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Recently, I was watching a costume drama, and it was a bit outrageous to say that it was outrageous, but it was quite normal in a normal place. The male protagonist is a severe face blind, in his eyes, everyone he sees, the facial features are sorted≈ there is no sorting.
The heroine is a monthly version of "Martin's Morning", due to poisoning, it will change with the aunt every month, and it is possible to become a man and a woman to become fat and thin.
The little daughter-in-law becomes a big fat daughter-in-law, this scene is too beautiful...... The name of the play is "Yan Xinji", Luo Yunxi and Yin Xiaotian (crossed out), and Song Yi starred in a detective element costume light comedy.
The first few episodes are a bit curious in style. On the one hand, the setting itself is quite magical, and on the other hand, Luo Yunxi's previous impression to the audience was mostly a gentle and elegant image like a jade. put it into a drama that makes the audience drool with laughter, which will inevitably make the audience curious:
What's this guy trying to do?
Comedy is not the genre that Luo Yunxi specializes in, and "Yan Xinji" is not a particularly popular head IP. Among the scripts available, Luo Yunxi picks a work that has a low probability of explosion and is not a comfort zone, in addition to being sung by passers-by, he will also be suspected if he is not good at choosing scripts.
The subject matter is niche, is it really so persuasive to retreat passers-by?
I have seen 26 episodes of this drama all the way, and the main line in the play is always to explore the truth of smuggling drugs and herbs for profit, and the male protagonist's face blindness is only one of the influencing factors.
The male protagonist Jiang Xinbai, due to his face blindness, has exercised his olfactory recognition ability that is different from ordinary people, and can distinguish the smell of medicine on the female protagonist by smell among many people, and distinguish the owner's taste by pets. Even pigeons, which look the same, can also be identified by their habits.
Combined with the transformation setting of the heroine, the original seemingly niche setting in "Yan Xinji" is closer to the flavor of ancient fables.
A person with a blind face but a clear heart, but fearing that he will be guarded against because he has no ability to discern, and a person who longs to be seen by everyone, but is always changing his face. Two insecure existences,Letting go of the mustard in mutual learning and helping.,It's a diss back with a very stylish attack on appearance.。
After watching it all the way, it is easy to find that Luo Yunxi's aesthetics of picking dramas are very online. The degree of restoration of the style of the Tang Dynasty in the play is remarkable, the river scene of the male and female protagonists' appearances and the first wedding, the group portrait shots and empty shots taken are extremely beautiful.
The tone of the whole story can see the good-natured expectations of the creators.
The male protagonist and the second male protagonist fought in the store, and gave the troupe next to them the time difference to take refuge and run away; The male protagonist's sister wants to be a female official, but the family does not try their best to stop her, she can pursue her own career; In the world of "Yan Xinji", you will find that all the vulnerable groups in costume dramas, grass people, women, and slaves, all have their own way out.
To create a paradise in another world, it doesn't have to be someone outside or inside, as long as there is work in the eyes of someone who is willing to do it, do it. Focusing on the three meals a day in front of you, there is nothing too mysterious, which makes the audience very happy.
Luo Yunxi has always been a bit of a rebellious artist.
After having the representative role Runyu, many people thought that he would take the road of the white-clothed fairy to a higher level, and the whole Xianxia masterpiece with Runyu 2.0 as the male protagonist's perspective. As a result, "Heavy Fire on the Moon" did not continue this route, and "Long Moon Embers" opened up the unpopular road of "the male protagonist holding the villain script at the beginning".
When I watched "Long Moon Embers" a year ago, I also opened the app with the mentality of "good guy, what an unpopular character, let me taste two bites and then talk about it", but I showed off the whole episode in a row, and chased the drama every day until I wanted eye drops.
is not only "Long Moon Embers", which is so thick that the male protagonist alone has 3 identities, but Luo Yunxi's other drama selection ideas are also quite personal.
In the field of modern couples, generally speaking, if you want to pursue traffic, it is nothing more than to make the male protagonist particularly highlight, and then fry cp with fire. And Luo Yunxi has filmed current couples, played scientific researchers who intended to steal experimental results, acted in "Light Chaser" with the theme of folk rescue, and "Healing Lovers" with a perspective on assisting surgeons in third world countries.
I don't know if any friends have watched Luo Yunxi's medical drama. When it comes to professional dramas, many viewers will complain that they are falling in love in the guise of going to work, while "Healing Lovers" is talking about work in the skin of falling in love. The play will even involve craniotomy from an economic point of view, the actual cost is lower, and it will also dismantle the stage of "men make mistakes after drinking"-
If you're really drunk, there's no way you're going to have the spirit to do anything else.
The focus of these dramas has never been what cp concentration, strengthening labels, or how many hot searches can be occupied. Luo Yunxi's idea of choosing dramas is more inclined to what meaningful works and scripts he can bring through his identity as an actor, so that he will not regret it in the long run.
It's not so much that Luo Yunxi likes to engage in some swordsmanship themes, but that he is not obsessed with chasing the mainstream.
"Water Dragon Yin", which has attracted a large number of "passers-by who buy shares" from the beginning of filming, is also a work that excavates new tracks. The positioning of this drama is "fantasy martial arts", judging from the materials released by the official at present, the quality and costumes can be said to be trying to break the aesthetic height of domestic overhead costumes.
For an 85-year-old student with a lot of traffic, the scope of trial and error is small. But Luo Yunxi is always trying to choose a different shooting experience, refusing to do the job of being an actor.
Luo Yunxi graduated from the dance major, debuted as a singer, and became popular as an actor, so his attempts are not limited to filming. Do your own concerts, do your own variety shows, and insist on singing......
He deserves the attention he has on him. If you want to be an artist who can attract a lot of audiences, you must first be an interesting person.
Since we first met Luo Yunxi in 2017, we have witnessed many of his works and career choices at different stages. If you want to mention an artist who likes him the most, I personally think it's bold.
Internal entertainment is often popular over a track, and there will be countless people who want to occupy a certain track. White cuts black, beauty is strong and miserable...... As soon as you enter a keyword, a large number of similar items will pop up.
And Luo Yunxi dares to choose to be an artist with his own style when the number of fans is getting bigger and bigger. He can obviously gain a firm foothold in various titles, but he is not obsessed with being the "ancient Greek god in charge of XX", and tries to refine his exclusive characteristics.
At present, most traffic products are considered fast consumption. Many people will choose to join if they can't beat, and Luo Yunxi will choose to pave a way by himself if they can't beat it-
On Douyin and Tencent Video, there is his self-made video "Mr. Moxi", which has been out for three seasons since 2017, and each season is a new thinking, perception and summary of the past period of time.
If you care too much about content that caters to the market, you will lose your own judgment, and it is easy to make things that lack texture and meaning.
Luo Yunxi's "Mr. Moxi", which is responsible for his own creativity, has been sharing bits and pieces of life from the beginning, such as travel, his own hobbies, interesting stories about playing games, and daily life such as taking children, which can show another side of himself.
In the second season, "Mr. Moxi" chose a broader perspective and combined it with personal feelings.
The streets and alleys of childhood, familiar tastes, different dialects, and as an actor with outstanding costumes, he has an understanding of Hanfu.
By the time of the third season, this variety show can be said to be very chartered. It is not only the picture quality that is improved, but also the texture of the program, and the great beauty of China is tasted in a small way:
Fondant cakes with national style aesthetics, cold-dyed national fashion items, and updated offline entertainment, every moment Luo Yunxi shares with the audience shows the "consciousness of the artist".
Do what you like, and don't be afraid to make mistakes. It seems to be unexpected, but it is actually a torrent in the wind and waves of traffic iteration, and the end of the world is catching up with the sea.
Not every choice is 100% successful, and not every time it will win the audience's approval. But I believe that behind every choice, there is respect for the career path -
Using the future of his career to bear the reputation of his works is Luo Yunxi's idea of drama selection and Luo Yunxi's most powerful commitment to the audience.
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