Loading...
The pressure of live streaming is huge
During the recording of "Cute Detective 2024", Na Ying revealed her pressure feelings when facing the live broadcast system of "Singer 2024". Live streaming means that there is no safety net for post-editing, and every note has to hit the audience's heartstrings with unmistakable accuracy. Imagine standing in the center of the stage, with thousands of eyes on you, and every tiny mistake could become a trending topic on social media.
This kind of pressure is enough to make anyone's knees weak, and Na Ying is no exception. She shared her feelings with Huang Zitao and Xu Zhisheng, undoubtedly seeking an emotional support and recognition. In this live broadcast environment without sound repair, the true level of the singer is exposed, which is also a new challenge for a senior singer like Na Ying.
Funny comments and support from netizens
The comments of netizens are always full of surprises. Someone joked that "the whole line collapsed, I want foreigners to wash", this sentence not only shows netizens' sympathy for Na Ying's suffering, but also reduces the tense atmosphere in a humorous way.
In addition, some people encouraged Na Ying to say, "Don't be afraid, you can't take the first and the second, and you can't take the second and the third", which is not only an encouragement to Na Ying, but also a positive attitude towards the difficulties encountered in life.
By sharing these comments, we were not only able to see Na Young's place in the hearts of her fans, but also to feel how this great interaction supported her in difficult times.
The pressure of the first singer to save the scene
Loading...
The pressure faced by the starting rescue singer is no less than that of Na Ying. They need to quickly adapt to the environment during the live broadcast, use their performances to stabilize the mood of the scene, and even resolve possible embarrassing situations. For them, the live broadcast without sound repair is not only an opportunity to show their true strength, but also a severe test.
Their success requires not only skill and talent, but also strong mental quality and on-the-spot adaptability. In this case, every performance is like walking a tightrope, and if you are not careful, you may fall from a height.
Director Hong Xiao's charcoal in the snow
For director Hong Xiao, such a live broadcast competition system undoubtedly increases the difficulty of his work. He needs to orchestrate every show to ensure the flow of the show and the audience's sense of engagement, while also being prepared for any situation that may arise.
In this high-pressure environment, his every move affects the quality of the show and the performance of the singers. But it is this kind of support that makes Na Ying and the other participating singers feel the power of the team behind them, and also makes the whole show more real and touching.
summary
So, is this live broadcast format an improvement or a regression? On the one hand, it really improves the authenticity of the show and the audience's sense of participation, allowing the audience to feel the authenticity of the singer more directly. On the other hand, it also puts a lot of pressure on the singer and the production team, and may even affect the singer's mental health.
In this mode, it is still worth exploring whether everyone can stay in the best shape and show their best self. However, it is undeniable that it provides us with a new perspective of viewing, bringing music and performance closer to life and reality.