Huang Binhong put forward the view that "the brush for the outline of the three tombs should have twists and turns" in the creation of landscape paintings. Among them, "wave" refers to the undulating form, and "fold" refers to the change in the direction of the pen. When outlining, adjust the movement of the pen according to the undulations of the object, so that the lines are full of changes and rhythms. Huang Binhong believes that Wang Meng's solution is based on the principle of "the three tombs outline the pen, and there must be twists and turns".
Sanling outline with a pen, to achieve the effect of twists and turns, you need to pay attention to the following points:
1. Understand the shape and structure of the object: Before sketching, carefully observe the shape and structure of the object to understand the law of its ups and downs.
2. Master the strength and speed of the pen: By controlling the strength and speed of the pen, you can produce different line effects. When outlining, adjust the strength and speed as needed to prioritize the line.
3. Pay attention to the turns and changes of the pen: In the process of sketching, we should pay attention to the turns and changes of the pen, so that the lines have ups and downs, circles and squares.
4. Practice and practice: Only through continuous practice and practice can you master the twists and turns of the brush technique, so that the lines are more natural, smooth and expressive.
Huang Binhong put forward the view that "the brush of the three tombs should have twists and turns" in the creation of landscape paintings, and the following are some representative works that embody this point of view:
"Huangshan Tangkou": This painting is one of Huang Binhong's masterpieces, using a twist and turn of the brush to depict the strange pines, strange rocks and sea of clouds in the Yellow Mountain. Through the ups and downs and turns of the lines, the painter shows the texture and three-dimensional sense of the mountain stone, and also creates a majestic and magnificent momentum.
"Fuchun Mountain Residence": This painting is Huang Binhong's imitation of the Yuan Dynasty painter Huang Gongwang's "Fuchun Mountain Residence". When outlining the outline of the mountain, he pays attention to the twists and turns of the line, making the mountain look more vivid and natural. At the same time, he also used the ink accumulation method to enhance the layering and heaviness of the picture.
"Qingcheng Mountain Color Map": This painting depicts the scenery of Qingcheng Mountain, and the painter uses a flexible and changeable sketching brush to show the ups and downs and changes of the mountain. The lines in the picture have both smooth curves and straight straight lines, forming a unique sense of rhythm.
Huang Binhong's view that "the brush for sketching the three tombs should have twists and turns" has had a profound impact on the creation of modern landscape painting, which is mainly reflected in the following aspects:
1. Change with a pen: "Sanling outline with a pen" requires that when outlining the terrain of the mountains, there must be a wave of twists and turns. This method of brushwork makes landscape painting more vivid, natural, full of change and rhythm. Modern landscape painters pay more attention to the changes of the brush in their creation, and express the form and texture of the landscape through different lines and brushstrokes, so that the picture is more vibrant.
2. Combination of brush and ink: Huang Binhong emphasizes the use and expressiveness of brush and ink, so that the lines not only have the beauty of form, but also can convey the painter's emotions and artistic conception. Modern landscape painters pay more attention to the combination of brush and ink in their creation, and express the yin and yang, virtual and real, and distance of the landscape through different ink colors and brushwork, so as to make the picture more layered and three-dimensional.
3. Innovative spirit: Huang Binhong's painting style is unique and has a strong innovative spirit. He constantly explores and tries new expressions and art forms in the creation of landscape painting, which provides new ideas and inspiration for the development of modern landscape painting. Modern landscape painters pay more attention to innovation in their creation, constantly trying new materials, techniques and forms of expression, so that landscape painting has a more contemporary sense and personality characteristics.
In modern landscape painting, the "Sanling Sketch Brush" can be combined with the following techniques:
1. Method: The method is a technique to express the texture and texture of mountains and rocks in landscape painting, and the form of mountains and stones is depicted through different brushstrokes and lines. The twists and turns of the "Three Tombs Sketch with a Brush" can be combined with the method to make the depiction of the mountains and rocks more vivid and varied.
2. Dotting method: Spotting is to use ink dots or colors to dye the picture to express the form and texture of the scene. The dot dyeing method can be combined with the "Sanling Outline Brush" to enhance the layering and expressiveness of the picture.
3. Splash ink method: The splash ink method is to splash ink or pigment on the picture to form a natural ink rhyme and color effect. The splash ink method can be combined with the "Sanling Outline Brush" to create a bold and free picture atmosphere.
4. Ink accumulation method: The ink accumulation method is to superimpose ink color many times to produce a deep sense of hierarchy and three-dimensionality in the picture. The ink accumulation method can be combined with the "Sanling Outline Brush" to show the majesty and heaviness of the landscape.
Of course, different painters may have different ways of combining in practice, and you can also further feel the combination effect of "Sanling Sketching Brush" and other techniques by appreciating modern landscape paintings.
"Sanling Sketching with Brush" emphasizes the undulations and direction changes of lines, and expresses the form and texture of objects through twists and turns. When using it, it is necessary to understand that the wave is an undulating form, and the fold is the direction of the pen, and it is necessary to be able to change according to the undulation of the object. The following points can form their own unique art in the "Three Tombs Outline Brush" for modern landscape painting.
1. Use the center and the side: the center can make the lines round and thick, and the side pen can increase the change and interest of the lines. When outlining the mountain, you can flexibly use the center and flanks as needed to express different effects.
2. Pay attention to the rhythm of the lines: the twists and turns in the "Sanling Outline Brush" contain a sense of rhythm. In modern landscape painting, a sense of rhythm can be created through changes in the length, thickness, and density of the lines, making the picture more vivid.
3. Combine with other brushstrokes: In addition to the "Sanling Outline Brush", you can also combine other brushstrokes, such as 皴, rubbing, pointing, etc., to enrich the expressiveness of the picture. For example, you can use the rubbing method to express the texture of the rocks, the rubbing method to increase the texture of the picture, and the dot method to decorate the picture.
4. Expression of emotions and artistic conception: Modern landscape painting is not only a depiction of natural landscapes, but also a carrier of expressing the painter's emotions and artistic conception. When using the "Sanling Outline Brush", we should pay attention to integrating our own emotions and artistic conception into it, so that the lines have vitality and appeal.
5. Practice and innovation: To be proficient in the "Sanling Outline Brush", it is necessary to continue to practice and innovate. You can improve your pen skills and expressiveness by copying the works of the ancients, sketching and creating. At the same time, according to their own personality and style, they can also innovate and develop the "Sanling Outline Brush" to form their own unique artistic language.
"Sanling Sketching Brush" is an important brushwork in Chinese landscape painting, and it still has important application value in modern landscape painting. By understanding its characteristics, using the center and flanks, paying attention to the rhythm of the lines, combining other brushstrokes, expressing emotions and artistic conceptions, and practicing and innovating, the "Sanling Sketching Brush" can be used to exert a richer and more diverse expressive power in modern landscape painting.
Huang Binhong's "Sanling Sketching Brush" is a brush method for landscape painting with high artistic value and practical significance, which has had a profound impact on the creation of modern landscape painting, and also provides new ideas and inspiration for modern landscape painters.
Graphic Contribution / Rainbow Art Space
Written by Hiroki