon the other people, if it were not for the nostalgic mind, it would not have condensed such a long and magnificent melody, if it were not for the blood of the Mongolians, it would not have sublimated the usual etiquette of three glasses of wine, and it would not have collided with Pan Qianqian's special female voice to create a new movement of Mongolian wine songs. This is indeed the ingenuity of the composer and producer Bao Hurcha, who broke through the traditional Mongolian wine song heroic persuasion meaning, the love is strong but not strong, the love is outside the wine, the meaning is long.

Like countless distant times, the good times will eventually fade. No one can go back to that era, but good songs can. Fortunately, there is also Pan Qianqian and her "Three Glasses of Wine on the Grassland". Ling Yue/Wen