The cover of the August issue of Liu Shishi's "T magzine" feels that her style has matured a little.
On top of the original elegance, there is a touch of sharpness.
After comparing her recent appearance with her youth, he found that the most obvious change in her hardware was the human part.
The middle of the person has become longer with age, the ditch in the person has become shallower, and the crest in the person is no longer as narrow and slender as before.
The overall temperament has also changed from the girlish delicacy of her youth to the cold intellect of the big sister.
Today, when we pay attention to the proportion of facial features and the lines of the face, the middle of the person has always been a part that is rarely noticed.
Although because of the rush of beauty bloggers, everyone knows that "with natural aging, our people will become longer, wider, and older", so they know how to use lipstick and highlights to embellish people, and even take shortening techniques to solve problems from the source.
▲ Image source up main cici, invasion and deletion
But it doesn't mean that everyone has to "talk about discoloration in the long man."
In fact, the aesthetics of the form in people, as well as the restraint and coordination of the overall facial forms in people, are also an important part of our correct understanding of our own facial style.
More noteworthy than length is the form in the person
Now everyone generally has two dimensions of consideration for whether the length of a person is standard.
For example, data dimensions. There is a saying that the standard length of people is 12-19mm, less than the minimum value of 12 belongs to the shorter of people, greater than the maximum value of 19 is classified as the longest of people.
Or the proportional dimension. This uncle mentioned earlier in the question of the ratio of length in the person and the three-dimensionality of the upper court that the length of the person = 1/2 of the length from the edge of the lower lip to the length of the chin is an ideal value.
In fact, the bottom of the small column of the upper nose and the lower lip peak of the person affect the coordination of the position in the entire face, which can be called one of the pivotal positions in the face. So it does not require numerical standards, or the proportions in the lower court can be harmonious, there are many more directions to consider.
For example, the shape problem.
There are more diverse shapes among people, but there are two more common ones: straight lines and teardrops. The upper and lower isometric widths are straight, and the upper narrow and lower widths are droplet types.
▲Left straight line type, right water drop type
Relatively speaking, straight-line people are more likely to appear on the male face, so when it appears on the female face, it will also be more likely to bring maturity and aggression than the water droplet type.
The big and small S sisters, the small S of the straight line type in the person looks more mature than the big S in the water drop type in the person.
Several more recognized female stars with offensive spirit and intellectual sense are also straight-line people.
We said at the beginning that Liu Shishi's maturity and cool intellect are also related to her straight line + long people.
Straight-line people should consider the form of people more. The straight-line people with good shape will not appear old in themselves, if it is a long straight line + shallow grooves in people + thin and no three-dimensional lips, there will be a visual effect of showing old age and bitterness.
Kong Xiaozhen has always been said to be not delicate in length, but her problem may not appear in this length. Do not move the length, only change the shape and three-dimensionality of her person, the overall refinement will also rise a lot.
▲The right is after adjusting the three-dimensional degree of the person
The good-looking straight line width is suitable, the crest in the person and the ditch in the person are equally undulating, there will be no old state brought about by too flat, nor will it be too obvious because the crest in the person is too obvious, and the visual center of gravity falls on the ditch to show the monkey phase.
▲ Zhang Yuxi's straight-line type makes her more refined
In contrast to straight-line people, droplet people will bring more girlish and feminine attributes.
Compared with straight-line people, Peugeot's droplet type people are less likely to have the problem of being too long in people. And because the bottom of the water droplet (the position where the lip peak is connected to the person) is rounded and curved, and the upper lip is pulled, it can often show a round and full lip peak, and the full lips bring the girlish state.
You will find that the girlish face that is more in the public aesthetic now basically has such a short and deep droplet type of person.
The water droplet type will also have a long or wide case, and this later style positioning needs to be determined according to other facial features.
Di Li Reba, who is longer in the middle of the person, actually belongs to the droplet type long man, and her upper lip is not particularly full, plus her exotic bone phase, taking the current sweet royal route is the best, and the water drop type can also neutralize the old temperament, bringing her an extra sense of delicacy.
Zhao Liying is also a water drop type person, when she was young, the middle ditch was not very deep, and after she grew older, she became longer, which would bring some intellectual attributes.
Fortunately, she herself has a sweet face style base, and it is not too contrary to playing pure girlish style again.
But she is obviously more able to shine in the gritty and courageous big hostess setting.
The use of the overall facial features in people
At the beginning, we said that the upper part of the nose and the bottom of the small column of the lower lip are the pivotal positions in our face. In addition to its independent effect on our facial style, it will also have a relevant effect on the overall facial features and position.
1. Restraint of the nose
I don't know if everyone will have such a misunderstanding: in the short people, in the deep people, it looks good, and it is more resistant to aging.
In essence, we pursue overall beauty, not that extreme childishness can make us more beautiful.
If you want to be deep and short, you must have a well-developed nasal column to support the tip of the nose, pull up the undulations, and extend the distance between the tip of the nose and the upper lip.
Otherwise, even if people are short and medium-sized, they will not look young, and it is easy to make the nasal and lip position particularly crowded, and the effect of pouting with rustic appearance appears to be "cute".
The effect of the short + eagle hook nose will be more exaggerated in people, and the witch face has.
Rainie Yang instead became more delicate and coordinated after adjusting her nose + getting longer among the older people, and the older she is, the better she looks.
We can also reverse the nose from people to change their minds.
Changing the nose is not only to coordinate the shape of the face, but also not to forget the shape of the person, which is the closest place to the nose.
The nose is too narrow and thin, and the feeling of suffocation will be particularly strong.
Conversely, what kind of person is suitable for changing the width of the nose under the premise of coordinating the shape of the face? The ditch is too narrow and deep.
Otherwise, the depth of the ditch in the person, with a wide blunt nose, will become the top monkey king.
2. Restraint of the lips
When it comes to aesthetics among people, "monkey phase" is indeed one of the most worrying problems for everyone.
To solve this problem, we must not only know how to coordinate with the nose, but also understand how to synchronize the lip morphology. Deep grooves can not be matched with thin and flat lips, and the nasal lips must be correspondingly three-dimensional.
▲Lip three-dimensional full vs lip flat
The fullness of the upper lip is tested in the elderly. One of the ways to make the straight-line people of long flat not look old is to match lips that are not too sharp with lip peaks and strengthen the shaping of the three-dimensionality of the upper lip.
You can choose a brightly colored lip makeup to enhance the attention of the lips, which will also have a pure desire effect. Pei Zhuyan is the most typical success case in people who cover up long and flat with their lips.
▲The lips are thin and flat and medium-long
▲The proportions of the lip are coordinated in three-dimensional people
On the contrary, if the shaping of the lip peak is too strong in the straight-line long person, the attention will be more shifted to the position of the person, making the person narrower and longer, and it is easy to show the face to show fierceness.
▲ Korean actor Lee Seok
Probably because the aesthetics of short and delicate people are too popular, Uncle found that many people will resist the form of people who are wide and the grooves are flat, thinking that growing like this is equivalent to staying away from stunning.
But in fact, such people are closer to sexiness. As long as you can match a thick fleshy lips, you can benchmark Angelina Jolie and Shu Qi, allowing yourself to be infinitely close to the sexy goddess.
▲ All are wide people
3. Restraint of the eyebrow-eye distance
What if I'm on the broad side, but I can't or don't want to shape a thick lip?
When thinking about this problem, Shu found a small tips: the width of people accounts for 1/3 of the width of the eyebrow. At this ratio, the visual center of gravity will naturally disperse in the surface, and the person will not be too involved in the line of sight and highlight the problem.
After adjusting the proportions of Jing Tian, the representative of the wide and short people, and Zhou Yumin, the representative of the wide and long people, respectively, the proportions of their facial features should be much more coordinated, and we will not pay attention to the first glance on the people who fall on them.
▲All are original pictures on the left, changed to the right
Here can provide a change of mind: if the person itself is too wide, you can try to extend the eyebrow distance, perhaps will make the facial features more stretched and coordinated.
However, because the width is more intuitive in straight-line people, this method will be more applicable to straight-line people.
Jump out of focus to see people
Whether it is for people, or the local aesthetic of any part of the face, we must be able to learn to focus on seeing, but also jump out of the focus to see the overall situation.
People can't blindly seek short and delicate, it may look inconspicuous, but after matching with different face shapes, it can bring about a huge style change.
When She Shiman was young, she was not long among people, but because she was short and deep in the middle of the person, her face shape was not delicate and small enough, and her eyes would be focused on the position of the nasolabial lips, resulting in her overall style at that time being blunt and rustic.
Later, she became longer, but she matched the face shape more, and the intellect in the eyebrows had room to play, but it tolerated this small shortcoming.
Among the elderly, there is a distinction between wide and narrow forms, and the width can be matched with the facial features with a greater sense of volume, a more stretched face type, and it is easier to develop into an atmospheric and dignified style.
Narrow can also be paired with a delicate and small bone-solid face to create a wild mystery.
In short people, it is also necessary to look at it in harmony with the size of the face, sometimes it is not necessarily that the smaller the face, the more popular it is, and the smaller the face, the better. Short and wide, you need to keep up with the mouth to keep up with it in order not to have a tight aura.
Short and narrow, the face width is tightened, and sometimes the tolerance for the face shape is higher in the people who are not wide and long, and you can play more room.
For the aesthetics of the parts, we must understand what kind of form is better, but also understand the principle of not looking at the part and looking at the whole.
Looking at yourself with a holistic view is the best solution to your own achievement.