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Text/Sister Gao commented
Editor/Sister Gao commented
In the long history of 5,000 years, Chinese culture has a long history, giving birth to countless treasures and shining with broad and profound national wisdom. However, in recent years, a chaotic phenomenon of "widowhood" in the entertainment industry has been wantonly rebellious and trying to erase our traditional culture.
The long and magnificent Hanfu and the gorgeous classical hair ornaments condense the wisdom of countless ancestors. They are like physical textbooks of Chinese civilization, and every word is full of national self-confidence. But once upon a time, it was frequently replaced by fakes in film and television dramas?
In July last year, the State Administration of Radio, Film and Television made a rare statement and ordered that costume dramas should not imitate foreign styles, which was undoubtedly a slap in the face for some crews. It's just because before that, too many works were "poisoned" and were taken advantage of by fanatics!
The first to cause controversy was the highly anticipated Xianxia drama "Nine Heavens Cold and Warm Nights". Just from the stills, you can see that the heroes and heroines and extras are actually real Japanese-style kimonos! More attentive netizens pointed out that the heroine Li Yitong has a geisha heirloom hairpin on her head, which makes people laugh.
In the face of abuse, the crew did not think about it and had a tough attitude, which attracted the thunderous action of the State Administration of Radio, Film and Television.
The use of Japanese elements to shoot Chinese costume dramas is really ridiculous. However, this is only the beginning, and in the future, more works have been exploited by fanatics!
For example, the costume drama "My Name is Liu Jinfeng" starring Yoko Rame, from the top of the head to the soles of the feet, the makeup and dress are all full of Japanese style. Netizens bombarded "This is clearly a Chinese drama filmed in a kimono!"; Another example is in "Splendid Stars", the belts worn by actors such as Wu Lei and Zhao Lusi turned out to be the same as Japanese-style belts, and the crew had to retouch the pictures embarrassingly afterwards...
In the face of doubts, some dishonest crews chose to quibble, but more people still learned their lessons in time. After all, film and television works have a subtle impact on young people, and once they are imitated, they will damage national self-confidence.
We should never forget that there was a painful "decline in history". At that time, the ancestors were forced to be homeless, and they could only survive in the depths of the mountains, but they still guarded the soul of the nation in the midst of difficulties. Today, we are able to recreate the monumental treasures of our ancestors and regain the crown jewel of oriental civilization.
However, while the blessings are mixed, the cultural self-confidence of the Chinese people continues to be damaged.
These works, which borrowed from foreign costumes, will undoubtedly mislead the audience, especially the younger generation. They are easily confused by the ornate "kimono", lose their yearning for the ceremonial clothes of their ancestors, and eventually imitate the wearing of a headdress and a kimono, thus assimilating into a foreign culture.
Generations of literati and writers have written a splendid chapter of Chinese culture with their life's work. But today, are we going to erase the masterpieces of our ancestors with our own hands and allow foreign cultures to grow wildly in our land?
From this point of view, this regulation of the State Administration of Radio, Film and Television is undoubtedly the key to the point, and it has stifled this "bad wind" in a timely manner.
Of course, we don't want to rest on our laurels, because Chinese and foreign cultures have a history of exchange and integration. For example, in the Western Han Dynasty, monks had already brought Buddhist culture to Middle-earth; During the Ming and Qing dynasties, the Western Renaissance movement also had a certain influence on mainland culture.
What we need to do is to be open and inclusive, while adhering to the backbone and heritage of Chinese civilization, screening and absorbing the essence of foreign cultures, rather than being assimilated by foreign cultures.
It is gratifying to note that China is embarking on a path of revival of cultural self-confidence. With the boom of costume dramas, more and more young people have begun to wear Hanfu to various activities, a peaceful and confident scene.
Many classic masterpieces also show the profound heritage of Chinese culture. For example, the popular dramas "The Legend of Ruyi" and "The Legend of Zhen Huan", from costumes to props, are all carefully crafted according to ancient methods, which can be called a cultural feast. Looking at some of today's so-called "traffic dramas", they are full of shoddy production, which is simply a blasphemy of the audience's IQ!
Our culture has a long and profound history, and we have always respected ourselves in our letters. The sons and daughters of China will eventually break through the encirclement in this "rejuvenation" and re-erect an immortal monument on the land of the motherland!
Those cultural "garbage" that lacks national characteristics and blindly imitates will eventually be forgotten by those of us who are self-aware. A brand-new, intelligent and self-confident tide of Chinese culture will surely surge in the near future and impact the entire oriental civilization!
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