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In the magical animals in the museum, there is a password of "why China".

author:Modern Express

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This generation of young people "awakens to cultural blood" and falls in love with visiting museums.

In the museum, magical beasts are a thousand years old, attracting young people to explore them. They contain the aesthetic taste and philosophical wisdom of the Chinese nation, and are the unique mark of Chinese civilization.

This year, 18 May marks the 48th International Museum Day. Check in the magical animals in the museum and explore the code of "why China".

In the magical animals in the museum, there is a password of "why China".

Hongshan Culture Jade Dragon Data map

They witnessed the "earliest China"

Chinese civilization began from a trickle, and millions of years of human history, 10,000 years of cultural history, and 5,000 years of civilization history have originated successively, like a sky full of stars, and like a double-petaled flower; For thousands of years, the descendants of China have adhered to the way of survival in coexistence with nature, and deeply engraved the reality and imagination of all creatures into the process of civilization.

The jade dragon 5,100 years ago was known as "the first dragon in China". From the end of 2023 to the beginning of this year, this jade dragon in the collection of the Palace Museum occupies the "C" position in the "Jade Run China - The Ten Thousand Years of Chinese Jade Epic Scroll" launched by the Nanjing Museum, and is highly sought after by young people. The head of the jade dragon is carved, the fusiform long eyes are slightly protruding, the single yin line outlines the "eyeliner", the mouth is long and convex forward, and the elegant long hyena seems to be flying in the wind, which is very dynamic. Lin Liugen, chairman of the Grand Canal Archaeology and Protection Professional Committee of the Archaeological Society of China and professor of the School of Art and Archaeology of Zhejiang University, introduced that this C-shaped dragon is a worship object of the prehistoric Hongshan culture and one of the sources of Chinese dragon culture.

In the magical animals in the museum, there is a password of "why China".

Liangzhu Culture: King Yucong

5,000 years ago, King Yucong was the "super Internet celebrity" of the Zhejiang Provincial Museum. King Yucong was unearthed in the Liangzhu site, the inner circle is outside, it is the heaviest, the largest, and the most exquisite piece of Liangzhu Yucong found at present. The Yucong King is carved with the emblem of Liangzhu culture, his eyes are wide open, and his demeanor is majestic, as if recording the moment when the wizard wearing a mask rides a divine beast to the sky, and embodies the idea of "the unity of heaven and man" of the ancient people of Liangzhu. Lin Liugen said that the Liangzhu emblem of King Yucong provides tangible evidence for the 5,000-year history of Chinese civilization.

In the magical animals in the museum, there is a password of "why China".

Xia inlaid turquoise animal face pattern bronze medallion

3,500 years ago, the bronze medallion inlaid with turquoise animal face pattern is the "top stream" of the Erlitou Summer Capital Ruins Museum. Its body is cast with precious metal bronze to form the main frame, and the slightly arched curved copper tire is inlaid with hundreds of pieces of turquoise, which is magical and gorgeous. Its excavation site Erlitou site is the capital of the Xia Dynasty, the first dynasty recorded in ancient Chinese documents, and the green and faint "eyes" on the plaque bear witness to the "earliest China".

They take you to feel the grandeur of the pre-Qin period

The long river of time has been flowing for thousands of miles, and it is endless. When people begin to trace the origins of history, the turbulent pre-Qin period comes into view, in which the ancestors created the Chinese civilization that will be praised by future generations.

In the magical animals in the museum, there is a password of "why China".

3,200 years ago, the Shang Dynasty woman good owl respect, is the "treasure in the treasure" of the Henan Museum, because the inner wall is engraved with the inscription "woman is good" two words. Owl is an ancient term for owl-like birds. In the Shang Dynasty, the owl was seen as a symbol of wisdom. She was the wife of Wu Ding, the king of Shang, and in a series of wars against the surrounding countries and tribes, she led the army many times and fought on the battlefield, with outstanding achievements. Ma Xiaolin, director of the Henan Museum, introduced that the women's owl is the earliest bird-shaped bronze statue found in China, which is the embodiment of the woman's ability to fight and fight, and is the material proof that China's Bronze Age has developed to a new peak.

In the magical animals in the museum, there is a password of "why China".

Ancient Shu bronze bird-shaped ware

The 3,100-year-old bronze bird-shaped vessel reproduces the unique aesthetics of the ancient Shu people and entrusts them with their dream of traveling for nine days. In September 2023, as soon as the bronze bird-shaped vessel of Sanxingdui Museum was unveiled on the Internet, it aroused the admiration and speculation of netizens: "Sanxingdui ancestors really love birds" and "Tianji? Or Phoenix? ”

In the magical animals in the museum, there is a password of "why China".

Warring States: Wrong Gold Du Tiger Talisman

2,300 years ago, the Warring States period of the wrong gold and tiger talisman, let people travel through history and feel the majestic momentum of the autumn soldiers on the battlefield during the Warring States period. The Shaanxi History Museum's collection of the wrong gold Du tiger charm is a domineering tiger, walking in the shape of a walk, with its head held high and its tail curled. The Tiger Talisman is inscribed: "The Talisman of Armor." The right is in Jun, and the left is in Du. Where Xingshi is armored, with more than 50 soldiers, will be the king's talisman, but dare to do the ......" a total of 9 lines and 40 words, indicating the use of the tiger talisman and the scope of troop transfer. When used, the tiger talisman must be tightly aligned with the left and right halves to be effective, which is also the origin of the word "conform".

In the magical animals in the museum, there is a password of "why China".
In the magical animals in the museum, there is a password of "why China".

Qin bronze chariot and horse Courtesy of the Mausoleum Museum of the First Emperor of Qin

2,200 years ago, the Qin bronze chariot and horse were one of the funerary goods of Qin Shi Huang, symbolizing a part of Qin Shi Huang's luan drive. Experts from the Mausoleum Museum of the First Emperor of the Qin Dynasty introduced: "The bronze carriage and horse are based on the shape of the 'five-hour auxiliary car' in the Qin Shi Huang patrol convoy, and are made in the 1:2 ratio of the practical carriage, which truly reproduces the shape, structure, shape and decoration of the emperor's royal carriage, allowing people to imagine the grand occasion of the emperor's parade. ”

They reproduce the Han and Tang Dynasty weather

During the Han and Tang dynasties, the country was stable, the culture was prosperous, and the civilizations were integrated and mutually learned.

2,100 years ago, the Western Han Dynasty bear-foot bronze tripod tells the Chinese wisdom on the tip of the tongue.

In the magical animals in the museum, there is a password of "why China".

Western Han · Bear's foot copper tripod

"Copper tripod, three-legged and two-eared, and the treasure of five flavors." The bear-foot bronze tripod of the Hebei Museum was unearthed in the tomb of Liu Sheng, the son of Emperor Liu Qi of the Han Dynasty. It is a "pressure cooker" more than 2,100 years ago, when the lid is tightly sealed together, the steam is firmly locked in the tripod, not only the time is shorter, but the cooked food is more soft.

2000 years ago, the wrong gold, silver and bronze cow lamp, environmentally friendly, smoke-free.

In the magical animals in the museum, there is a password of "why China".

Eastern Han Dynasty wrong gold, silver and bronze bull lamp

The gold, silver, bronze and bull lanterns of the Nanjing Museum let this generation of young people see the environmental protection concept of their ancestors. When the lamp is lit, the smoke and dust produced are introduced into the clean water in the abdominal cavity of the lamp holder through the smoke pipe, so as to be purified to ensure the freshness of the indoor air.

1500 years ago 的北朝马头鹿角形金步摇见证了民族fusion。

In the magical animals in the museum, there is a password of "why China".

Northern Dynasty Horse Head Antler-shaped Golden Step Shake

Shake one step at a time, look forward to life. The National Museum of China's horse-head antler-shaped golden step shake BlingBling, the horse-head-shaped base extends out of the antler branches, and the tail tip is decorated with peach-shaped gold leaves, which is luxurious and compelling, adding more thought and less tacky. According to research, this is a relic of Xianbei in the Northern Dynasties, and the shape of the horse's head antlers perfectly integrates the Xianbei people's beauty-loving nature and the characteristics of the nomadic people.

In the magical animals in the museum, there is a password of "why China".

Tang Sancai glazed pottery Zaile camel

1,300 years ago, the Tang Sancai glazed pottery carried the camel, showing the spirit of the Chinese nation.

The National Museum of China's Tang Sancai glazed pottery Zaile camel cleverly exaggerates the ratio of man to camel, the shape is beautiful and vivid, the glaze color is bright and moist, representing the highest level of Tang Sancai, and more importantly, it witnesses the mutual learning of civilizations on the Silk Road.

They are engraved with the Chinese aesthetic ideas of the Song, Yuan, Ming and Qing dynasties

During the Song, Yuan, Ming and Qing dynasties, Chinese aesthetic thought was soaked in all aspects. Whether it is the Yuan Dynasty's Ji blue glazed white dragon pattern plum bottle, the Ming Dynasty's golden cicada jade leaves, or the Qing Dynasty's Jin Ou Yonggu cup...... It is engraved with the aesthetic ideas of the ancestors.

In the magical animals in the museum, there is a password of "why China".

Yuan Ji blue glazed white dragon pattern plum bottle

700 years ago, the Yuan Dynasty Ji blue glazed white dragon pattern plum vase is the ultimate expression of oriental aesthetics.

The Yuan Dynasty Ji blue glazed white dragon pattern plum vase is the treasure of Yangzhou Museum, in order to allow the audience to watch 360 ° without dead ends, a whole exhibition hall, only this one piece is displayed.

500 years ago, the golden cicada and jade leaves sang the beauty of the times.

In the magical animals in the museum, there is a password of "why China".

Ming Golden Cicada Jade Leaf

The golden cicada jade leaf is one of the treasures of the Nanjing Museum, and it is a fashion item on the hair bun of aristocratic women 500 years ago. In the exhibition of "Jade Run China - The Epic Scroll of Chinese Jade", it is also one of the "Internet celebrity cultural relics". The shape of the god Bi Xiao, the golden light shining cicada perches on the jade leaves, its mouth is slightly open as if it is resonating, the jade leaves are veined clearly, thin and concave arc, the gold content of the golden cicada is identified to reach 95%, and the thickness of the cicada wings is only 0.2 mm, the craft is exquisite and complicated.

In the magical animals in the museum, there is a password of "why China".

Qing Jinou permanent cup

280 years ago, the Qing Dynasty Jinou Yonggu Cup has the beautiful meaning of the unity of the four seas and the peace of the country. It is the treasure of the Palace Museum, the Qianlong year, and is considered "the pinnacle of gold and silver history in China and even the world", and "a rare and priceless treasure".

China, the cultural heritage is endless, why China, all in the museum.

(Except for the annotations, the pictures are from "Visual China")

Produced by Hyundai Express/Hyundai+

Executive Producer: Zheng Chunping

Curated by Sun Lanlan Chang Yi

Coordinator: Zhou Xiaoxiang, Peng Fei, Chen Yuan, Hu Han

Choreographer Bao Ziyuan

Reporter Hu Yumei

Later Wang Hantian

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