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"Singer" is the top stage in the Chinese music scene, and all those who can show their singing voices here are powerful singers. So when the audience was looking forward to enjoying the wonderful performance of the singer in the second live broadcast, the program team presented us with a "bad movie". I can't help but sigh: "What's wrong?" It's obviously highly anticipated in the early stage, why did you get stuck in the quagmire as soon as it opened, where is it?"
In the final analysis, the culprit of all this is the program team's negligent control of the quality of the scene. The radio system went awry, the mix was disorganized, and the volume of the accompaniment fluctuated. This is not only to give the audience the impression that the audio experience is too poor, but also to "pinch" the whole performance! Even the most basic function, "to make the singer's voice heard", it can't do it. We listened to the singer's natural voice with a pious heart, but what we didn't expect was to get a "noise club".
"Lost in the east, harvested mulberry". The singing skills are acceptable, but the hard injuries in the production have become another major headache for the program team. Proper arrangement can make the main theme of the song "debut" without losing proportion, so that the singer's timbre and emotional expression have room to show themselves; But the improper arrangement can only overshadow these top-notch natural bel cantos. Of course, the clumsiness of the program team is not limited to this. This can be seen in the chaotic format arrangement. When the unveiling singer will be able to play, it all depends on popularity rather than clear standards. The order of the live performance is forced to follow the ups and downs of popularity, and the scene is like a pot of "cooked bear's paws" in front of and behind the scenes.
Only when a singer has a unique skill can he stand out from the crowd and reach the top of the music scene. It's a pity that in this issue of "Singer", whether it is a senior national player or a rising star, there is a serious fault in this basic effort. The audience couldn't help but cover their faces silently: so disappointed! How can you still be called a "god of songs" for such a performance?
Chantimo's opening scene shocked us. As a veteran R&B diva, such a half-voice and singing voice is really unheard of. At first, "purring" seemed to be barely able to be named "sincere love", but as soon as she opened her mouth, the audience invariably covered their ears: This "duck broken sound" is too offensive, right? People joked that she sounded like a "loafer who hadn't eaten all day" and was screaming. Such a burnt performance must have left an extremely bad impression. Netizens left messages: "I almost pierced my eardrums!" It starts to break in the middle of the song, which is worse than a street performer!" Such criticism is naturally overdue.
Next, although the Hanggai band tried to save some face, it was a pity that they "passed by" after all. In the original song "Reincarnation", they incorporated the Mongolian style of Humai tune, which at first added a touch of freshness to the scene. But it didn't take long for the audience to be completely carried away by this strange combination of voices. "It's like singing like it's stuck in your throat, it's so uncomfortable!" It's just a patchwork of two styles, and it's not coherent at all!" The audience commented on it after watching it. It can be seen that it is not enough to have a fresh appearance, but also to integrate various elements to create a truly well-placed work. It's a pity that the Hanggai Band only went through a form this time and was never able to reach the height of the water.
When it comes to the word "waste", who can compare to Wang Sulong, the godfather of rock and roll? As an idol that young players have looked up to for a long time, his performance this time is far from being as comfortable as a "godfather". To count, what low-level mistakes did he make?
is a complete mistake in the control of the emotional line of the song. From beginning to end, it seems to be a horse's eye, where is the careful planning that a "master" should have? Even the recitation part seems incoherent and incoherent. Is this back-and-forth jump to cut off all the inner tension of the song into intangible? The second is that the singing voice is not in place. For example, at the high notes, he frequently went out of tune, and some listeners even bluntly said that "I got goosebumps all over my body". I can only sigh that this kind of basic kung fu may not be easy for Wang Sulong. But then again, as a rock giant of this generation, such a clumsy scene is really speechless.
Next, it is the turn of those powerful singers who have high hopes. To be honest, I don't see any eye-catching performances on them.
For example, Huang Xuan, during the singing, he was out of breath as if he had just finished running a marathon, and his heavy breathing sprayed on the microphone, which became a "piercing noise" in the ears of the audience. The texture of the voice alone is mediocre, coupled with such an embarrassed state, it is really embarrassing. Second-hand roses may be destined to "end with hatred" in this game. Although they did not come from such a prominent musical family, they could not sing even such a basic high-pitched part, which would be too unprofessional. At the critical moment, I can't even do the standard shouting, how to convince the public?
I didn't expect that even senior seniors in the music industry like Rainie Yang and Na Ying would make such low-level mistakes in basic skills. Rainie Yang's words are blurred, and her singing voice is a hammer in the east and a stick in the west, which sounds too abrupt and blunt; And although Na Ying's voice itself is acceptable, there is a reluctant taste everywhere, and she can't play at the level it should be. Of course, Fancia's performance as a "little expert on the spot" is decent. Only occasionally there will be some small flaws, which makes people feel that the state is still not stable at the best level. However, in comparison, she is already a rare "clear stream" on the stage.
The audience was naturally in an uproar when they saw such a terrible live performance. Some netizens complained: "Could it be that the organizers deliberately hired some ordinary people to sing, just to trick us?" There are even comments jokingly: "It is estimated that the backstage has long been drunk and dreamed of death, so it is so ridiculous to go on stage!" Although this comment is too true, it can also be seen that the live quality of this live broadcast has seriously overdrawn the patience of the audience. As a singer, have you ever thought that every opportunity to go on stage is actually a "dialogue" with a larger audience?
Throughout the live broadcast of this issue of "Singer", the various mistakes and flaws in Processing are really amazing. We seem to have seen a complete failure of the show's internal control and quality management: from the clumsy control of the guests' emotions, to the mess of the live mix, to the chaotic and disorderly arrangement of the competition system, it can be said that weak and incompetent things are exposed everywhere.
It is undeniable that the existence of such omissions makes people strongly question the production quality and supervision of this year's "Singer". When the program team was making preparations, it obviously paid too much attention to star effect and popularity marketing, and neglected to pay attention to and invest in the on-site links. This makes every small link in the studio create the helplessness of the live effect of this issue. Some people say that "The Singer" has come to this point, and it is destined to be difficult to be as eye-catching as it was at the beginning. But I don't think so. As long as we re-examine and regroup from the inside out, from the roots to the leaves, there is still great hope to make it a classic that will never be obsolete or surpassed.
After all, the power of music is eternal, and the pious heart of the lover will eventually become a source of living water that will never dry up. I believe that as long as we have dreams and sincerity, we will be able to see the brilliance of the producers and singers in the next live broadcast. Let's look forward to the restart of "Singer" in the new round of competition, and once again prove to thousands of audiences with the most wonderful performance that the real "singer" will never stop at the mouthpiece.
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